Toxic Turntable #23

Currently listening…

• Transylv Nexus, Vamplifier (1996)
• Jotmu Bkhu, We Stay Zipped (Songs for the Carnival) (1999)
• Ranfha, Deep to Deep (1979)
• Nade Famborne, Odū Pkeem x’Siqa (1985)
• Adrienne Prunier, Pour la Déesse (1982)
• Yoagoįh, Rhythmic Jellifications (1993)
• Caedicore, As Weird Is Null (1999)
• XS-Doz, Texanized (1985)
• Epics in the Underworld, Khviu (2012)
• Todt-89, Numina (LXVII) (2014)
• Ussia, My Kayak (Live Mixes) (1992)
• Ekkokoz, Qualis Tu Es (1997)
• Yoke of Cud, Red Leap (Led Reap) (1990)
• Fixenhoff, Swedish Amiff (1994)
• Aiyhor, Ihqxelyy-043478 (2006)
• Caiunic, HYH (1988)
• Uz R Under, Deborah the Henge (1983)
• Loftmaft, Horse for the Silent Shore (1996)
• Futility in Mexborough, Axolotl Dreams (2003)
• Sleek Boutique, Canopy Collapse (2020)
• Mmjojg Siki, A Height to Savor (1983)
• Franz Anton Hoffmeister, Viola Concerto in D major (1949)
• Froschkönig Gabriel, Aros Dillidia (1995)


Previously pre-posted:

Toxic Turntable #1#2#3#4#5#6#7#8#9#10#11#12#13#14#15#16#17#18#19#20#21#22

Un Paon Papyrocentrique

Le Paon dans les Pyrénées — a review at Papyrocentric Performativity of Julian Barnes’ The Man in the Red Coat (2019), which contains a lot about Robert de Montesquiou


Elsewhere other-accessible

Portrait of a Peacock — Cornelia Otis Skinner’s biographical sketch of Montesquiou