Fabulous Furry Fibonacci Fractal

At least, I think it’s a fractal. I came across it when I was counting the ways in which the integers can be the sum of distinct Fibonacci numbers. Here for reference is the Fibonacci sequence, the beautiful and endlessly fertile sequence that’s seeded with “1, 1” and continued by summing the two previous numbers:

1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987, 1597, 2584, 4181, 6765, 10946, 17711, 28657, 46368, 75025, 121393, 196418, 317811, 514229, 832040…

I noticed some interesting patterns in the distinct-fib-num-sum count for the integers:

1 = 1 (count=1)
2 = 2 (count=1)
3 = 1+2 = 3 (count=2)
4 = 1+3 (c=1)
5 = 2+3 = 5 (c=2)
6 = 1+2+3 = 1+5 (c=2)
7 = 2+5 (c=1)
8 = 1+2+5 = 3+5 = 8 (c=3)
9 = 1+3+5 = 1+8 (c=2)
10 = 2+3+5 = 2+8 (c=2)
11 = 1+2+3+5 = 1+2+8 = 3+8 (c=3)
12 = 1+3+8 (c=1)
13 = 2+3+8 = 5+8 = 13 (c=3)
14 = 1+2+3+8 = 1+5+8 = 1+13 (c=3)
15 = 2+5+8 = 2+13 (c=2)
16 = 1+2+5+8 = 3+5+8 = 1+2+13 = 3+13 (c=4)
17 = 1+3+5+8 = 1+3+13 (c=2)
18 = 2+3+5+8 = 2+3+13 = 5+13 (c=3)
19 = 1+2+3+5+8 = 1+2+3+13 = 1+5+13 (c=3)
20 = 2+5+13 (c=1)
21 = 1+2+5+13 = 3+5+13 = 8+13 = 21 (c=4)
22 = 1+3+5+13 = 1+8+13 = 1+21 (c=3)
23 = 2+3+5+13 = 2+8+13 = 2+21 (c=3)
24 = 1+2+3+5+13 = 1+2+8+13 = 3+8+13 = 1+2+21 = 3+21 (c=5)
25 = 1+3+8+13 = 1+3+21 (c=2)
26 = 2+3+8+13 = 5+8+13 = 2+3+21 = 5+21 (c=4)
27 = 1+2+3+8+13 = 1+5+8+13 = 1+2+3+21 = 1+5+21 (c=4)
28 = 2+5+8+13 = 2+5+21 (c=2)
29 = 1+2+5+8+13 = 3+5+8+13 = 1+2+5+21 = 3+5+21 = 8+21 (c=5)
30 = 1+3+5+8+13 = 1+3+5+21 = 1+8+21 (c=3)
31 = 2+3+5+8+13 = 2+3+5+21 = 2+8+21 (c=3)
32 = 1+2+3+5+8+13 = 1+2+3+5+21 = 1+2+8+21 = 3+8+21 (c=4)
33 = 1+3+8+21 (c=1)
34 = 2+3+8+21 = 5+8+21 = 13+21 = 34 (c=4)
35 = 1+2+3+8+21 = 1+5+8+21 = 1+13+21 = 1+34 (c=4)
36 = 2+5+8+21 = 2+13+21 = 2+34 (c=3)
37 = 1+2+5+8+21 = 3+5+8+21 = 1+2+13+21 = 3+13+21 = 1+2+34 = 3+34
(c=6)
38 = 1+3+5+8+21 = 1+3+13+21 = 1+3+34 (c=3)
39 = 2+3+5+8+21 = 2+3+13+21 = 5+13+21 = 2+3+34 = 5+34 (c=5)
40 = 1+2+3+5+8+21 = 1+2+3+13+21 = 1+5+13+21 = 1+2+3+34 = 1+5+34
(c=5)
41 = 2+5+13+21 = 2+5+34 (c=2)
42 = 1+2+5+13+21 = 3+5+13+21 = 8+13+21 = 1+2+5+34 = 3+5+34 = 8+3
4 (c=6)
43 = 1+3+5+13+21 = 1+8+13+21 = 1+3+5+34 = 1+8+34 (c=4)
44 = 2+3+5+13+21 = 2+8+13+21 = 2+3+5+34 = 2+8+34 (c=4)
45 = 1+2+3+5+13+21 = 1+2+8+13+21 = 3+8+13+21 = 1+2+3+5+34 = 1+2+
8+34 = 3+8+34 (c=6)
46 = 1+3+8+13+21 = 1+3+8+34 (c=2)
47 = 2+3+8+13+21 = 5+8+13+21 = 2+3+8+34 = 5+8+34 = 13+34 (c=5)
48 = 1+2+3+8+13+21 = 1+5+8+13+21 = 1+2+3+8+34 = 1+5+8+34 = 1+13+
34 (c=5)
49 = 2+5+8+13+21 = 2+5+8+34 = 2+13+34 (c=3)
50 = 1+2+5+8+13+21 = 3+5+8+13+21 = 1+2+5+8+34 = 3+5+8+34 = 1+2+1
3+34 = 3+13+34 (c=6)
51 = 1+3+5+8+13+21 = 1+3+5+8+34 = 1+3+13+34 (c=3)
52 = 2+3+5+8+13+21 = 2+3+5+8+34 = 2+3+13+34 = 5+13+34 (c=4)
53 = 1+2+3+5+8+13+21 = 1+2+3+5+8+34 = 1+2+3+13+34 = 1+5+13+34 (c=4)
54 = 2+5+13+34 (c=1)
55 = 1+2+5+13+34 = 3+5+13+34 = 8+13+34 = 21+34 = 55 (c=5)
56 = 1+3+5+13+34 = 1+8+13+34 = 1+21+34 = 1+55 (c=4)

