Phil’ Kill Kult

Lucretius (1869)

by Alfred Tennyson

Lucilla, wedded to Lucretius, found
Her master cold; for when the morning flush
Of passion and the first embrace had died
Between them, tho’ he loved her none the less,
Yet often when the woman heard his foot
Return from pacings in the field, and ran
To greet him with a kiss, the master took
Small notice, or austerely, for his mind
Half buried in some weightier argument,
Or fancy-borne perhaps upon the rise
And long roll of the hexameter — he past
To turn and ponder those three hundred scrolls
Left by the Teacher, whom he held divine.
She brook’d it not, but wrathful, petulant
Dreaming some rival, sought and found a witch
Who brew’d the philtre which had power, they said
To lead an errant passion home again.
And this, at times, she mingled with his drink,
And this destroy’d him; for the wicked broth
Confused the chemic labor of the blood,
And tickling the brute brain within the man’s
Made havoc among those tender cells, and check’d
His power to shape. He loathed himself, and once
After a tempest woke upon a morn
That mock’d him with returning calm, and cried:

“Storm in the night! for thrice I heard the rain
Rushing; and once the flash of a thunderbolt —
Methought I never saw so fierce a fork —
Struck out the streaming mountain-side, and show’d
A riotous confluence of watercourses
Blanching and billowing in a hollow of it,
Where all but yester-eve was dusty-dry.

“Storm, and what dreams, ye holy Gods, what dreams!
For thrice I waken’d after dreams. Perchance
We do but recollect the dreams that come
Just ere the waking. Terrible: for it seem’d
A void was made in Nature, all her bonds
Crack’d; and I saw the flaring atom-streams
And torrents of her myriad universe,
Ruining along the illimitable inane,
Fly on to clash together again, and make
Another and another frame of things
For ever. That was mine, my dream, I knew it —
Of and belonging to me, as the dog
With inward yelp and restless forefoot plies
His function of the woodland; but the next!
I thought that all the blood by Sylla shed
Came driving rainlike down again on earth,
And where it dash’d the reddening meadow, sprang
No dragon warriors from Cadmean teeth,
For these I thought my dream would show to me,
But girls, Hetairai, curious in their art,
Hired animalisms, vile as those that made
The mulberry-faced Dictator’s orgies worse
Than aught they fable of the quiet Gods.
And hands they mixt, and yell’d and round me drove
In narrowing circles till I yell’d again
Half-suffocated, and sprang up, and saw —
Was it the first beam of my latest day?

“Then, then, from utter gloom stood out the
The breasts of Helen, and hoveringly a sword
Now over and now under, now direct,
Pointed itself to pierce, but sank down shamed
At all that beauty; and as I stared, a fire,
The fire that left a roofless Ilion,
Shot out of them, and scorch’d me that I woke.

“Is this thy vengeance, holy Venus, thine,
Because I would not one of thine own doves,
Not even a rose, were offered to thee? thine,
Forgetful how my rich proemion makes
Thy glory fly along the Italian field,
In lays that will outlast thy deity?

“Deity? nay, thy worshippers. My tongue
Trips, or I speak profanely. Which of these
Angers thee most, or angers thee at all?
Not if thou be’st of those who, far aloof
From envy, hate and pity, and spite and scorn,
Live the great life which all our greatest fain
Would follow, centred in eternal calm.

“Nay, if thou canst,
Goddess, like ourselves
Touch, and be touch’d, then would I cry to thee
To kiss thy Mavors, roll thy tender arms
Round him, and keep him from the lust of blood
That makes a steaming slaughter-house of Rome.

“Ay, but I meant not thee; I meant riot her
Whom all the pines of Ida shook to see
Slide from that quiet heaven of hers, and tempt
The Trojan, while his neatherds were abroad
Nor her that o’er her wounded hunter wept
Her deity false in human-amorous tears;
Nor whom her beardless apple-arbiter
Decided fairest. Rather, O ye Gods,
Poet-like, as the great Sicilian called
Calliope to grace his golden verse —
Ay, and this Kypris also — did I take
That popular name of thine to shadow forth
The all-generating powers and genial heat
Of Nature, when she strikes thro’ the thick blood
Of cattle, and light is large, and lambs are glad
Nosing the mother’s udder, and the bird
Makes his heart voice amid the blaze of flowers;
Which things appear the work of mighty Gods.

