• Quot linguas calles, tot homines vales. — attributed to the polyglot Holy Roman Emperor Charles V
• • You’re worth as many people as the languages you speak.
• • The more languages you speak, the more people you are.
• • Speak a new language, be a new person.
• • New language, new person.
• • New tongue, new man.
Category Archives: Language
Lord, What Fuels These Portals Be!
Midnight, one more night without sleeping.
Watching ’til that morning comes creeping.
Green Door: what’s that secret you’re keeping?There’s an old piano and they play it hot behind the green door!
Don’t know what they’re doing but they laugh a lot behind the green door.
Wish they’d let me in so I could find out what’s behind the green door.Knocked once, tried to tell ’em I’d been there.
Door slammed — hospitality’s thin there.
Wondering just what’s going on in there.Saw an eyeball peepin’ through a smoky cloud behind the green door.
When I said “Joe sent me” someone laughed out loud behind the green door.
All I want to do is join the happy crowd behind the green door.
Otra noche mas que no duermo.
Otra noche mas que se pierde.
¿Que habrá tras esa puerta verde?
Suena alegremente un piano viejo
tras la puerta verde.Todos ríen y no se que pasa
tras la puerta verde
No descansaré hasta saber que hay
tras la puerta verde.Toqué, y cuando contestaron
dije ¡Ah! que a mí me llamaron.
Risas, y enseguida me echaron.Sólo pude ver que mucha gente allí se divertía,
y entre tanto humo todo allí se confundía.
Yo quisiera estar al otro lado de la puerta verde.Otra noche mas que no duermo.
Otra noche mas que se pierde.
¿Que habrá tras esa puerta verde?
¿Que habrá tras esa puerta verde?
¿Que habrá?
Elsewhere Other-Accessible…
• “The Green Door” (1956), music by Bob “Hutch” Davie and lyrics by Marvin J. Moore
Careway to Seven
• დედაბერს შვიდი სოფლის ფიქრი აწუხებდა, იმისი კი არავისა ჰქონდაო.
• • Dedabers shvidi soplis pikri ats’ukhbda, imisi k’i aravisa hkondao.
• • • The old woman worried about seven villages, but nobody cared about her. — A Comprehensive Georgian-English Dictionary, ed. Donald Rayfield et al (2006)
Post-Performative Post-Scriptum…
The title of this incendiary intervention is of course a radical reference to core Black Sabbath platter “Freewheel Burnin'” (2004).
Previously Pre-Posted…
• Stare-Way to Hair, Then
• Russell in Your Head-Roe
• Sampled (Underfoot)
The Belles of El

Title page of Sir Henry Billingsley’s first English version of Euclid’s Elements, 1570, with personifications of Geometria, Astronomia, Arithmetica and Musica as beautiful young women
The Elements of Geometrie of the Moſt Aucient Philoſopher Evclide of Megara.
Faithfully (now first) tranʃlated into the Engliʃhe toung, by H. Billingſley, Citizen of London.
Whereunto are annexed certaine Scolies, Annotations, and Inuentions, of the best Mathematiciens, both of times past, and in this our age.
With a very fruitfull Præface made by M.I. Dee, ʃpecifying the chiefe Mathematicall Sciences, what they are, and wherunto commodious: where, alʃo, are diʃcloʃed certaine new Secrets Mathematicall and Mechanicall, untill theʃe our daies, greatly miʃʃed.
Imprinted at London by Iohn Daye.
The title of this incendiary intervention is a paronomasia on “The Bells of Hell…”, a British airmen’s song in terms of core issues around World War I.
Félosophisme
« Tous les chats sont mortels, Socrate est mortel, donc Socrate est un chat. » — Rhinocéros (1959) par Eugène Ionesco (1931-94)
• “All cats are mortal, Socrates is mortal, therefore Socrates is a cat.”