The patterns are easier to see when the counts are set out like this:

1, 1, 2, 1, 2, 2, 1, 3, 2, 2, 3, 1, 3, 3, 2, 4, 2, 3, 3, 1, 4, 3, 3, 5, 2, 4, 4, 2, 5, 3, 3, 4, 1, 4, 4, 3, 6, 3, 5, 5, 2, 6, 4, 4, 6, 2, 5, 5, 3, 6, 3, 4, 4, 1, 5, 4, 4, 7, 3, 6, 6, 3, 8, 5, 5, 7, 2, 6, 6, 4, 8, 4, 6, 6, 2, 7, 5, 5, 8, 3, 6, 6, 3, 7, 4, 4, 5, 1, 5, 5, 4, 8, 4, 7, 7, 3, 9, 6, 6, 9, 3, 8, 8, 5, 10, 5, 7, 7, 2, 8, 6, 6, 10, 4, 8, 8, 4, 10, 6, 6, 8, 2, 7, 7, 5, 10, 5, 8, 8, 3, 9, 6, 6, 9, 3, 7, 7, 4, 8, 4, 5, 5, 1, 6, 5, 5, 9, 4, 8, 8… 1… — See A000119, Number of representations of n as a sum of distinct Fibonacci numbers, at the Online Encyclopedia of Integer Sequences (OEIS)

The numbers between each pair of 1s are symmetrical:

1, 2, 1,
1, 2, 2, 1,
1, 3, 2, 2, 3, 1,
1, 3, 3, 2, 4, 2, 3, 3, 1
1, 4, 3, 3, 5, 2, 4, 4, 2, 5, 3, 3, 4, 1

And when fibsumcount(n) = 1, then n = fib(i)-1, i.e. n is one less than a Fibonacci number:

1 = 1 (c=1)
2 = 2 (c=1)
4 = 1+3 (c=1)
7 = 2+5 (c=1)
12 = 1+3+8 (c=1)
20 = 2+5+13 (c=1)
33 = 1+3+8+21 (c=1)
54 = 2+5+13+34 (c=1)
88 = 1+3+8+21+55 (c=1)
143 = 2+5+13+34+89 (c=1)
232 = 1+3+8+21+55+144 (c=1)
376 = 2+5+13+34+89+233 (c=1)
609 = 1+3+8+21+55+144+377 (c=1)
986 = 2+5+13+34+89+233+610 (c=1)
1596 = 1+3+8+21+55+144+377+987 (c=1)
2583 = 2+5+13+34+89+233+610+1597 (c=1)
4180 = 1+3+8+21+55+144+377+987+2584 (c=1)
6764 = 2+5+13+34+89+233+610+1597+4181 (c=1)
10945 = 1+3+8+21+55+144+377+987+2584+6765 (c=1)
17710 = 2+5+13+34+89+233+610+1597+4181+10946 (c=1)
[…]

I also noticed a pattern relating to the maximum count reached in the numbers between the 1s. Suppose the function max(fib(i)-1..fib(i+1)-1) returns the highest count of ways to represent the numbers from fib(i)-1 to fib(i+1)-1. Notice how max() increases:

max(2..4) = 2
max(4..7) = 2
max(7..12) = 3
max(12..20) = 4
max(20..33) = 5
max(33..54) = 6
max(54..88) = 8
max(88..143) = 10
max(143..232) = 13
max(232..376) = 16
max(376..609) = 21
max(609..986) = 26
max(986..1596) = 34
max(1596..2583) = 42
max(2583..4180) = 55
max(4180..6764) = 68
[…]

The pattern is described like this at the Online Encyclopedia of Integer Sequences:

a(n) = 1 if and only if n+1 is a Fibonacci number. The length of such a quasi-period (from Fib(i)-1 to Fib(i+1)-1, inclusive) is a Fibonacci number + 1. The maximum value of a(n) within each subsequent quasi-period increases by a Fibonacci number. For example, from n = 143 to n = 232, the maximum is 13. From 232 to 376, the maximum is 16, an increase of 3. From 376 to 609, 21, an increase of 5. From 609 to 986, 26, increasing by 5 again. Each two subsequent maxima seem to increase by the same increment, the next Fibonacci number. – Kerry Mitchell, Nov 14 2009