“The Gods! and if I go my work is left
Unfinish’d — if I go. The Gods, who haunt
The lucid interspace of world and world,
Where never creeps a cloud, or moves a wind,
Nor ever falls the least white star of snow
Nor ever lowest roll of thunder moans,
Nor sound of human sorrow mounts to mar
Their sacred everlasting calm! and such,
Not all so fine, nor so divine a calm
Not such, nor all unlike it, man may gain
Letting his own life go. The Gods, the Godsl
If all be atoms, how then should the Gods
Being atomic not be dissoluble,
Not follow the great law? My master held
That Gods there are, for all men so believe.
I prest my footsteps into his, and meant
Surely to lead my Memmius in a train
Of fiowery clauses onward to the proof
That Gods there are, and deathless. Meant? I meant?
I have forgotten what I meant, my mind
Stumbles, and all my faculties are lamed.

“Look where another of our Gods, the Sun
Apollo, Delius, or of older use
All-seeing Hyperion — what you will —
Has mounted yonder; since he never sware,
Except his wrath were wreak’d on wretched man,
That he would only shine among the dead
Hereafter — tales! for never yet on earth
Could dead flesh creep, or bits of roasting ox
Moan round the spit — nor knows he what he sees;
King of the East altho’ he seem, and girt
With song and flame and fragrance, slowly lifts
His golden feet on those empurpled stairs
That climb into the windy halls of heaven
And here he glances on an eye new-born,
And gets for greeting but a wail of pain;
And here he stays upon a freezing orb
That fain would gaze upon him to the last;
And here upon a yellow eyelid fallen
And closed by those who mourn a friend in vain,
Not thankful that his troubles are no more.
And me, altho’ his fire is on my face
Blinding, he sees not, nor at all can tell
Whether I mean this day to end myself.
Or lend an ear to Plato where he says,
That men like soldiers may not quit the post
Allotted by the Gods. But he that holds
The Gods are careless, wherefore need he care
Greatly for them, nor rather plunge at once,
Being troubled, wholly out of sight, and sink
Past earthquake — ay, and gout and stone, that break
Body toward death, and palsy, death-in-life,
And wretched age — and worst disease of all,
These prodigies of myriad nakednesses,
And twisted shapes of lust, unspeakable,
Abominable, strangers at my hearth
Not welcome, harpies miring every dish,
The phantom husks of something foully done,
And fleeting thro’ the boundless universe,
And blasting the long quiet of my breast
With animal heat and dire insanity?

“How should the mind, except it loved them, clasp
These idols to herself? or do they fly
Now thinner, and now thicker, like the flakes
In a fall of snow, and so press in, perforce
Of multitude, as crowds that in an hour
Of civic tumult jam the doors, and bear
The keepers down, and throng, their rags and the
The basest, far into that council-hall
Where sit the best and stateliest of the land?

“Can I not fling this horror off me again,
Seeing with how great ease Nature can smile
Balmier and nobler from her bath of storm,
At random ravage? and how easily
The mountain there has cast his cloudy slough,
Now towering o’er him in serenest air,
A mountain o’er a mountain, — ay, and within
All hollow as the hopes and fears of men?

