
Orange-tip butterfly ♂, Anthocharis cardamines

Orange-tip butterfly ♂, Anthocharis cardamines

The phosphorescent fungus Panellus stipticus, responsible for white rot (Wikipedia)
Post-Performative Post-Scriptum…
The title of this incendiary intervention is of course a core referencing of Sunn O)))’s classic album Insect Villain Monocrypt (2006).

Feathers by Ben Rothery (click for larger)
Post-Performative Post-Scriptum
“Bennae Bellae” is a play on Pennae Bellae, which is Latin for “Beautiful Feathers” (Pennae Pulchrae would be better, but not as assonant).
I didn’t have a clue when I first came across one. The answer is here.
“Don’t ever think that magic is simply somebody taking a rabbit out of a hat. Our ancestors believed in magic and were right for the wrong reasons — for the most part they believed that magic was evil, not good. But the magic that lies all about you, from your own body to that of an elephant, to a fly’s wing as intricate as anything that lets the sunlight into Chartres Cathedral, to the great surging sea itself — that is magic. Anyone who goes through life unastounded by everything he sees is not alive.” — Gerald Durrell, Myself and Other Animals (2024), “Fragments from unpublished autobiography”

Glowworms above the Waitomo Stream, Waitomo Glowworm Cave, New Zealand (Image)
Previously Pre-Posted…
• Glow with the Flow #1
If reading continually reteaches you how to think, television is a perpetual anesthetic. Philosophy, history, complex thought are all impossible on the tube: “Its form works against the content.” — Noah McCormack, “We Used to Read Things in This Country”, The Baffler #81, November 2025
“Our fantastic civilization has fallen out of touch with many aspects of nature, and with none more completely than with night. Primitive folk, gathered at a cave mouth round a fire, do not fear night; they fear, rather, the energies and creatures to whom night gives power; we of the age of the machines, having delivered ourselves of nocturnal enemies, now have a dislike of night itself. With lights and ever more lights, we drive the holiness and beauty of night back to the forests and the sea; the little villages, the cross-roads even, will have none of it. Are modern folk, perhaps, afraid of night? Do they fear that vast serenity, the mystery of infinite space, the austerity of stars?” — Henry Beston (1888-1968), The Outermost House, 1933