Phil’ Kill Kult

Lucretius (1869)

by Alfred Tennyson

Lucilla, wedded to Lucretius, found
Her master cold; for when the morning flush
Of passion and the first embrace had died
Between them, tho’ he loved her none the less,
Yet often when the woman heard his foot
Return from pacings in the field, and ran
To greet him with a kiss, the master took
Small notice, or austerely, for his mind
Half buried in some weightier argument,
Or fancy-borne perhaps upon the rise
And long roll of the hexameter — he past
To turn and ponder those three hundred scrolls
Left by the Teacher, whom he held divine.
She brook’d it not, but wrathful, petulant
Dreaming some rival, sought and found a witch
Who brew’d the philtre which had power, they said
To lead an errant passion home again.
And this, at times, she mingled with his drink,
And this destroy’d him; for the wicked broth
Confused the chemic labor of the blood,
And tickling the brute brain within the man’s
Made havoc among those tender cells, and check’d
His power to shape. He loathed himself, and once
After a tempest woke upon a morn
That mock’d him with returning calm, and cried:

“Storm in the night! for thrice I heard the rain
Rushing; and once the flash of a thunderbolt —
Methought I never saw so fierce a fork —
Struck out the streaming mountain-side, and show’d
A riotous confluence of watercourses
Blanching and billowing in a hollow of it,
Where all but yester-eve was dusty-dry.

“Storm, and what dreams, ye holy Gods, what dreams!
For thrice I waken’d after dreams. Perchance
We do but recollect the dreams that come
Just ere the waking. Terrible: for it seem’d
A void was made in Nature, all her bonds
Crack’d; and I saw the flaring atom-streams
And torrents of her myriad universe,
Ruining along the illimitable inane,
Fly on to clash together again, and make
Another and another frame of things
For ever. That was mine, my dream, I knew it —
Of and belonging to me, as the dog
With inward yelp and restless forefoot plies
His function of the woodland; but the next!
I thought that all the blood by Sylla shed
Came driving rainlike down again on earth,
And where it dash’d the reddening meadow, sprang
No dragon warriors from Cadmean teeth,
For these I thought my dream would show to me,
But girls, Hetairai, curious in their art,
Hired animalisms, vile as those that made
The mulberry-faced Dictator’s orgies worse
Than aught they fable of the quiet Gods.
And hands they mixt, and yell’d and round me drove
In narrowing circles till I yell’d again
Half-suffocated, and sprang up, and saw —
Was it the first beam of my latest day?

“Then, then, from utter gloom stood out the
The breasts of Helen, and hoveringly a sword
Now over and now under, now direct,
Pointed itself to pierce, but sank down shamed
At all that beauty; and as I stared, a fire,
The fire that left a roofless Ilion,
Shot out of them, and scorch’d me that I woke.

“Is this thy vengeance, holy Venus, thine,
Because I would not one of thine own doves,
Not even a rose, were offered to thee? thine,
Forgetful how my rich proemion makes
Thy glory fly along the Italian field,
In lays that will outlast thy deity?

“Deity? nay, thy worshippers. My tongue
Trips, or I speak profanely. Which of these
Angers thee most, or angers thee at all?
Not if thou be’st of those who, far aloof
From envy, hate and pity, and spite and scorn,
Live the great life which all our greatest fain
Would follow, centred in eternal calm.

“Nay, if thou canst,
Goddess, like ourselves
Touch, and be touch’d, then would I cry to thee
To kiss thy Mavors, roll thy tender arms
Round him, and keep him from the lust of blood
That makes a steaming slaughter-house of Rome.

