An ox-eye daisy (Leucanthemum sp.) with a harlequin ladybird, Harmonia axyridis, sitting at its center
Peri-Performative Post-Scriptum…
The title of this incendiary intervention refers to
1) The Fibonacci sequence present in the beautiful interlocking curves at the heart of the
2) daisy, whose name comes from Anglo-Saxon dæges ēage, meaning “day’s eye”.
3) The eye-like appearance of the daisy, with the ladybird like a slightly off-centered pupil
Scarlet pimpernel, Anagallis arvensis L. 1753 (more at Wikipedia)
Post-Performative Post-Scriptum…
osmic adj. Of or relating to the sense of smell. Also: relating to odour. [ancient Greek ὀσμή, osmē, smell, odour + ‑ic suffix] — Oxford English Dictionary
“I love figures, it gives me an intense satisfaction to deal with them, they’re living things to me, and now that I can handle them all day long I feel myself again.” — the imprisoned accountant Jean Charvin in W. Somerset Maugham’s short-story “A Man with a Conscience” (1939)
A perceived sphere (image from AnOpticalIllusion.com)
“My only drugs are silence and solitude.” — Frederick Forsyth in The Outsider: My Life in Intrigue (2015)
Silver Y Moth, Autographa gamma (Linnaeus 1758)
[I]t was hard to pierce Robert de Montesquiou’s carapace — and he wouldn’t have wanted you to. He was perhaps at heart a melancholic: he liked to say that his mother had “given me the sad present of life”. His restlessness and furious inquisitiveness might have been a response to this. He was vain without being especially self-reflective, one of those who, rather than look inside to discover who they are, prefer to see themselves in the reflections that come back from others. — Julian Barnes, The Man in the Red Coat (2019), pp. 192-3
Elsewhere Other-Accessible…
• Portait of a Peacock — Cornelia Otis Skinner’s essay on Montesquiou
• Le Paon dans les Pyrénées — review of Barnes’ The Man in the Red Coat
Some examples of impossible geometry (poster at Tarquin)
The colonial cyanobacterium Nostoc commune (image from Wikipedia)
Post-Performative Post-Scriptum…
The title of this incendiary intervention is a reference to the French phrase nostalgie de la boue, literally meaning “nostalgia for mud” and referring to a longing for social or sexual degradation.
Overlord In Terms of Core Issues Around Maximal Engagement with Key Notions of the Über-Feral 