The maxima of the quasi-periods are in A096748. – Max Barrentine, Sep 13 2015 — See commentary for A000119 at OEIS

Here is A096748:

1, 2, 2, 2, 3, 4, 5, 6, 8, 10, 13, 16, 21, 26, 34, 42, 55, 68, 89, 110, 144, 178, 233, 288, 377, 466, 610, 754, 987, 1220, 1597, 1974, 2584, 3194, 4181, 5168, 6765, 8362, 10946, 13530, 17711, 21892, 28657, 35422, 46368, 57314, 75025, 92736, 121393, 150050 — A096748, Expansion of (1+x)^2/(1-x^2-x^4), at OEIS

These maxima are the succesive highest points in a graph of A000119, Number of representations of n as a sum of distinct Fibonacci numbers:

Graph of count of ways in which 1,2,3… can be sum of distinct Fibonacci numbers


The graph looks like a furry caterpillar or similar and the symmetry of counts between the 1s is more obvious there:

fibsumcounts for 33..54


fibsumcounts for 54..88


fibsumcounts for 88..143


fibsumcounts for 143..232


fibsumcounts for 232..376


fibsumcounts for 376..609


And the fractal nature of the counts is more obvious when the graph is rotated by 90° and then mirrored:

Rotated and mirrored graph of count of ways in which 1,2,3… can be sum of distinct Fibonacci numbers

The Fatal Factory

I can’t remember where I came across this clever little puzzle and what precise form it took, but here’s my version of it:

A famously eccentric inventor and recreational mathematician has invited you to tour the factory where his company manufactures locks, keys, safes, cash-boxes and so on. At the end of the tour he brings you to a conference room, pours you a glass of wine, and invites you to test your wits against a puzzle. He points out that a hundred numbered boxes have been set out on two long tables in the room. You sip your wine as you listen to him explain that each box is locked and contains a slip of paper bearing a number between 0 and 9. If you accept the challenge, the inventor will order a hundred workers to walk in turn past the boxes, using a master-key to unlock or lock the boxes like this:

The first worker will use the key on every box (boxes #1,2,3…), the second worker will use the key on every second box (boxes #2,4,6…), the third worker the key on every third box (boxes #3,6,9…), and so on.

Now, you can’t tell by simply looking at a box whether it’s unlocked or not, but it’s obvious that the first box will be unlocked when all that is over. Box #1 is originally locked and the master-key will be used on it just once. But how many other boxes will be unlocked? If you can choose nothing but the unlocked boxes, you get to keep the contents. Otherwise you get nothing. That is, if you choose one or more locked boxes, you get nothing.

And what good are the contents of the unlocked boxes? Well, if you take the numbered slips of paper they contain in order, they will give you the combination of a locked safe the inventor now points out in the wall behind you. The safe contains the antidote for the deadly but slow-acting poison he secretly slipped into the wine you have been sipping as you listened to him explain the details of the puzzle. So you have to choose all and only the unlocked boxes to save your life. Can you do it?


Solution

I’m sure there’s a simpler explanation of which boxes will be unlocked, but here’s my complicated one:

Whether box #n is locked or unlocked in the end depends on how many divisors the number n has. If it has an even number of divisors, it will be locked; if it has an odd number of divisors, it will be unlocked. Take box #12. The number 12 has six divisors: 1, 2, 3, 4, 6 and 12. So workers #1, #3 and #6 will unlock it with the master-key, but workers #2, #4 and #12 will lock it again. Worker #12 will be the final worker to use the master-key on the box, so it will be locked.

Now take box #16. The number #16 has five divisors: 1, 2, 4, 8 and 16. So workers #1, #4 and #16 will unlock the box with the master-key, while workers #2 and #8 will lock it. Worker #16 will be the final worker to use the master-key on the box, so it will be unlocked.

In other words, the puzzle reduces to this: Which numbers from 1 to 100 have an odd number of divisors? To work out the number of divisors n has, you add 1 to the exponent of each of its prime factors and multiply the results. For example, 24 has eight divisors thus:

• 24 = 2^3 * 3^1 → (3+1) * (1+1) = 4 * 2 = 8, so 24 has eight divisors: 1, 2, 3, 4, 6, 8, 12, 24

But 36 has nine divisors thus:

• 36 = 2^2 * 3^2 → (2+1) * (2+1) = 3 * 3 = 9, so 36 has nine divisors: 1, 2, 3, 4, 6, 9, 12, 18, 36

36 demonstrates that a number has to have only even exponents on its prime factors to have an odd number of divisors (the only number without prime factors is 1, which has one divisor, namely itself). Numbers with only even exponents on their prime factors are square numbers:

• 4 = 2^2 → (2+1) = 3, so 4 has three divisors: 1, 2, 4
• 9 = 3^2 → (2+1) = 3, so 9 has three divisors: 1, 3, 9
• 16 = 2^4 → (4+1) = 5, so 16 has five divisors: 1, 2, 4, 8, 16
• 25 = 5^2 → (2+1) = 3, so 25 has divisors: 1, 5, 25
• 36 = 2^2 * 3^2 → (2+1) * (2+1) = 3 * 3 = 9, so 36 has nine divisors: 1, 2, 3, 4, 6, 9, 12, 18, 36
• 49 = 7^2 → (2+1) = 3, so 49 has three divisors: 1, 7, 49
• 64 = 2^6 → (6+1) = 7, so 64 has seven divisors: 1, 2, 4, 8, 16, 32, 64
• 81 = 3^4 → (4+1) = 5, so 81 has five divisors: 1, 3, 9, 27, 81
• 100 = 2^2 * 5^2 → (2+1) * (2+1) = 3 * 3 = 9, so 100 has nine divisors: 1, 2, 4, 5, 10, 20, 25, 50, 100

So if you choose boxes #1, #4, #9, #16, #25, #36, #49, #64, #81 and #100, you’ll get the combination for the safe and save your life.


Appendix

Here’s the full description of what happens to the boxes:

• box #1 is unlocked by worker #1 and locked by no-one, therefore it’s unlocked
• box #2 is unlocked by worker #1 and locked by worker #2, therefore it’s locked
• box #3 is unlocked by worker #1 and locked by worker #3, therefore it’s locked
• box #4 is unlocked by workers #1 and #4, and locked by worker #2, therefore it’s unlocked
• box #5 is unlocked by worker #1 and locked by worker #5, therefore it’s locked
• box #6 is unlocked by workers #1 and #3, and locked by workers #2 and #6, therefore it’s locked
• box #7 is unlocked by worker #1 and locked by worker #7, therefore it’s locked
• box #8 is unlocked by workers #1 and #4, and locked by workers #2 and #8, therefore it’s locked
• box #9 is unlocked by workers #1 and #9, and locked by worker #3, therefore it’s unlocked
• box #10 is unlocked by workers #1 and #5, and locked by workers #2 and #10, therefore it’s locked
• box #11 is unlocked by worker #1 and locked by worker #11, therefore it’s locked
• box #12 is unlocked by workers #1, #3 and #6, and locked by workers #2, #4 and #12, therefore it’s locked
• box #13 is unlocked by worker #1 and locked by worker #13, therefore it’s locked
• box #14 is unlocked by workers #1 and #7, and locked by workers #2 and #14, therefore it’s locked
• box #15 is unlocked by workers #1 and #5, and locked by workers #3 and #15, therefore it’s locked
• box #16 is unlocked by workers #1, #4 and #16, and locked by workers #2 and #8, therefore it’s unlocked
• box #17 is unlocked by worker #1 and locked by worker #17, therefore it’s locked
• box #18 is unlocked by workers #1, #3 and #9, and locked by workers #2, #6 and #18, therefore it’s locked
• box #19 is unlocked by worker #1 and locked by worker #19, therefore it’s locked
• box #20 is unlocked by workers #1, #4 and #10, and locked by workers #2, #5 and #20, therefore it’s locked
• box #21 is unlocked by workers #1 and #7, and locked by workers #3 and #21, therefore it’s locked
• box #22 is unlocked by workers #1 and #11, and locked by workers #2 and #22, therefore it’s locked
• box #23 is unlocked by worker #1 and locked by worker #23, therefore it’s locked
• box #24 is unlocked by workers #1, #3, #6 and #12, and locked by workers #2, #4, #8 and #24, therefore it’s locked
• box #25 is unlocked by workers #1 and #25, and locked by worker #5, therefore it’s unlocked
• box #26 is unlocked by workers #1 and #13, and locked by workers #2 and #26, therefore it’s locked
• box #27 is unlocked by workers #1 and #9, and locked by workers #3 and #27, therefore it’s locked
• box #28 is unlocked by workers #1, #4 and #14, and locked by workers #2, #7 and #28, therefore it’s locked
• box #29 is unlocked by worker #1 and locked by worker #29, therefore it’s locked
• box #30 is unlocked by workers #1, #3, #6 and #15, and locked by workers #2, #5, #10 and #30, therefore it’s locked
• box #31 is unlocked by worker #1 and locked by worker #31, therefore it’s locked
• box #32 is unlocked by workers #1, #4 and #16, and locked by workers #2, #8 and #32, therefore it’s locked
• box #33 is unlocked by workers #1 and #11, and locked by workers #3 and #33, therefore it’s locked
• box #34 is unlocked by workers #1 and #17, and locked by workers #2 and #34, therefore it’s locked
• box #35 is unlocked by workers #1 and #7, and locked by workers #5 and #35, therefore it’s locked
• box #36 is unlocked by workers #1, #3, #6, #12 and #36, and locked by workers #2, #4, #9 and #18, therefore it’s unlocked
• box #37 is unlocked by worker #1 and locked by worker #37, therefore it’s locked
• box #38 is unlocked by workers #1 and #19, and locked by workers #2 and #38, therefore it’s locked
• box #39 is unlocked by workers #1 and #13, and locked by workers #3 and #39, therefore it’s locked
• box #40 is unlocked by workers #1, #4, #8 and #20, and locked by workers #2, #5, #10 and #40, therefore it’s locked
• box #41 is unlocked by worker #1 and locked by worker #41, therefore it’s locked
• box #42 is unlocked by workers #1, #3, #7 and #21, and locked by workers #2, #6, #14 and #42, therefore it’s locked
• box #43 is unlocked by worker #1 and locked by worker #43, therefore it’s locked
• box #44 is unlocked by workers #1, #4 and #22, and locked by workers #2, #11 and #44, therefore it’s locked
• box #45 is unlocked by workers #1, #5 and #15, and locked by workers #3, #9 and #45, therefore it’s locked
• box #46 is unlocked by workers #1 and #23, and locked by workers #2 and #46, therefore it’s locked
• box #47 is unlocked by worker #1 and locked by worker #47, therefore it’s locked
• box #48 is unlocked by workers #1, #3, #6, #12 and #24, and locked by workers #2, #4, #8, #16 and #48, therefore it’s locked
• box #49 is unlocked by workers #1 and #49, and locked by worker #7, therefore it’s unlocked
• box #50 is unlocked by workers #1, #5 and #25, and locked by workers #2, #10 and #50, therefore it’s locked
• box #51 is unlocked by workers #1 and #17, and locked by workers #3 and #51, therefore it’s locked
• box #52 is unlocked by workers #1, #4 and #26, and locked by workers #2, #13 and #52, therefore it’s locked
• box #53 is unlocked by worker #1 and locked by worker #53, therefore it’s locked
• box #54 is unlocked by workers #1, #3, #9 and #27, and locked by workers #2, #6, #18 and #54, therefore it’s locked
• box #55 is unlocked by workers #1 and #11, and locked by workers #5 and #55, therefore it’s locked
• box #56 is unlocked by workers #1, #4, #8 and #28, and locked by workers #2, #7, #14 and #56, therefore it’s locked
• box #57 is unlocked by workers #1 and #19, and locked by workers #3 and #57, therefore it’s locked
• box #58 is unlocked by workers #1 and #29, and locked by workers #2 and #58, therefore it’s locked
• box #59 is unlocked by worker #1 and locked by worker #59, therefore it’s locked
• box #60 is unlocked by workers #1, #3, #5, #10, #15 and #30, and locked by workers #2, #4, #6, #12, #20 and #60, therefore it’s locked
• box #61 is unlocked by worker #1 and locked by worker #61, therefore it’s locked
• box #62 is unlocked by workers #1 and #31, and locked by workers #2 and #62, therefore it’s locked
• box #63 is unlocked by workers #1, #7 and #21, and locked by workers #3, #9 and #63, therefore it’s locked
• box #64 is unlocked by workers #1, #4, #16 and #64, and locked by workers #2, #8 and #32, therefore it’s unlocked
• box #65 is unlocked by workers #1 and #13, and locked by workers #5 and #65, therefore it’s locked
• box #66 is unlocked by workers #1, #3, #11 and #33, and locked by workers #2, #6, #22 and #66, therefore it’s locked
• box #67 is unlocked by worker #1 and locked by worker #67, therefore it’s locked
• box #68 is unlocked by workers #1, #4 and #34, and locked by workers #2, #17 and #68, therefore it’s locked
• box #69 is unlocked by workers #1 and #23, and locked by workers #3 and #69, therefore it’s locked
• box #70 is unlocked by workers #1, #5, #10 and #35, and locked by workers #2, #7, #14 and #70, therefore it’s locked
• box #71 is unlocked by worker #1 and locked by worker #71, therefore it’s locked
• box #72 is unlocked by workers #1, #3, #6, #9, #18 and #36, and locked by workers #2, #4, #8, #12, #24 and #72, therefore it’s locked
• box #73 is unlocked by worker #1 and locked by worker #73, therefore it’s locked
• box #74 is unlocked by workers #1 and #37, and locked by workers #2 and #74, therefore it’s locked
• box #75 is unlocked by workers #1, #5 and #25, and locked by workers #3, #15 and #75, therefore it’s locked
• box #76 is unlocked by workers #1, #4 and #38, and locked by workers #2, #19 and #76, therefore it’s locked
• box #77 is unlocked by workers #1 and #11, and locked by workers #7 and #77, therefore it’s locked
• box #78 is unlocked by workers #1, #3, #13 and #39, and locked by workers #2, #6, #26 and #78, therefore it’s locked
• box #79 is unlocked by worker #1 and locked by worker #79, therefore it’s locked
• box #80 is unlocked by workers #1, #4, #8, #16 and #40, and locked by workers #2, #5, #10, #20 and #80, therefore it’s locked
• box #81 is unlocked by workers #1, #9 and #81, and locked by workers #3 and #27, therefore it’s unlocked
• box #82 is unlocked by workers #1 and #41, and locked by workers #2 and #82, therefore it’s locked
• box #83 is unlocked by worker #1 and locked by worker #83, therefore it’s locked
• box #84 is unlocked by workers #1, #3, #6, #12, #21 and #42, and locked by workers #2, #4, #7, #14, #28 and #84, therefore it’s locked
• box #85 is unlocked by workers #1 and #17, and locked by workers #5 and #85, therefore it’s locked
• box #86 is unlocked by workers #1 and #43, and locked by workers #2 and #86, therefore it’s locked
• box #87 is unlocked by workers #1 and #29, and locked by workers #3 and #87, therefore it’s locked
• box #88 is unlocked by workers #1, #4, #11 and #44, and locked by workers #2, #8, #22 and #88, therefore it’s locked
• box #89 is unlocked by worker #1 and locked by worker #89, therefore it’s locked
• box #90 is unlocked by workers #1, #3, #6, #10, #18 and #45, and locked by workers #2, #5, #9, #15, #30 and #90, therefore it’s locked
• box #91 is unlocked by workers #1 and #13, and locked by workers #7 and #91, therefore it’s locked
• box #92 is unlocked by workers #1, #4 and #46, and locked by workers #2, #23 and #92, therefore it’s locked
• box #93 is unlocked by workers #1 and #31, and locked by workers #3 and #93, therefore it’s locked
• box #94 is unlocked by workers #1 and #47, and locked by workers #2 and #94, therefore it’s locked
• box #95 is unlocked by workers #1 and #19, and locked by workers #5 and #95, therefore it’s locked
• box #96 is unlocked by workers #1, #3, #6, #12, #24 and #48, and locked by workers #2, #4, #8, #16, #32 and #96, therefore it’s locked
• box #97 is unlocked by worker #1 and locked by worker #97, therefore it’s locked
• box #98 is unlocked by workers #1, #7 and #49, and locked by workers #2, #14 and #98, therefore it’s locked
• box #99 is unlocked by workers #1, #9 and #33, and locked by workers #3, #11 and #99, therefore it’s locked
• box #100 is unlocked by workers #1, #4, #10, #25 and #100, and locked by workers #2, #5, #20 and #50, therefore it’s unlocked