“But who was he that in the garden snared
Picus and Faunus, rustic Gods? a tale
To laugh at — more to laugh at in myself —
For look! what is it? there? yon arbutus
Totters; a noiseless riot underneath
Strikes through the wood, sets all the tops quivering —;
The mountain quickens into Nymph and Faun,
And here an Oread — how the sun delights
To glance and shift about her slippery sides,
And rosy knees and supple roundedness,
And budded bosom-peaks — who this way runs
Before the rest! — a satyr, a satyr, see,
Follows; but him I proved impossible
Two-natured is no nature. Yet he draws
Nearer and nearer, and I scan him now
Beastlier than any phantom of his kind
That ever butted his rough brother-brute
For lust or lusty blood or provender.
I hate, abhor, spit, sicken at him; and she
Loathes him as well; such a precipitate heel,
Fledged as it were with Mercury’s ankle-wing,
Whirls her to me —; but will she fling herself
Shameless upon me? Catch her, goatfoot! nay,
Hide, hide them, million-myrtled wilderness,

And cavern-shadowing laurels, hide! do I wish —
What? —; that the bush were leafless? or to whelm
All of them in one massacre? O ye Gods
I know you careless, yet, behold, to you
From childly wont and ancient use I call —
I thought I lived securely as yourselves —
No lewdness, narrowing envy, monkey-spite,
No madness of ambition, avarice, none;
No larger feast than under plane or pine
With neighbors laid along the grass, to take
Only such cups as left us friendly-warm,
Affirming each his own philosophy
Nothing to mar the sober majesties
Of settled, sweet, Epicurean life.
But now it seems some unseen monster lays
His vast and filthy hands upon my will,
Wrenching it backward into his, and spoils
My bliss in being; and it was not great,
For save when shutting reasons up in rhythm,
Or Heliconian honey in living words,
To make a truth less harsh, I often grew
Tired of so much within our little life
Or of so little in our little life —
Poor little life that toddles half an hour
Crown’d with a flower or two, and there an end —
And since the nobler pleasure seems to fade,
Why should I, beastlike as I find myself,
Not manlike end myself? — our privilege —;
What beast has heart to do it? And what man
What Roman would be dragg’d in triumph thus?
Not I; not he, who bears one name with her
Whose death-blow struck the dateless doom of kings,
When, brooking not the Tarquin in her veins,
She made her blood in sight of Collatine
And all his peers, flushing the guiltless air,
Spout from the maiden fountain in her heart.
And from it sprang the Commonwealth, which breaks
As I am breaking now!

“And therefore now
Let her, that is the womb and tomb of all
Great Nature, take, and forcing far apart
Those blind beginnings that have made me man,
Dash them anew together at her will
Thro’ all her cycles — into man once more,
Or beast or bird or fish, or opulent flower.
But till this cosmic order everywhere
Shatter’d into one earthquake in one day
Cracks all to pieces, — and that hour perhaps
Is not so far when momentary man
Shall seem no more a something to himself,
But he, his hopes and hates, his homes and fanes
And even his bones long laid within the grave,
The very sides of the grave itself shall pass,
Vanishing, atom and void, atom and void,
Into the unseen for ever, — till that hour,
My golden work in which I told a truth
That stays the rolling Ixionian wheel,
And numbs the Fury’s ringlet-snake, and plucks
The mortal soul from out immortal hell
Shall stand. Ay, surely; then it fails at last
And perishes as I must, for O Thou
Passionless bride, divine Tranquillity,
Yearn’d after by the wisest of the wise
Who fail to find thee, being as thou art
Without one pleasure and without one pain,
Howbeit I know thou surely must be mine
Or soon or late, yet out of season, thus
I woo thee roughly, for thou carest not
How roughly men may woo thee so they win —;
Thus — thus — the soul flies out and dies in the air.”

With that he drove the knife into his side.
She heard him raging, heard him fall, ran in,
Beat breast, tore hair, cried out upon herself
As having fail’d in duty to him, shriek’d
That she but meant to win him back, fell on him
Clasp’d, kiss’d him, wail’d. He answer’d, “Care not thou!
Thy duty? What is duty? Fare thee well!”

Doctrīna Angelica

Die Ros’ ist ohn warumb; sie blühet weil sie blühet. — Angelus Silesius (1624-77)

La rosa es sin porqué; florece porque florece — Borges’ translation

La rose est sans pourquoi ; elle fleurit parce qu’elle fleurit.