“Ay, but I meant not thee; I meant riot her
Whom all the pines of Ida shook to see
Slide from that quiet heaven of hers, and tempt
The Trojan, while his neatherds were abroad
Nor her that o’er her wounded hunter wept
Her deity false in human-amorous tears;
Nor whom her beardless apple-arbiter
Decided fairest. Rather, O ye Gods,
Poet-like, as the great Sicilian called
Calliope to grace his golden verse —
Ay, and this Kypris also — did I take
That popular name of thine to shadow forth
The all-generating powers and genial heat
Of Nature, when she strikes thro’ the thick blood
Of cattle, and light is large, and lambs are glad
Nosing the mother’s udder, and the bird
Makes his heart voice amid the blaze of flowers;
Which things appear the work of mighty Gods.

“The Gods! and if I go my work is left
Unfinish’d — if I go. The Gods, who haunt
The lucid interspace of world and world,
Where never creeps a cloud, or moves a wind,
Nor ever falls the least white star of snow
Nor ever lowest roll of thunder moans,
Nor sound of human sorrow mounts to mar
Their sacred everlasting calm! and such,
Not all so fine, nor so divine a calm
Not such, nor all unlike it, man may gain
Letting his own life go. The Gods, the Godsl
If all be atoms, how then should the Gods
Being atomic not be dissoluble,
Not follow the great law? My master held
That Gods there are, for all men so believe.
I prest my footsteps into his, and meant
Surely to lead my Memmius in a train
Of fiowery clauses onward to the proof
That Gods there are, and deathless. Meant? I meant?
I have forgotten what I meant, my mind
Stumbles, and all my faculties are lamed.

“Look where another of our Gods, the Sun
Apollo, Delius, or of older use
All-seeing Hyperion — what you will —
Has mounted yonder; since he never sware,
Except his wrath were wreak’d on wretched man,
That he would only shine among the dead
Hereafter — tales! for never yet on earth
Could dead flesh creep, or bits of roasting ox
Moan round the spit — nor knows he what he sees;
King of the East altho’ he seem, and girt
With song and flame and fragrance, slowly lifts
His golden feet on those empurpled stairs
That climb into the windy halls of heaven
And here he glances on an eye new-born,
And gets for greeting but a wail of pain;
And here he stays upon a freezing orb
That fain would gaze upon him to the last;
And here upon a yellow eyelid fallen
And closed by those who mourn a friend in vain,
Not thankful that his troubles are no more.
And me, altho’ his fire is on my face
Blinding, he sees not, nor at all can tell
Whether I mean this day to end myself.
Or lend an ear to Plato where he says,
That men like soldiers may not quit the post
Allotted by the Gods. But he that holds
The Gods are careless, wherefore need he care
Greatly for them, nor rather plunge at once,
Being troubled, wholly out of sight, and sink
Past earthquake — ay, and gout and stone, that break
Body toward death, and palsy, death-in-life,
And wretched age — and worst disease of all,
These prodigies of myriad nakednesses,
And twisted shapes of lust, unspeakable,
Abominable, strangers at my hearth
Not welcome, harpies miring every dish,
The phantom husks of something foully done,
And fleeting thro’ the boundless universe,
And blasting the long quiet of my breast
With animal heat and dire insanity?

“How should the mind, except it loved them, clasp
These idols to herself? or do they fly
Now thinner, and now thicker, like the flakes
In a fall of snow, and so press in, perforce
Of multitude, as crowds that in an hour
Of civic tumult jam the doors, and bear
The keepers down, and throng, their rags and the
The basest, far into that council-hall
Where sit the best and stateliest of the land?

“Can I not fling this horror off me again,
Seeing with how great ease Nature can smile
Balmier and nobler from her bath of storm,
At random ravage? and how easily
The mountain there has cast his cloudy slough,
Now towering o’er him in serenest air,
A mountain o’er a mountain, — ay, and within
All hollow as the hopes and fears of men?