Piles of Prime Pairs

A087641 Start of the first sequence of exactly n consecutive pairs of twin primes

29, 101, 5, 9419, 909287, 325267931, 678771479, 1107819732821, 170669145704411, 3324648277099157, 789795449254776509

Example: a(6)=325267931 is the starting point of the first occurrence of 6 consecutive pairs of twin primes: (325267931 325267933) (325267937 325267939) (325267949 325267951) (325267961 325267963) (325267979 325267981) (325267991 325267993).

A087641 at the Encyclopedia of Integer Sequences

RubbuR

Etymology

From Middle French tribade, and its source, Latin tribad-, from Koine Greek τριβάς (tribás), from Ancient Greek τρίβω (tríbō, “to rub”).

磨鏡

Chinese: 磨 grindstone; to sharpen + to delay | 鏡 mirror; lens

trad. (磨鏡) 磨 鏡
simp. (磨镜) 磨 镜

Pronunciation

Mandarin

(Pinyin): mójìng
(Zhuyin): ㄇㄛˊ ㄐㄧㄥˋ

Southern Min (Hokkien, POJ): bôa-kiàⁿ

Middle Chinese: ma kjaengH

Old Chinese

(Baxter–Sagart): /*mˤaj C.qraŋʔ-s/
(Zhengzhang): /*maːl kraŋs/

Verb

磨鏡, to grind mirrors; 2. (now chiefly Xiamen Hokkien, euphemistic) to have lesbian sexual relations

• from tribade and 磨鏡 at Wiktionary

Abounding in Abundants

This is the famous Ulam spiral, invented by the Jewish mathematician Stanisław Ulam (pronounced OO-lam) to represent prime numbers on a square grid:

The Ulam spiral of prime numbers


The red square represents 1, with 2 as the white block immediately to its right and 3 immediately above 2. Then 5 is the white block one space to the left of 3 and 7 the white block one space below 5. Then 11 is the white block right beside 2 and 13 the white block one space above 11. And so on. The primes aren’t regularly spaced on the spiral but patterns are nevertheless appearing. Here’s the Ulam spiral at higher resolutions:

The Ulam spiral x2


The Ulam spiral x4


The primes are neither regular nor random in their distribution on the spiral. They stand tantalizingly betwixt and between. So the numbers represented on this Ulam-like spiral, which looks like an aerial view of a city designed by architects who occasionally get drunk:

Ulam-like spiral of abundant numbers


The distribution of abundant numbers is much more regular than the primes, but is far from wholly predictable. And what are abundant numbers? They’re numbers n such that sum(divisors(n)-n) > n. In other words, when you add the divisors of n less than n, the sum is greater than n. The first abundant number is 12:

12 is divisible by 1, 2, 3, 4, 6 → 1 + 2 + 3 + 4 + 6 = 16 > 12

The abundant numbers go like this:

12, 18, 20, 24, 30, 36, 40, 42, 48, 54, 56, 60, 66, 70, 72, 78, 80, 84, 88, 90, 96, 100, 102, 104, 108, 112, 114, 120, 126, 132, 138, 140, 144, 150, 156, 160, 162, 168, 174, 176, 180, 186, 192, 196, 198, 200, 204, 208, 210, 216, 220, 222, 224, 228, 234, 240, 246, 252, 258, 260, 264, 270… — A005101 at the Online Encyclopedia of Integer Sequences

Are all abundant numbers even? No, but the first odd abundant number takes a long time to arrive: it’s 45045. The abundance of 45045 was first discovered by the French mathematician Charles de Bovelles or Carolus Bovillus (c. 1475-1566), according to David Wells in his wonderful Penguin Dictionary of Curious and Interesting Numbers (1986):

45045 = 3^2 * 5 * 7 * 11 * 13 → 1 + 3 + 5 + 7 + 9 + 11 + 13 + 15 + 21 + 33 + 35 + 39 + 45 + 55 + 63 + 65 + 77 + 91 + 99 + 105 + 117 + 143 + 165 + 195 + 231 + 273 + 315 + 385 + 429 + 455 + 495 + 585 + 693 + 715 + 819 + 1001 + 1155 + 1287 + 1365 + 2145 + 3003 + 3465 + 4095 + 5005 + 6435 + 9009 + 15015 = 59787 > 45045

Here’s the spiral of abundant numbers at higher resolutions:

Abundant numbers x2


Abundant numbers x4


Negating the spiral of the abundant numbers — almost — is the spiral of the deficient numbers, where sum(divisors(n)-n) < n. Like most odd numbers, 15 is deficient:

15 = 3 * 5 → 1 + 3 + 5 = 9 < 15

Here’s the spiral of deficient numbers at various resolutions:

Deficient numbers on Ulam-like spiral


Deficient numbers x2


Deficient numbers x4


The spiral of deficient numbers doesn’t quite negate (reverse the colors of) the spiral of abundant numbers because of the very rare perfect numbers, where sum(divisors(n)-n) = n. That is, their factor-sums are exactly equal to themselves:

• 6 = 2 * 3 → 1 + 2 + 3 = 6
• 28 = 2^2 * 7 → 1 + 2 + 4 + 7 + 14 = 28
• 496 = 2^4 * 31 → 1 + 2 + 4 + 8 + 16 + 31 + 62 + 124 + 248 = 496

Now let’s try numbers n such than sum(divisors(n)) mod 2 = 1 (“n mod 2″ gives the remainder when n is divided by 2, i.e. n mod 2 is either 0 or 1). For example:

• 4 = 2^2 → 1 + 2 + 4 = 7 → 7 mod 2 = 1
• 18 = 2 * 3^2 → 1 + 2 + 3 + 6 + 9 + 18 = 39 → 39 mod 2 = 1
• 72 = 2^3 * 3^2 → 1 + 2 + 3 + 4 + 6 + 8 + 9 + 12 + 18 + 24 + 36 + 72 = 195 → 195 mod 2 = 1

Here are spirals for these numbers:

Ulam-like spiral for n such than sum(divisors(n)) mod 2 = 1


sum(divisors(n)) mod 2 = 1 x2


sum(divisors(n)) mod 2 = 1 x4


sum(divisors(n)) mod 2 = 1 x8


sum(divisors(n)) mod 2 = 1 x16


Mavericks in a Metropolis of Millions…

Trump has won again.

I can’t believe I’ve just written those words.

I don’t wanna believe I’ve just written those words.

But I hafta.

’Coz they’re true.

Toxically, traumatizingly, tear-tappingly true.

So how’m I gonna respond to the toxic truth of tyrannical Trump’s triumph?

Welp… how better than by publishing some fiercely unbowed words of anti-fascist resistance from one of the core counter-cultural components at one of the world’s leading anti-racist publishing houses?

Yes indeedy, this Papyrocentric Performativizer is positively pulsating with pride and passion to present an exclusive antifa extract from arguably the best interview in Titans of Transgression: Incendiary Interviews with Eleven Ultra-Icons of Über-Extremity (TransVisceral Books 2024), which has just seen its third edition.

Please raise your revolutionary fists for Jay Guinness, Artistic Director and Ipsissimic Aesthetician at Manchester-locused Savoy Books, long hailed as England’s most transgressive publishing company…

Readers’ Advisory: Interview extract contains strong language and uncompromising counter-cultural contrarianism. Proceed at your own risk.

[…]

Miriam Stimbers: Manchester was in the headlines for all the wrong reasons in 2017 [editor’s note: Miriam is referring to the murder of twenty-two people by the homophobic and misogynist Islamist suicide-bomber Salman Abedi at the Manchester Arena].

Jay Guinness: It was, yes. Sadly it was.

Miriam Stimbers: How did you react at Savoy?