Wake the Snake
In my story “Kopfwurmkundalini”, I imagined the square root of 2 as an infinitely long worm or snake whose endlessly varying digit-segments contained all stories ever (and never) written:
• √2 = 1·414213562373095048801688724209698078569671875376948073…
But there’s another way to get all stories ever written from the number 2. You don’t look at the root(s) of 2, but at the powers of 2:
• 2 = 2^1 = 2
• 4 = 2^2 = 2*2
• 8 = 2^3 = 2*2*2
• 16 = 2^4 = 2*2*2*2
• 32 = 2^5 = 2*2*2*2*2
• 64 = 2^6 = 2*2*2*2*2*2
• 128 = 2^7 = 2*2*2*2*2*2*2
• 256 = 2^8 = 2*2*2*2*2*2*2*2
• 512 = 2^9 = 2*2*2*2*2*2*2*2*2
• 1024 = 2^10
• 2048 = 2^11
• 4096 = 2^12
• 8192 = 2^13
• 16384 = 2^14
• 32768 = 2^15
• 65536 = 2^16
• 131072 = 2^17
• 262144 = 2^18
• 524288 = 2^19
• 1048576 = 2^20
• 2097152 = 2^21
• 4194304 = 2^22
• 8388608 = 2^23
• 16777216 = 2^24
• 33554432 = 2^25
• 67108864 = 2^26
• 134217728 = 2^27
• 268435456 = 2^28
• 536870912 = 2^29
• 1073741824 = 2^30
[...]
The powers of 2 are like an ever-lengthening snake swimming across a pool. The snake has an endlessly mutating head and a rhythmically waving tail with a regular but ever-more complex wake. That is, the leading digits of 2^p don’t repeat but the trailing digits do. Look at the single final digit of 2^p, for example:
• 02 = 2^1
• 04 = 2^2
• 08 = 2^3
• 16 = 2^4
• 32 = 2^5
• 64 = 2^6
• 128 = 2^7
• 256 = 2^8
• 512 = 2^9
• 1024 = 2^10
• 2048 = 2^11
• 4096 = 2^12
• 8192 = 2^13
• 16384 = 2^14
• 32768 = 2^15
• 65536 = 2^16
• 131072 = 2^17
• 262144 = 2^18
• 524288 = 2^19
• 1048576 = 2^20
• 2097152 = 2^21
• 4194304 = 2^22
[...]
The final digit of 2^p falls into a loop: 2 → 4 → 8 → 6 → 2 → 4→ 8…
Now try the final two digits of 2^p:
• 02 = 2^1
• 04 = 2^2
• 08 = 2^3
• 16 = 2^4
• 32 = 2^5
• 64 = 2^6
• 128 = 2^7
• 256 = 2^8
• 512 = 2^9
• 1024 = 2^10
• 2048 = 2^11
• 4096 = 2^12
• 8192 = 2^13
• 16384 = 2^14
• 32768 = 2^15
• 65536 = 2^16
• 131072 = 2^17
• 262144 = 2^18
• 524288 = 2^19
• 1048576 = 2^20
• 2097152 = 2^21
• 4194304 = 2^22
• 8388608 = 2^23
• 16777216 = 2^24
• 33554432 = 2^25
• 67108864 = 2^26
• 134217728 = 2^27
• 268435456 = 2^28
• 536870912 = 2^29
• 1073741824 = 2^30
[...]
Now there’s a longer loop: 02 → 04 → 08 → 16 → 32 → 64 → 28 → 56 → 12 → 24 → 48 → 96 → 92 → 84 → 68 → 36 → 72 → 44 → 88 → 76 → 52 → 04 → 08 → 16 → 32 → 64 → 28… Any number of trailing digits, 1 or 2 or one trillion, falls into a loop. It just takes longer as the number of trailing digits increases.