“But who was he that in the garden snared
Picus and Faunus, rustic Gods? a tale
To laugh at — more to laugh at in myself —
For look! what is it? there? yon arbutus
Totters; a noiseless riot underneath
Strikes through the wood, sets all the tops quivering —;
The mountain quickens into Nymph and Faun,
And here an Oread — how the sun delights
To glance and shift about her slippery sides,
And rosy knees and supple roundedness,
And budded bosom-peaks — who this way runs
Before the rest! — a satyr, a satyr, see,
Follows; but him I proved impossible
Two-natured is no nature. Yet he draws
Nearer and nearer, and I scan him now
Beastlier than any phantom of his kind
That ever butted his rough brother-brute
For lust or lusty blood or provender.
I hate, abhor, spit, sicken at him; and she
Loathes him as well; such a precipitate heel,
Fledged as it were with Mercury’s ankle-wing,
Whirls her to me —; but will she fling herself
Shameless upon me? Catch her, goatfoot! nay,
Hide, hide them, million-myrtled wilderness,

And cavern-shadowing laurels, hide! do I wish —
What? —; that the bush were leafless? or to whelm
All of them in one massacre? O ye Gods
I know you careless, yet, behold, to you
From childly wont and ancient use I call —
I thought I lived securely as yourselves —
No lewdness, narrowing envy, monkey-spite,
No madness of ambition, avarice, none;
No larger feast than under plane or pine
With neighbors laid along the grass, to take
Only such cups as left us friendly-warm,
Affirming each his own philosophy
Nothing to mar the sober majesties
Of settled, sweet, Epicurean life.
But now it seems some unseen monster lays
His vast and filthy hands upon my will,
Wrenching it backward into his, and spoils
My bliss in being; and it was not great,
For save when shutting reasons up in rhythm,
Or Heliconian honey in living words,
To make a truth less harsh, I often grew
Tired of so much within our little life
Or of so little in our little life —
Poor little life that toddles half an hour
Crown’d with a flower or two, and there an end —
And since the nobler pleasure seems to fade,
Why should I, beastlike as I find myself,
Not manlike end myself? — our privilege —;
What beast has heart to do it? And what man
What Roman would be dragg’d in triumph thus?
Not I; not he, who bears one name with her
Whose death-blow struck the dateless doom of kings,
When, brooking not the Tarquin in her veins,
She made her blood in sight of Collatine
And all his peers, flushing the guiltless air,
Spout from the maiden fountain in her heart.
And from it sprang the Commonwealth, which breaks
As I am breaking now!

“And therefore now
Let her, that is the womb and tomb of all
Great Nature, take, and forcing far apart
Those blind beginnings that have made me man,
Dash them anew together at her will
Thro’ all her cycles — into man once more,
Or beast or bird or fish, or opulent flower.
But till this cosmic order everywhere
Shatter’d into one earthquake in one day
Cracks all to pieces, — and that hour perhaps
Is not so far when momentary man
Shall seem no more a something to himself,
But he, his hopes and hates, his homes and fanes
And even his bones long laid within the grave,
The very sides of the grave itself shall pass,
Vanishing, atom and void, atom and void,
Into the unseen for ever, — till that hour,
My golden work in which I told a truth
That stays the rolling Ixionian wheel,
And numbs the Fury’s ringlet-snake, and plucks
The mortal soul from out immortal hell
Shall stand. Ay, surely; then it fails at last
And perishes as I must, for O Thou
Passionless bride, divine Tranquillity,
Yearn’d after by the wisest of the wise
Who fail to find thee, being as thou art
Without one pleasure and without one pain,
Howbeit I know thou surely must be mine
Or soon or late, yet out of season, thus
I woo thee roughly, for thou carest not
How roughly men may woo thee so they win —;
Thus — thus — the soul flies out and dies in the air.”

With that he drove the knife into his side.
She heard him raging, heard him fall, ran in,
Beat breast, tore hair, cried out upon herself
As having fail’d in duty to him, shriek’d
That she but meant to win him back, fell on him
Clasp’d, kiss’d him, wail’d. He answer’d, “Care not thou!
Thy duty? What is duty? Fare thee well!”

Less Is Cor

The splendor falls on castle walls
    And snowy summits old in story;
The long light shakes across the lakes,
    And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.