La rosa è senza perché; fiorisce perché fiorisce.

De roos is zonder waarom; zij bloeit omdat zij bloeit.

الوَرْدَةُ بلا لِمَ؛ تَزْهُو لأنَّها تَزْهُو.

玫瑰无问缘由,只因绽放而绽放。

薔薇は「なぜ」を持たない。ただ咲くから咲く。

ვარდს „რატომ“ არ გააჩნია; ის ყვავის, რადგან ყვავის.

Rosa est sine cur; floret quia floret.

Τὸ ῥόδον ἄνευ τοῦ διὰ τί· ἀνθεῖ, ὅτι ἀνθεῖ.

पुष्पं निर्‍हेतुकम्; पुष्पति यतः पुष्पति।

The rose is without a Why: it blooms because it blooms.

Poetry in Mocean

The sea, to be sure, is a large department; and that is how it succeeded in attracting Swinburne’s attention; for he seldom noticed any object of external nature unless it was very large, very brilliant, or very violently coloured. But the sea as an object of poetry is somewhat barren. Those poets who have a true eye for nature and a sure pen for describing it, spend few words describing the sea; and their few words describe it better than Swinburne’s thousands. It is historically certain that he had seen the sea, but if it were not, it could not with certainty have been inferred from his descriptions: they might have been written by a man who had never been outside Warwickshire. Descriptions of nature equally accurate, though not equally eloquent, have actually been composed by persons blind from their birth, merely by combining anew the words and phrases which they have had read to them from books. When Swinburne writes thus –

And the night was alive and anhungered of life as a tiger from toils cast free:
And a rapture of rage made joyous the spirit and strength of the soul of the sea.
All the weight of the wind bore down on it, freighted with death for fraught:
And the keen waves kindled and quickened as things transfigured or things distraught.
And madness fell on them laughing and leaping; and madness came on the wind:
And the might and the light and the darkness of storm were as storm in the heart of Ind.
Such glory, such terror, such passion, as lighten and harrow the far fierce East,
Rang, shone, spake, shuddered around us: the night was an altar with death for priest –

it would be cruel to set against such a passage a single line of Tennyson’s or a single epithet of Shakespeare’s: I take instead a snatch of verse whose author few of you know and most of you never heard of:

Hurry me, Nymphs, O, hurry me
Far above the grovelling sea,
Which, with blind weakness and bass roar
Casting his white age on the shore,
Wallows along that slimy floor;
With his wide-spread webbèd hands
Seeking to climb the level sands,
But rejected still to rave
Alive in his uncovered grave.

[From George Darley’s “Nepenthe” (1835)]

Admirers of the sea may call that a lampoon or a caricature, but they cannot deny that it is life-like: the man who wrote it had seen the sea, and the man who reads it sees the sea again.

Poems and Brickbats — A.E. Housman on A.C. Swinburne

Versūs Vīlēs Veneficī

Satanas

To Jorge Santayana

ECCE! Princeps infernorum,
Rex veneficus amorum
Vilium et mortiferorum,
   Ecce! regnat Lucifer:
Animis qui dominatur,
Quibus coelum spoliatur;
Qui malignus bona fatur,
   Cor corrumpens suaviter.

Fructus profert; inest cinis:
Profert flores plenos spinis:
Vitae eius mors est finis:
   Crux est eius requies.
Qualis illic apparebit
Cruciatus, et manebit!
Quantas ista quot habebit
   Mors amaritudines!

Iuventutis quam formosa
Floret inter rosas rosa!
Venit autem vitiosa
   Species infamiae:
Veniunt crudeles visus,
Voces simulati risus;
Et inutilis fit nisus
   Flebilis laetitae.

Quanto vitium splendescit,
Tanto anima nigrescit;
Tanto tandem cor marcescit,
   Per peccata dulcia.
Gaudens mundi Princeps mali
Utitur veneno tali,
Voluptate Avernali;
   0 mellita vitia!

