Miximal Metaphors

“Each of Robyn’s three Honey-era Later performances featured a moment. Towards the end of ‘Missing U’, she finally stared down the camera, having avoided eye contact for fear of emotional collapse, while during ‘Honey’ she did away with the mic stand to make room for supple dance moves. With ‘Every Heartbeat’, meanwhile, peaked when she punctured the highwire emotional blood-letting with a cheeky wink.” — “The 100 greatest BBC music performances – ranked!”, The Guardian, 6×22


Post-Performative Post-Scriptum…

If you think it’s easy to mix so many metaphors in so few words, all I can say is: Try it for yourself!

Oh My Guardian #8

“When it comes to Harry Potter, JK Rowling just can’t leave it alone. This is not necessarily a bad thing – fans have got to see Harry and friends all grown-up in the Cursed Child plays – but she’s also managed to muddy the waters by her constant rejigging of the original narrative furniture.” — Fantastic Beasts isn’t racist, but JK Rowling should stop tweaking the source material, Hannah Flint, The Guardian, 28ix2018.


Oh My Guardian #7 — the previous entry in this award-winning series
Reds under the Thread more on mixed metaphors… in terms of The Guardian
All posts interrogating issues around the Guardian-reading community and its affiliates

Oh My Guardian #6

[…] the whole vintage package – which started as essentially a rediscovery of simple skills, tying generations together and serving as a visual cake-based bulwark against modern turbulence – has been used to sugar-coat a free-market nationalism that isn’t sweet at all. — Zoë Williams, Let’s ditch the nostalgia that’s invaded our TV and seeped into our politics, The Guardian, 30iv2018.


Elsewhere other-engageable:

Oh My Guardian #5
Zo with the Flow
Reds under the Thread (more on mixed metaphory)

Maxed Messages

Terminal Trio – Robert Burchill on “in terms of”
Mixed Messages – the Joy of Guardian prose
Paradigms Loused

Oh My Guardian #2

“Instead, Mr Comey has rocket-fuelled a venomous contest just when Mr Trump was desperate for a lifeline…” — The Guardian view on the FBI’s Clinton probe: exactly the wrong thing to do


Previously pre-posted…

Oh My Guardian #1
Reds under the Thread

Go Fig, Carr

“What they will find is a clear look into the molten core of a certain mind-set, a place where conspiracies are legion, victims are portrayed as perpetrators and so-called news is a fig leaf on a far darker art.” — “Sowing Mayhem, One Click at a Time”, David Carr, The New York Times, 15/xii/2014, viâ Steve Sailer.

Vibe Alibe

“The recent election of Syriza in Greece offers a vibrant glimmer of hope for the future of social and economic democracy in Europe.” — from a letter to The Guardian by Judith Butler, Slavoj Žižek, Jacqueline Rose, et al.

Mix to the Marx

“And in the global climate of the early 90s, it’s perhaps not surprising that the ANC bent to the neoliberal flood tide, putting its Freedom Charter calls for public ownership and redistribution of land on the back burner.” — Mandela has been sanitised by hypocrites and apologists, Seamus Milne, The Guardian, 12/xii/2013.


Previously pre-posted (please peruse):

Reds under the Thread

Hit and Smith

Front cover of Songs that Saved Your Life by Simon GoddardSongs that Saved Your Life: The Art of The Smiths 1982-87, Simon Goddard (Titan Books 2013)

I enjoyed Simon Goddard’s Mozipedia – The Encyclopedia of Morrissey and The Smiths a lot. And learnt a lot from it too. But I haven’t bothered finishing Simon Goddard’s Songs that Saved Your Life: The Art of The Smiths 1982-87 (an updated edition of The Smiths: Songs That Saved Your Life, 2002). There’s too much rock-writer rhetoric, too many mixed metaphors, too few pictures. None, in fact, apart from the band-photo on the front cover and the tickets on the back. Part of the problem is that The Smiths were only Act One in Mozza’s career. Johnny Marr played guitar well and wrote some beautiful tunes. But Morrissey was the interesting, eclectic and original one in The Smiths: the Mogpie didn’t need Marr a quarter as much as Marr needed the Mogpie. That’s part of why Mozipedia is better. Use this book as a supplement, because it’s got a lot of disc-o-detail and the appendices are good, covering The Smiths on record, in concert and on TV and radio. Goddard doesn’t have room to get rock-o-rhetorical there.