O, hark, O, hear! how thin and clear,
    And thinner, clearer, farther going!
O, sweet and far from cliff and scar
    The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying,
Blow, bugles; answer, echoes, dying, dying, dying.

O love, they die in yon rich sky,
    They faint on hill or field or river;
Our echoes roll from soul to soul,
    And grow forever and forever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.

• From Tennyson’s The Princess (1847)

Ghost Coast

In a coign of the cliff between lowland and highland,
       At the sea-down’s edge between windward and lee,
Walled round with rocks as an inland island,
       The ghost of a garden fronts the sea.
A girdle of brushwood and thorn encloses
       The steep square slope of the blossomless bed
Where the weeds that grew green from the graves of its roses
               Now lie dead.

• “A Forsaken Garden” (1876), Swinburne

Hymn to Heresy

Hymn to Proserpine

After the Proclamation in Rome
of the Christian Faith

by ALGERNON CHARLES SWINBURNE


Vicisti, Galilæe.

I have lived long enough, having seen one thing, that love hath an end;
Goddess and maiden and queen, be near me now and befriend.
Thou art more than the day or the morrow, the seasons that laugh or that weep;
For these give joy and sorrow; but thou, Proserpina, sleep.
Sweet is the treading of wine, and sweet the feet of the dove;
But a goodlier gift is thine than foam of the grapes or love.
Yea, is not even Apollo, with hair and harpstring of gold,
A bitter God to follow, a beautiful God to behold?
I am sick of singing; the bays burn deep and chafe: I am fain
To rest a little from praise and grievous pleasure and pain.
For the Gods we know not of, who give us our daily breath,
We know they are cruel as love or life, and lovely as death.
O Gods dethroned and deceased, cast forth, wiped out in a day!
From your wrath is the world released, redeemed from your chains, men say.
New Gods are crowned in the city; their flowers have broken your rods;
They are merciful, clothed with pity, the young compassionate Gods.
But for me their new device is barren, the days are bare;
Things long past over suffice, and men forgotten that were.
Time and the Gods are at strife; ye dwell in the midst thereof,
Draining a little life from the barren breasts of love.
I say to you, cease, take rest; yea, I say to you all, be at peace,
Till the bitter milk of her breast and the barren bosom shall cease.
Wilt thou yet take all, Galilean? but these thou shalt not take,
The laurel, the palms and the pæan, the breasts of the nymphs in the brake;
Breasts more soft than a dove’s, that tremble with tenderer breath;
And all the wings of the Loves, and all the joy before death;
All the feet of the hours that sound as a single lyre,
Dropped and deep in the flowers, with strings that flicker like fire.
More than these wilt thou give, things fairer than all these things?
Nay, for a little we live, and life hath mutable wings.
A little while and we die; shall life not thrive as it may?
For no man under the sky lives twice, outliving his day.
And grief is a grievous thing, and a man hath enough of his tears:
Why should he labour, and bring fresh grief to blacken his years?
Thou hast conquered, O pale Galilean; the world has grown grey from thy breath;
We have drunken of things Lethean, and fed on the fullness of death.
Laurel is green for a season, and love is sweet for a day;
But love grows bitter with treason, and laurel outlives not May.
Sleep, shall we sleep after all? for the world is not sweet in the end;
For the old faiths loosen and fall, the new years ruin and rend.
Fate is a sea without shore, and the soul is a rock that abides;
But her ears are vexed with the roar and her face with the foam of the tides.
O lips that the live blood faints in, the leavings of racks and rods!
O ghastly glories of saints, dead limbs of gibbeted Gods!
Though all men abase them before you in spirit, and all knees bend,
I kneel not neither adore you, but standing, look to the end.
All delicate days and pleasant, all spirits and sorrows are cast
Far out with the foam of the present that sweeps to the surf of the past:
Where beyond the extreme sea-wall, and between the remote sea-gates,
Waste water washes, and tall ships founder, and deep death waits:
Where, mighty with deepening sides, clad about with the seas as with wings,
