Less Is Cor

The splendor falls on castle walls
    And snowy summits old in story;
The long light shakes across the lakes,
    And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.

O, hark, O, hear! how thin and clear,
    And thinner, clearer, farther going!
O, sweet and far from cliff and scar
    The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying,
Blow, bugles; answer, echoes, dying, dying, dying.

O love, they die in yon rich sky,
    They faint on hill or field or river;
Our echoes roll from soul to soul,
    And grow forever and forever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.

• From Tennyson’s The Princess (1847)

Sóccrates Says…

“A beleza vem primeiro. A vitória é secundária. O que importa é a alegria.” — Sócrates, o futebolista brasileiro
• “Beauty comes first. Victory is secondary. What matters is joy.” — Brazilian footballer Sócrates


I’ve also found the quote as:

“A beleza está primeiro. A vitória é secundária. O que é interessa é o prazer.”
• “Beauty comes first. Victory is secondary. What matters is pleasure.”

Reflet de Robert

[I]t was hard to pierce Robert de Montesquiou’s carapace — and he wouldn’t have wanted you to. He was perhaps at heart a melancholic: he liked to say that his mother had “given me the sad present of life”. His restlessness and furious inquisitiveness might have been a response to this. He was vain without being especially self-reflective, one of those who, rather than look inside to discover who they are, prefer to see themselves in the reflections that come back from others. — Julian Barnes, The Man in the Red Coat (2019), pp. 192-3


Elsewhere Other-Accessible…

Portait of a Peacock — Cornelia Otis Skinner’s essay on Montesquiou
Le Paon dans les Pyrénées — review of Barnes’ The Man in the Red Coat

Chevaleurs Oniriques

« Les valeurs oniriques l’ont définitivement emporté sur les autres et je demande à ce qu’on tienne pour un crétin celui qui se refuserait encore, par exemple, à voir un cheval galoper sur une tomate. » André Breton (1896-1966)
• “Oneiric values have definitely won out over the others, and I maintain that anyone who still refuses to see, for instance, a horse galloping on a tomato, must be an idiot.” — André Breton, viâ Soluble Fish by Incunabula Media

Renoir et la Reine Noire

« Le noir, une non-couleur ? Où avez-vous encore pris cela ? Le noir, mais c’est la reine des couleurs ! » — Renoir (1841-1919)
• “Black, a non-color? Where did you get that idea? Black, why, it’s the queen of colors!”

Bored Bard

Pol. How say you by that? Still harping on my daughter: yet he knew me not at first; he said I was a Fishmonger: he is farre gone, farre gone: and truly in my youth, I suffred much extreamity for loue: very neere this. Ile speake to him againe. What do you read my Lord?

Ham. Words, words, words. — Hamlet (c. 1600), Act 2, Scene 2

Hamble On

HAMBLEDON (n.)

The sound of a single-engined aircraft flying by, heard whilst lying in a summer field in England, which somehow concentrates the silence and sense of space and timelessness and leaves one with a profound feeling of something or other. — The Meaning of Liff, Douglas Adams and John Lloyd (1983)


Elsewhere Other-Accessible

The Meaning of Liff — full text
The Meaning of Liff — at Wikipedia

Alt-Writer

“I’ve found a place halfway up the churchyard, near enough to the church to be aware of, in a spiritual sense, matins on Sunday morning, but also to be within reach of, in a temporal way, orgies on Saturday nights in The Woolpack. And alternating between the temporal and the spiritual is the way I wish to spend what eternity is left to me.” — Laurie Lee, Down in the Valley: A Writer’s Landscape (2019)