Nail Supremacy

Ὁ γαρ ἡδονής και ἀλγηδόνος ἧλος, ὃς πρὸς το σώμα τήν ψυχην προσηλοῖ, μέγιστον κακὸν ἔχειν ἔοικε, τὸ τα αἰσθητά ποιεῖν ἐναργέστερα τῶν νοητῶν, καὶ καταβιάζεσθαι καὶ πάθει μᾶλλον ἢ λόγῳ κρίνειν τήν διάνοιαν.

• ΠΡΟΒΛΗΜΑ Β’. Πώς Πλάτων ἔλεγε τον θεὸν άεὶ γεωμετρεῖν.


Nam voluptatis et doloris ille clavus, quo animus corpori affigitur, id videtur maximum habere malum, quod sensilia facit intelligibilibus evidentiora, vimque facit intellectui, ut affectionem magis quam rationem in judicando sequatur.

• QUÆSTIO II: Qua ratione Plato dixerit, Deum semper geometriam tractare.


For the nail of pain and pleasure, which fastens the soul to the body, seems to do us the greatest mischief, by making sensible things more powerful over us than intelligible, and by forcing the understanding to determine them rather by passion than by reason.

• Plutarch’s Symposiacs, QUESTION II: What is Plato’s Meaning, When He Says that God Always Plays the Geometer?

He Say, He Sigh, He Sow #48

• « S’il est un homme tourmenté par la maudite ambition de mettre tout un livre dans une page, toute une page dans une phrase, et tout une phrase dans un mot, c’est moi. » — Joseph Jourbet (1754-1824)

• “If there is a man tormented by the cursed ambition to compress an entire book into a page, an entire page into a phrase, and that phrase into a word, it is I.” — Joseph Jourbet

O l’Omertà o la Morte

• φασὶ γοῦν Ἵππαρχον τὸν Πυθαγόρειον, αἰτίαν ἔχοντα γράψασθαι τὰ τοῦ Πυθαγόρου σαφῶς, ἐξελαθῆναι τῆς διατριβῆς καὶ στήλην ἐπ’ αὐτῷ γενέσθαι οἷα νεκρῷ. — Κλήμης ὁ Ἀλεξανδρεύς, Στρώματα.

• They say, then, that Hipparchus the Pythagorean, being guilty of writing the tenets of Pythagoras in plain language, was expelled from the school, and a pillar raised for him as if he had been dead. — Clement of Alexandria, The Stromata, 2.5.9.57.3-4

Tott ist Rot

• Lautlos und fein rann der rostrot gefärbte Sand durch die gläserne Enge, und da er in der oberen Höhlung zur Neige ging, hatte sich dort ein kleiner, reißender Strudel gebildet. — Thomas Mann, Der Tod in Venedig (1912)

• Silently, subtly, the rust-red sand trickled through the narrow glass aperture, dwindling away out of the upper vessel, in which a little whirling vortex had formed. — “Death in Venice” (translated by David Luke)

Noise from Nowhere

• Es war, als ob er irgendwohin horchte, auf irgend ein unheimliches Geräusch. — Thomas Mann, Der kleine Herr Friedemann (1897)

• He seemed somehow to be listening, listening to some uncanny noise from nowhere. — “Little Herr Friedemann” (translated by David Luke)

He Say, He Sigh, He Sow #44

H. Rider Haggard describes fractals:

Out of the vast main aisle there opened here and there smaller caves, exactly, Sir Henry said, as chapels open out of great cathedrals. Some were large, but one or two — and this is a wonderful instance of how nature carries out her handiwork by the same unvarying laws, utterly irrespective of size — were tiny. One little nook, for instance, was no larger than an unusually big doll’s house, and yet it might have been a model for the whole place, for the water dropped, tiny icicles hung, and spar columns were forming in just the same way. — King Solomon’s Mines, 1885, ch. XVI, “The Place of Death”

He Say, He Sigh, He Sow #37

• Il sole, con tutti quei pianeti che girano intorno ad esso e da esso dipendono, può ancora maturare un grappolo d’uva come se non vi fosse nient’altro da fare in tutto l’universo. — Galileo Galilei, 1564-1642.

   • “The sun, with all those planets turning around it and dependent on it, can still ripen a bunch of grapes as if it had nothing else in the universe to do.”

He Say, He Sigh, He Sow #36

• “By the time I was twenty-four I had constructed a complete system of philosophy. It rested on two principles: The Relativity of Things and The Circumferentiality of Man. I have since discovered that the first was not a very original discovery. It may be that the other was profound, but though I have racked my brains I cannot for the life of me remember what it was.” — W. Somerset Maugham, The Summing Up (1938), sec. 66.