And impelled of invisible tides, and fulfilled of unspeakable things,
White-eyed and poisonous-finned, shark-toothed and serpentine-curled,
Rolls, under the whitening wind of the future, the wave of the world.
The depths stand naked in sunder behind it, the storms flee away;
In the hollow before it the thunder is taken and snared as a prey;
In its sides is the north-wind bound; and its salt is of all men’s tears;
With light of ruin, and sound of changes, and pulse of years:
With travail of day after day, and with trouble of hour upon hour;
And bitter as blood is the spray; and the crests are as fangs that devour:
And its vapour and storm of its steam as the sighing of spirits to be;
And its noise as the noise in a dream; and its depth as the roots of the sea:
And the height of its heads as the height of the utmost stars of the air:
And the ends of the earth at the might thereof tremble, and time is made bare.
Will ye bridle the deep sea with reins, will ye chasten the high sea with rods?
Will ye take her to chain her with chains, who is older than all ye Gods?
All ye as a wind shall go by, as a fire shall ye pass and be past;
Ye are Gods, and behold, ye shall die, and the waves be upon you at last.
In the darkness of time, in the deeps of the years, in the changes of things,
Ye shall sleep as a slain man sleeps, and the world shall forget you for kings.
Though the feet of thine high priests tread where thy lords and our forefathers trod,
Though these that were Gods are dead, and thou being dead art a God,
Though before thee the throned Cytherean be fallen, and hidden her head,
Yet thy kingdom shall pass, Galilean, thy dead shall go down to thee dead.
Of the maiden thy mother men sing as a goddess with grace clad around;
Thou art throned where another was king; where another was queen she is crowned.
Yea, once we had sight of another: but now she is queen, say these.
Not as thine, not as thine was our mother, a blossom of flowering seas,
Clothed round with the world’s desire as with raiment, and fair as the foam,
And fleeter than kindled fire, and a goddess, and mother of Rome.
For thine came pale and a maiden, and sister to sorrow; but ours,
Her deep hair heavily laden with odour and colour of flowers,
White rose of the rose-white water, a silver splendour, a flame,
Bent down unto us that besought her, and earth grew sweet with her name.
For thine came weeping, a slave among slaves, and rejected; but she
Came flushed from the full-flushed wave, and imperial, her foot on the sea.
And the wonderful waters knew her, the winds and the viewless ways,
And the roses grew rosier, and bluer the sea-blue stream of the bays.
Ye are fallen, our lords, by what token? we wise that ye should not fall.
Ye were all so fair that are broken; and one more fair than ye all.
But I turn to her still, having seen she shall surely abide in the end;
Goddess and maiden and queen, be near me now and befriend.
O daughter of earth, of my mother, her crown and blossom of birth,
I am also, I also, thy brother; I go as I came unto earth.
In the night where thine eyes are as moons are in heaven, the night where thou art,
Where the silence is more than all tunes, where sleep overflows from the heart,
Where the poppies are sweet as the rose in our world, and the red rose is white,
And the wind falls faint as it blows with the fume of the flowers of the night,
And the murmur of spirits that sleep in the shadow of Gods from afar
Grows dim in thine ears and deep as the deep dim soul of a star,
In the sweet low light of thy face, under heavens untrod by the sun,
Let my soul with their souls find place, and forget what is done and undone.
Thou art more than the Gods who number the days of our temporal breath;
Let these give labour and slumber; but thou, Proserpina, death.
Therefore now at thy feet I abide for a season in silence. I know
I shall die as my fathers died, and sleep as they sleep; even so.
For the glass of the years is brittle wherein we gaze for a span;
A little soul for a little bears up this corpse which is man.
So long I endure, no longer; and laugh not again, neither weep.
For there is no God found stronger than death; and death is a sleep.
So long I endure, no longer; and laugh not again, neither weep.
For there is no God found stronger than death; and death is a sleep.