Jay Guinness: We in the Savoy community were badly affected. Clearly, we’ve engaged fictionally, artistically, aesthetically with issues around fascism, hatred, intolerance throughout our professional lives, but to have those issues strike on your own doorstep, as it were, strike for real, well, it’s something you could never be prepared for.

Miriam Stimbers: So you think what he did was fascism?

Jay Guinness: I think it was echt fascism, fascism pur sang. Pun not intended. Let’s not beat about the bush. It was fascism.

Miriam Stimbers: Much has been made of the fact that the terrorist––

Jay Guinness: I don’t think “terrorist” is the mot juste. Not at all. For me, he’s just a criminal with a diseased mind. And I don’t mean that as a compliment!

Steve Bell of The Guardian excoriates the Manchester Arena Bomber

Miriam Stimbers: Okay. Much has been made of the fact that the criminal was born and brought up in Manchester. Have you any thoughts on that?

Jay Guinness: You’re right, much has been made of it. But for me and my colleagues at Savoy what he did merely underlined the fact that Manchester is a state of mind far more than it is a physical and temporal Sitz im Leben. It’s about a locus of values, not about geography. I mean, I was born in Huddersfield myself, but I felt that I was Mancunian from the moment I first hung my hat here, because I subscribe to Mancunian values. People who were born here but don’t subscribe to those values aren’t part of the city. Not for me, not for the Savoy community, not ever. I think Dave [Britton] put it best when we were processing the news of what he’d done. Dave’s words have stayed with me: “He’s not a fucking Manc, he’s a fucking cunt. The fucker should be fucking strung up.”

Miriam Stimbers: Metaphorically speaking?

Jay Guinness: No, not metaphorically. Literally. We in the Savoy community are a pretty progressive bunch. We’re not instinctive supporters of the death penalty, to put it mildly. But if you took a vote at Savoy in terms of whether people who do things like that should be hanged, it would be a unanimous yes. No dissenters.

Miriam Stimbers: I’m taken aback. It seems a little extreme. A lot extreme, to be honest.

Jay Guinness: The Savoy community might be progressive, but we’re not bleeding-heart liberals. As Dave said, the fucker should be fucking strung up.

Miriam Stimbers: But what could you hope to achieve by it?

Jay Guinness: Well, for one thing it would be a deterrent to others. Just as importantly, it would ensure he doesn’t do it again.

Miriam Stimbers: But he won’t be doing it again. How could he?

Jay Guinness: Very easily. And he will do it again. We in the Savoy community are confident of that. Leopards don’t change their spots.

Miriam Stimbers: But how could he do it again? He’s dead.

Jay Guinness: I’m sorry, you’ve lost me. Who’s dead?

Miriam Stimbers: Salman Abedi, of course. The suicide-bomber at the Manchester Arena. Who else?

Much More Mucking Maverick Than You, Monkeyfunker!

Jay Guinness: Oh no, no, no, you’ve got entirely the wrong end of the stick. I wasn’t talking about that poor British-Muslim boy. He was quite possibly the biggest victim in that unfortunate business at the Arena.

Miriam Stimbers: Then who were you talking about?

Jay Guinness: That despicable creature Morrissey, of course. Those comments of his about immigration and Salman’s background were utterly unforgivable. Utterly. But no more than one would expect. As Dave went on to say: “That fucking crypto-fascist cunt’s just a fucking attention-seeker, always fucking has been, always fucking will be. String the fucker up!”

Miriam Stimbers: And you really think there’d be a majority at Savoy in favour of executing Morrissey?

Jay Guinness: I don’t think it, I know it. But it wouldn’t just be a majority, it would a unanimous vote, nem. con. What has Morrissey ever done but bring Manchester into disrepute with his dire music, his shitty fashion sense and his toxic racist agenda? As Michael Moorcock once said: “Fascism never sleeps and nor must the anti-fascist community.” In terms of saying it all, it does. Definitively.

[…]

Interview extract © Jay Guinness, Dr Miriam Stimbers, TransVisceral Books 2024


Jay Guinness is a Huddersfield-born artist and aesthetician, and the subject of Dr Joan Jay Jefferson’s incisive and exhaustive biography Art-Bandit: Interrogating the Outlaw Aesthetics of Über-Maverick Gay Atelierista Jay Guinness (University of Salford Press 2012). See reviews of Art-Bandit at: Pink News, The Guardian, London Review of Books, Quietus, and Huffington Post. Visit Jay’s website for news of his latest projects.

Miriam Stimbers is a Glasgow-born psychoanalyst, literary scholar and cultural commentatrix whose most recent book is the updated edition of Morbidly Miriam: The Mephitic Memoirs of Miriam B. Stimbers (TransVisceral Books 2023). See a review of Morbidly Miriam at Papyrocentric Performativity. Visit Miriam’s website for news of her latest projects.


Previously pre-posted on Papyrocentric Performativity…

Il Nano e il Necrofilo… – an earlier exclusive extract from Titans of Transgression

The Hurt Shocker – an even earlier exclusive extract from Titans of Transgression