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It’s disturbing what you can find online…

Tales of Silence & Sortilege, Simon Whitechapel, Paperback, 111 Pages

May 28, 2012

If you love weird fantasy, if you love the English language, even if you don’t love Clark Ashton Smith, you should read this book. The back cover describes it as “the darkest and most disturbing fantasy” of this millennium, but that’s either sarcastic or tragically optimistic, because what these stories really are is beautiful. The breath of snow-wolves is described as “harsh-spiced.” A mysterious gargoyle leaning from the heights of a great cathedral has “wings still glistening with the rime of interplanetary flight.” Hummingbirds are “gem-feathered… their glittering breasts dusted with the gold of a hundred pollens.” If you cannot appreciate such imagery, then perhaps you are dead to beauty, or simply dead. These tales are very short, but some of them have stayed with me for years, such as “The Treasure of the Temple,” in which a thief seems to lose the greatest fortune he could ever have found by stealing a king’s ransom in actual treasure. Most of the stories are brilliant, one or two is only good, but the masterpieces are “Master of the Pyramid” and “The Return of the Cryomancer.” The sense of loss and mystery evoked by these two companion stories is almost physically painful, it is so haunting. There is nothing like these stories being published today. Reading them, I feel the excitement and wonder that fans of Weird Tales magazine must have known long ago when new stories would appear by H.P. Lovecraft, Clark Ashton Smith, and Robert E. Howard. Simon Whitechapel doesn’t imitate these authors so much as apply their greatest lessons to new forms of fantasy. This is one of the cheapest books I own, but I accord it one of my most valuable. It is easily the best work of art you will find in any form on Lulu. I cannot recommend it highly enough.

The Roses of Hsūlag-Beiolă, Simon Whitechapel, Paperback, 154 Pages

Jun 8, 2012

This collection of weird fantasy is filled with mystery, wonder and a sense of the ineffable. Not every story is a mind-blowing masterpiece, but the best of them are absolutely spectacular. Even the worst are good and all are haunting in one way or another. My two favorites were: 1. “The Mercy of the Osmomancer,” wherein a knight on a mission to investigate the tower of a scent-wizard encounters demons made of smells and even learns the language of odors… 2. “The Swans,” in which a pawnbroker tracks down all the known paintings of a seemingly insane artist who paints his canvases entirely black, nothing but black, for reasons best and most poetically left to Simon Whitechapel to explain… Any fan of H.P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Edgar Allan Poe, Comte de Lautréamont, Charles Baudelaire or William S. Burroughs will find something wonderful to love in here. I sure did.


Even more disturbing is the thought that this individual may be able to pass themself off as normal in real life: there are no spelling mistakes or solecisms. (Then again, perhaps I’m reviewing my own books in my sleep. (But I wouldn’t compare myself to B*rr**ghs, surely? (Unless it’s a bluff or double-bluff. (Disturbing, as I said. (I agree.)))))

It’s The Gweel Thing…

Gweel & Other Alterities, Simon Whitechapel (Ideophasis Books, 2011)

Oh no. Say it ain’t so, Shmoe. I thought we’d heard the last of this vile piece-a-shit after his richly deserved execution for hate-crimes – inter alia, he’d claimed that maverick underground editor Dave Kerekes was a M*n *td f*n, that über-maverick gay aesthetician John Coulthart was a G**rd**n-r**d*r, and that post-über-maverick cultural titan Alan Moore had a *ea**. He might, just might, have got away with double-life for those first two crimes against humanity… but fortunately one of the last acts of the righteous New Labour government in Britain had been to pass a law mandating death for any and all forms of pogonophobia. Accordingly, Whitechapel’s attempted genocide against Alan M. earnt him the electric Blair (don’t ask, or you might feel a twinge of sympathy even for a depraved speech-criminal like Whitechapel).

Anyhows, that SHOULDA been the last we’d ever hear of him. No such luck. Either some deluded disciple’s been on the ouija board or the astral, or Whitechapel left material to some deluded disciple for posthumous publication, like a final fetid fart from a putrefying, maggot-infested corpse. It’s difficult to know where to begin hinting at how hateful’n’horrible this book is – “hint” is all I’m gonna do, because I’ve got something Whitechapel obviously never came within a million miles of acquiring, namely, a social conscience. Did you ever read anything and then feel as though you needed to take a looooong shower? Me too. More’n once. But it’s never been as bad as this. I felt as though I needed a shower after the first word of the first sentence of the first story in Gweel. That’s how reprehensible’n’repulsive this book is in terms of issues around feralness’n’fetidity. I’ve read Sade, I’ve read Guyotat, I’ve read Archer – I have never read anything that made me despair of life and humanity the way Gweel did. And still does. I’ll lay it on the line: I am completely and uncompromisingly in favor of absolute and unconditional freedom of speech – except for racists, sexists, and homophobes, natch – but I would gladly see Gweel burned and its ashes ground to powder before being encased in concrete and blasted off for a rendezvous with the all-cleansing fusional furnace of Father Sol himself.

Why? Well, I’m not gonna tell you the worst of what’s within – I’m not even sure I know the worst, given that I couldn’t get some pages unstuck after I threw up on the book halfway thru the second paragraph of that first story – but how’d’ya like these little green apples?:

The suggestion that prime numbers like 17, 31, and 89 could be used as hallucinogenic drugs (as made in the story “Tutu-3”)? Or the suggestion that the digits of √2 somehow encode a Lovecraftian pastiche about two archaeomysteriologists descending to the bottom of the Atlantic in a bathysphere, drinking “whisky-laced coffee” as they go (as in “Kopfwurmkundalini”)? Or how’s about the über-esoteric hidden channel that some prisoner discovers on an old TV and that, left playing overnight, coats his cell in gold-and-scarlet lichen (as in, er, “Lichen”)? And I don’t even like to recall, let alone mention, the microscopic red mite in “Acariasis” and the Martian musings it prompts in another “banged-up” protagonist. As for “Beating the Meat” and “Santa Ana City Jail” – let’s leave it at the titles, shall we? You don’t wanna go there. I have, and I wish to God I hadn’t.

Yeah, I also wish Whitechapel could be brought back to life… and sentenced to death all over again for what he’s done to H.P. Lovecraft, M.R. James, and Ramsey Campbell. As a committed fan of all three, I can’t tell you how horrified and disgusted I was to see their influence all over Gweel. It was like sipping and savoring a glass of fine wine, then discovering that someone had been washing his syphilitic dick in it. And then some. If you try reading this, Jesus will sob on Mary’s shoulder and Satan will high-five Mephistopheles. Trust me. If you possibly can, get the full width of the planet between yourself and any copy of Gweel that survives the sweep that will begin as soon as I’ve dialled my local hate-crime hotline. (Reviewed by Peter Sotos.)