Elsewhere Other-Accessible…

• “Hymn to Proserpine” (1866) at Wikipedia

HMortuis

“The Garden of Prosperpine”

By Algernon Charles Swinburne


Here, where the world is quiet;
         Here, where all trouble seems
Dead winds’ and spent waves’ riot
         In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
         A sleepy world of streams.

I am tired of tears and laughter,
         And men that laugh and weep;
Of what may come hereafter
         For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,
Desires and dreams and powers
         And everything but sleep.

Here life has death for neighbour,
         And far from eye or ear
Wan waves and wet winds labour,
         Weak ships and spirits steer;
They drive adrift, and whither
They wot not who make thither;
But no such winds blow hither,
         And no such things grow here.

No growth of moor or coppice,
         No heather-flower or vine,
But bloomless buds of poppies,
         Green grapes of Proserpine,
Pale beds of blowing rushes
Where no leaf blooms or blushes
Save this whereout she crushes
         For dead men deadly wine.

Pale, without name or number,
         In fruitless fields of corn,
They bow themselves and slumber
         All night till light is born;
And like a soul belated,
In hell and heaven unmated,
By cloud and mist abated
         Comes out of darkness morn.

Though one were strong as seven,
         He too with death shall dwell,
Nor wake with wings in heaven,
         Nor weep for pains in hell;
Though one were fair as roses,
His beauty clouds and closes;
And well though love reposes,
         In the end it is not well.

Pale, beyond porch and portal,
         Crowned with calm leaves, she stands
Who gathers all things mortal
         With cold immortal hands;
Her languid lips are sweeter
Than love’s who fears to greet her
To men that mix and meet her
         From many times and lands.

She waits for each and other,
         She waits for all men born;
Forgets the earth her mother,
            The life of fruits and corn;
And spring and seed and swallow
Take wing for her and follow
Where summer song rings hollow
         And flowers are put to scorn.

There go the loves that wither,
         The old loves with wearier wings;
And all dead years draw thither,
         And all disastrous things;
Dead dreams of days forsaken,
Blind buds that snows have shaken,
Wild leaves that winds have taken,
         Red strays of ruined springs.

We are not sure of sorrow,
         And joy was never sure;
To-day will die to-morrow;
         Time stoops to no man’s lure;
And love, grown faint and fretful,
With lips but half regretful
Sighs, and with eyes forgetful
         Weeps that no loves endure.

From too much love of living,
         From hope and fear set free,
We thank with brief thanksgiving
         Whatever gods may be
That no life lives for ever;
That dead men rise up never;
That even the weariest river
         Winds somewhere safe to sea.

Then star nor sun shall waken,
         Nor any change of light:
Nor sound of waters shaken,
         Nor any sound or sight:
Nor wintry leaves nor vernal,
Nor days nor things diurnal;
Only the sleep eternal
         In an eternal night.

Sins of the Sesh

THE SESSION OF THE POETS.—August, 1866.

Dî magni, salaputium disertum* — CAT[ullus]. Lib. LIII.

AT the Session of Poets held lately in London,
   The Bard of Freshwater was voted the chair:
With his tresses unbrush’d, and his shirt-collar undone,
   He loll’d at his ease like a good-humour’d Bear;
“Come, boys,” he exclaimed, “we’ll be merry together!”
   And lit up his pipe with a smile on his cheek;
While with eye like a skipper’s cock’d up at the weather,
   Sat the Vice-Chairman Browning, thinking in Greek.

The company gather’d embraced great and small bards,
   Both strong bards and weak bards, funny and grave,
Fat bards and lean bards, little and tall bards,
   Bards who wear whiskers, and others who shave.
Of books, men, and things, was the bards’ conversation
   Some praised Ecce Homo, some deemed it so-so —
And then there was talk of the state of the nation,
   And when the unwash’d would devour Mr. Lowe.

