Carved Cascade

Woodcut of a waterfall by Reynolds Stone (1909-79)


It’s the wrong kind of waterfall to go with this passage from Nietzsche, but that can’t be helped dot dot dot colon

Am Wasserfall. — Beim Anblick eines Wasserfalles meinen wir in den zahllosen Biegungen, Schlängelungen, Brechungen der Wellen Freiheit des Willens und Belieben zu sehen; aber Alles ist nothwendig, jede Bewegung mathematisch auszurechnen. So ist es auch bei den menschlichen Handlungen; man müsste jede einzelne Handlung vorher ausrechnen können, wenn man allwissend wäre, ebenso jeden Fortschritt der Erkenntniss, jeden Irrthum, jede Bosheit. Der Handelnde selbst steckt freilich in der Illusion der Willkür; wenn in einem Augenblick das Rad der Welt still stände und ein allwissender, rechnender Verstand da wäre, um diese Pausen zu benützen, so könnte er bis in die fernsten Zeiten die Zukunft jedes Wesens weitererzählen und jede Spur bezeichnen, auf der jenes Rad noch rollen wird. Die Täuschung des Handelnden über sich, die Annahme des freien Willens, gehört mit hinein in diesen auszurechnenden Mechanismus. — Friedrich Nietzsche, Menschliches, Allzumenschliches: Ein Buch für freie Geister (1878)


AT THE WATERFALL.—In looking at a waterfall we imagine that there is freedom of will and fancy in the countless turnings, twistings, and breakings of the waves ; but everything is compulsory, every movement can be mathematically calculated. So it is also with human actions ; one would have to be able to calculate every single action beforehand if one were all-knowing ; equally so all progress of knowledge, every error, all malice. The one who acts certainly labours under the illusion of voluntariness ; if the world’s wheel were to stand still for a moment and an all-knowing, calculating reason were there to make use of this pause, it could foretell the future of every creature to the remotest times, and mark out every track upon which that wheel would continue to roll. The delusion of the acting agent about himself, the supposition of a free will, belongs to this mechanism which still remains to be calculated. — Friedrich Nietzsche, Human, All-Too Human: A Book for Free Spirits (1908)

Brine Shine

Study of waves, wave-crests and foam by the Armenian artist Ivan Aivazovsky (1817-1900)

Aivazovsky was a citizen of Imperial Russia whose name is Հովհաննես Այվազյան in Armenian and Иван Айвазовский in Russian.

Kaufkopf

Hans Holbein the Younger, Bildnis eines jungen Kaufmannes (1541) / Portrait of a Young Merchant


Previously pre-posted portrait posts:

Fur King Hal — Holbein’s portrait of Henry VIII
Anne’s Hans’ — Holbein’s portrait of Anne Cresacre

Möbius Tripping

“In many cases, mathematics is an escape from reality. The mathematician finds his own monastic niche and happiness in pursuits that are disconnected from external affairs. Some practice it as if using a drug. Chess sometimes plays a similar role. In their unhappiness over the events of this world, some immerse themselves in a kind of self-sufficiency in mathematics. (Some have engaged in it for this reason alone.)” — Stanislaw Ulam (1909-84)

Bird Up!


Carolina Parrot from Birds of America by John James Audubon (1785-1851)

(click for larger)


Also known as the Carolina parakeet, Conuropsis carolinensis, this bird is now extinct.

Cornuscopia

Cornelis de Heem, Stilleven met fruitmand / Still Life with Basket of Fruit (c. 1654)
(click for larger)


Note: The title of this incendiary intervention is a blend (or mash-up, as the non-conformist maverick community might say) of Latin cornucopia, “horn of plenty”, and Greek scopos, σκόπος, “seeing”.

Performativizing Papyrocentricity #67

Papyrocentric Performativity Presents:

Early RiserDecline and Fall, Evelyn Waugh (1928)

The Future is FascistFuturism, Richard Humphreys (1999 Tate Publishing)

Mystery and MeaningDictionary of Plant Names, Allen J. Coombes (1985)

Noshing on NoxiousnessNekro-Noxious: Toxic Tales of True Transgression in Miami Municipal Mortuary, Norberto Fetidescu (TransVisceral Books 2018)


Or Read a Review at Random: RaRaR