Gaudet Princeps huius mundi
Videns animam confundi;
Cordis amat moribundi
   Aspectare proelium.
Vana tentat, vana quaerens,
Cor anhelum, frustra moerens;
Angit animae inhaerens
   Flamma cor miserrimum.

Gaudet Rector tenebrarum
Immolare cor amarum;
Satiare furiarum
   Rex sorores avidas.
Vae! non stabit in aeternum
Regnum
, ait Rex, infernum:
Sed, dum veniat Supernum,
   Dabo vobis victimas.

Lionel Johnson (1867-1902), text courtesy Laudator Temporis Acti

Vowel-Voided Verse

THE RUSSO-TURKISH WAR

WAR harms all ranks, all arts, all crafts appal;
At Mars’ harsh blast arch, rampart, altar fall!
Ah! hard as adamant a braggart Czar
Arms vassal-swarms, and fans a fatal war!
Rampant at that bad call, a Vandal band
Harass, and harm, and ransack Wallach-land.
A Tartar phalanx Balkan’s scarp hath past,
And Allah’s standard falls, alas! at last.

THE FALL OF EVE

EVE, Eden’s empress, needs defended be;
The Serpent greets her when she seeks the tree.
Serene she sees the speckled tempter creep;
Gentle he seems — perverted schemer deep —
Yet endless pretexts, ever fresh, prefers,
Vervetts her senses, revers when she errs.
Sneers when she weeps, regrets, repents she fell,
Then, deep-revenged, reseeks the nether Hell!

THE APPROACH OF EVENING

IDLING I sit in this mild twilight dim.
Whilst birds, in wild swift vigils, circling skim.
Light wings in sighing sink, till, rising bright.
Night’s Virgin Pilgrim swims in vivid light.

INCONTROVERTIBLE FACTS

NO monk too good to rob, or cog, or plot.
No fool so gross to bolt Scotch collops hot.
From Donjon tops no Oronooko rolls.
Logwood, not lotos, floods Oporto’s bowls.
Troops of old tosspots oft to sot consort.
Box tops our schoolboys, too, do flog for sport.
No cool monsoons blow oft on Oxford dons,
Orthodox, jog-trot, book-worm Solomons!
Bold Ostrogoths of ghosts no horror show.
On London shop-fronts no hop-blossoms grow.
To crocks of gold no Dodo looks for food.
On soft cloth footstools no old fox doth brood.
Long storm-tost sloops forlorn do work to port.
Rooks do not roost on spoons, nor woodcocks snort.
Nor dog on snowdrop or on coltsfoot rolls.
Nor common frog concocts long protocols.

PHILOSOPHY

DULL humdrum murmurs lull, but hubbub stuns.
Lucullus snuffs up musk, mundungus shuns.
Puss purrs, buds burst, bucks butt, luck turns up trumps;
But full cups, hurtful, spur up unjust thumps.

• from Literary Frivolities, Fancies, Follies and Frolics compiled by by William T. Dobson (1880)

Number of the Ceased

Like mine, the veins of these that slumber
     Leapt once with dancing fires divine;
The blood of all this noteless number
     Ran red like mine.

How still, with every pulse in station,
     Frost in the founts that used to leap,
The put to death, the perished nation,
     How sound they sleep!

These too, these veins which life convulses,
     Wait but a while, shall cease to bound;
I with the ice in all my pulses
     Shall sleep as sound.

• A.E. Housman, “XX” in More Poems (1936)


Elsewhere Other-Accessible…

Complete Housman

Ho Rhodornix

Y Rhosyn a’r Wylan

There’s a rose at Number Seven,
Tho’ the air is wintered now,
And it glows at Number Seven,
In the brain behind thy brow.

There’s a gull that turns the stillness
Of the air above thy head:
’Tis the gull that spurns the illness
Of the creed where color’s dead.

There’s a rose at Number Seven;
There’s a gull that turns the air:
And what glows at Number Seven
Is the spurner turning there.