Right stately sat Arnold — his black gown adjusted
   Genteelly, his Rhine wine deliciously iced, —
With puddingish England serenely disgusted,
   And looking in vain (in the mirror) for “Geist.”
He heark’d to the Chairman, with “Surely!” and “Really?”
   Aghast at both collar and cutty of clay, —
Then felt in his pocket, and breath’d again freely,
   On touching the leaves of his own classic play.

Close at hand lingered Lytton, whose Icarus-winglets
   Had often betrayed him in regions of rhyme —
How glitter’d the eye underneath his grey ringlets,
   A hunger within it unlessened by time!
Remoter sat Bailey — satirical, surly —
   Who studied the language of Goethe too soon,
Who sang himself hoarse to the stars very early,
   And crack’d a weak voice with too lofty a tune.

How name all that wonderful company over —
   Prim Patmore, mild Alford — and Kingsley also?
Among the small sparks who was realler than Lover?
   Among misses, who sweeter than Miss Ingelow?
There sat, looking moony, conceited, and narrow,
   Buchanan, — who, finding when foolish and young,
Apollo asleep on a coster-girl’s barrow,
   Straight dragged him away to see somebody hung.

What was said? what was done? was there prosing or rhyming?
   Was nothing noteworthy in deed or in word?
Why, just as the hour for the supper was chiming,
   The only event of the evening occurred.
Up jumped, with his neck stretching out like a gander,
   Master Swinburne, and squeal’d, glaring out through his hair,
“All Virtue is bosh! Hallelujah for Landor!
   I disbelieve wholly in everything! — there!”

With language so awful he dared then to treat ’em, —
   Miss Ingelow fainted in Tennyson’s arms,
Poor Arnold rush’d out, crying “Sæcl’ inficetum!”
   And great bards and small bards were full of alarms;
Till Tennyson, flaming and red as a gipsy,
   Struck his fist on the table and uttered a shout:
“To the door with the boy! Call a cab! He is tipsy!”
   And they carried the naughty young gentleman out.

After that, all the pleasanter talking was done there
   Whoever had known such an insult before?
The Chairman tried hard to re-kindle the fun there,
   But the Muses were shocked, and the pleasure was o’er.
Then “Ah!” cried the Chairman, “this teaches me knowledge,
   The future shall find me more wise, by the powers!
This comes of assigning to younkers from college
   Too early a place in such meetings as ours!”

CALIBAN, The Spectator, September 15, 1866


*Dî magni, salaputium disertum = “Great gods, an eloquent mannikin!”
†”The Bard of Freshwater” is Tennyson, who lived at Freshwater on the Isle of Wight
‡”Sæcl’ inficetum!” = “Uncouth age!”

Caliban was Robert Buchanan (1841-1901), later the author of “The Fleshly School of Poetry”, an attack on immorality and sensuality in the poetry of Swinburne and Rossetti.

Purple Poesy

DIVERSIONS OF THE RE-ECHO CLUB

It is with pleasure that we announce our ability to offer to the public the papers of the Re-Echo Club. This club, somewhat after the order of the Echo Club, late of Boston, takes pleasure in trying to better what is done. On the occasion of the meeting of which the following gems of poesy are the result, the several members of the club engaged to write up the well-known tradition of the Purple Cow in more elaborate form than the quatrain made famous by Mr. Gelett Burgess:

“I NEVER saw a Purple Cow,
I never hope to see one;
But I can tell you, anyhow,
I’d rather see than be one.”

[…]

MR. A. SWINBURNE:

Oh, Cow of rare rapturous vision,
Oh, purple, impalpable Cow,
Do you browse in a Dream Field Elysian,
Are you purpling pleasantly now?
By the side of wan waves do you languish?
Or in the lithe lush of the grove?
While vainly I search in my anguish,
Bovine of mauve!