That’s the tail of the snake. At the other end, the head of the snake, the digits don’t fall into a loop (because of the carries from the lower digits). So, while you can get only 2, 4, 8 and 6 as the final digits of 2^p, you can get any digit but 0 as the first digit of 2^p. Indeed, I conjecture (but can’t prove) that not only will all integers eventually appear as the leading digits of 2^p, but they will do so infinitely often. Think of a number and it will appear as the leading digits of 2^p. Let’s try the numbers 1, 12, 123, 1234, 12345…:
• 16 = 2^4
• 128 = 2^7
• 12379400392853802748... = 2^90
• 12340799625835686853... = 2^1545
• 12345257952011458590... = 2^34555
• 12345695478410965346... = 2^63293
• 12345673811591269861... = 2^4869721
• 12345678260232358911... = 2^5194868
• 12345678999199154389... = 2^62759188
But what about the numbers 9, 98, 987, 986, 98765… as leading digits of 2^p? They don’t appear as quickly:
• 9007199254740992 = 2^53
• 98079714615416886934... = 2^186
• 98726397006685494828... = 2^1548
• 98768356967522174395... = 2^21257
• 98765563827287722773... = 2^63296
• 98765426081858871289... = 2^5194871
• 98765430693066680199... = 2^11627034
• 98765432584491513519... = 2^260855656
• 98765432109571471006... = 2^1641098748
Why do fragments of 123456789 appear much sooner than fragments of 987654321? Well, even though all integers occur infinitely often as leading digits of 2^p, some integers occur more often than others, as it were. The leading digits of 2^p are actually governed by a fascinating mathematical phenomenon known as Benford’s law, which states, for example, that the single first digit, d, will occur with the frequency log10(1 + 1/d). Here are the actual frequencies of 1..9 for all powers of 2 up to 2^101000, compared with the estimate by Benford’s law:
1: 30% of leading digits ↔ 30.1% estimated
2: 17.55% ↔ 17.6%
3: 12.45% ↔ 12.49%
4: 09.65% ↔ 9.69%
5: 07.89% ↔ 7.92%
6: 06.67% ↔ 6.69%
7: 05.77% ↔ 5.79%
8: 05.09% ↔ 5.11%
9: 04.56% ↔ 4.57%
Because (inter alia) 1 appears as the first digit of 2^p far more often than 9 does, the fragments of 123456789 appear faster than the fragments of 987654321. Mutatis mutandis, the same applies in all other bases (apart from bases that are powers of 2, where there’s a single leading digit, 1, 2, 4, 8…, followed by 0s). But although a number like 123456789 occurs much frequently than 987654321 in 2^p expressed in base 10 (and higher), both integers occur infinitely often.
As do all other integers. And because stories can be expressed as numbers, all stories ever (and never) written appear in the powers of 2. Infinitely often. You’ll just have to trim the tail of the story-snake.
ზამვარდები
ვარდები
მე, ზამთრისაგან ჯაჭვაწყვეტილი,
ნაცნობ ბაღისკენ მივემართები,
სად ფერად უცხო, ყნოსვად კეთილი,
ზამთარ და ზაფხულ ჰყვავის ვარდები.
Roses
Unchained from winter,
I walk to a long-known garden,
Where, sweet-scented and bright,
Roses grow winter and summer through.
• ვარდები, გალაკტიონ ტაბიძე
• “Roses”, Galaktion Tabidze — a translation into English
Performativizing Papyrocentricity #71
Papyrocentric Performativity Presents…
• Clive Drive – Unreliable Memoirs (1980) and Always Unreliable: The Memoirs (2001), Clive James
• Nou’s Who – Art Nouveau, Camilla de la Bedoyere (Flame Tree Publishing 2005)
• Hit and Mistletoe – Through It All I’ve Always Laughed, Count Arthur Strong (Faber & Faber 2013)
• Beauties and Beasts — Shardik, Richard Adams (1974)
Or Read a Review at Random: RaRaR
Genoa Ultramarina
«Il mare è la civiltà», disse [Franco Scoglio] una volta, «il sentimento, la passione, le tempeste, ma l’amore, gli sbarchi, le partenze, il mare è tutto. La follia va di pari passo con il mare». — Ultrà. Il volto nascosto delle tifoserie di calcio in Italia, Tobias Jones (2020)
• “The sea is civilization,” [Franco Scoglio] said once, “sentiment, passion, storms, love, landings, leavings, the sea is everything… madness walks with the sea.” — Ultra: The Underworld of Italian Football, Tobias Jones (2019)
Post-Performative Post-Scriptum
I’m not sure if the Italian is the original Italian or an Italian translation of Jones’s English translation of the original Italian. But it seems to be the former.
Elsewhere other-accessible…
• Franco Scoglio en italiano
• Franco Scoglio in English
Homnibus
Omnes una manet nox. — Horace, Odes 1, 28.
• “One night awaits us all.”