Despair in my bosom is sighing,
Hope’s star has sunk sadly to rest;
Though cows of rare sorts I am buying,
Not one breathes a balm to my breast.
Oh, rapturous rose-crowned occasion
When I such a glory might see!
But a cow of a purple persuasion
I never would be.


Elsewhere other-engageable:

The Purple Cow Parodies
Diversions of the Re-Echo Club
Such Nonsense! An Anthology (c. 1918) — with this and other parodies

Sept-Ember

“The Palace of Pan”

by Algernon Charles Swinburne (1837-1909)


September, all glorious with gold, as a king
In the radiance of triumph attired,
Outlightening the summer, outsweetening the spring,
Broods wide on the woodlands with limitless wing,
A presence of all men desired.

Far eastward and westward the sun-coloured lands
Smile warm as the light on them smiles;
And statelier than temples upbuilded with hands,
Tall column by column, the sanctuary stands
Of the pine-forest’s infinite aisles.

Mute worship, too fervent for praise or for prayer,
Possesses the spirit with peace,
Fulfilled with the breath of the luminous air,
The fragrance, the silence, the shadows as fair
As the rays that recede or increase.

Ridged pillars that redden aloft and aloof,
With never a branch for a nest,
Sustain the sublime indivisible roof,
To the storm and the sun in his majesty proof,
And awful as waters at rest.

Man’s hand hath not measured the height of them; thought
May measure not, awe may not know;
In its shadow the woofs of the woodland are wrought;
As a bird is the sun in the toils of them caught,
And the flakes of it scattered as snow.

As the shreds of a plumage of gold on the ground
The sun-flakes by multitudes lie,
Shed loose as the petals of roses discrowned
On the floors of the forest engilt and embrowned
And reddened afar and anigh.

Dim centuries with darkling inscrutable hands
Have reared and secluded the shrine
For gods that we know not, and kindled as brands
On the altar the years that are dust, and their sands
Time’s glass has forgotten for sign.

A temple whose transepts are measured by miles,
Whose chancel has morning for priest,
Whose floor-work the foot of no spoiler defiles,
Whose musical silence no music beguiles,
No festivals limit its feast.

The noon’s ministration, the night’s and the dawn’s,
Conceals not, reveals not for man,
On the slopes of the herbless and blossomless lawns,
Some track of a nymph’s or some trail of a faun’s
To the place of the slumber of Pan.

Thought, kindled and quickened by worship and wonder
To rapture too sacred for fear
On the ways that unite or divide them in sunder,
Alone may discern if about them or under
Be token or trace of him here.

With passionate awe that is deeper than panic
The spirit subdued and unshaken
Takes heed of the godhead terrene and Titanic
Whose footfall is felt on the breach of volcanic
Sharp steeps that their fire has forsaken.

By a spell more serene than the dim necromantic
Dead charms of the past and the night,
Or the terror that lurked in the noon to make frantic
Where Etna takes shape from the limbs of gigantic
Dead gods disanointed of might,

The spirit made one with the spirit whose breath
Makes noon in the woodland sublime
Abides as entranced in a presence that saith
Things loftier than life and serener than death,
Triumphant and silent as time.

(Inscribed to my Mother) Pine Ridge: September 1893

Feel the ’Burne

The Poets at Tea […]

3.—(Swinburne, who let it get cold)

As the sin that was sweet in the sinning
Is foul in the ending thereof,
As the heat of the summer’s beginning
Is past in the winter of love:
O purity, painful and pleading!
O coldness, ineffably gray!
Oh, hear us, our handmaid unheeding,
And take it away!

Barry Pain (1864-1928)


A Melton-Mowbray Pork Pie

Strange pie that is almost a passion,
     O passion immoral for pie!
Unknown are the ways that they fashion,
     Unknown and unseen of the eye.

The pie that is marbled and mottled,
     The pie that digests with a sigh:
For all is not Bass that is bottled,
     And all is not pork that is pie.

Richard Le Gallienne (1866-1947)