Young Out to Dry

“I am sick to death of people saying that we’ve made 11 albums that sound exactly the same. In fact we’ve made 12 albums that sound exactly the same.” — Angus Young of AC/DC


Elsewhere other-accessible

Bon and Off — a rogue review at Papyrocentric Performativity of Two Sides to Every Glory: AC/DC: The Complete Biography

Toxic Turntable #22

Currently listening…

• Dźmutia Zirih, Plz Yrslf (1976)
• Far Beyond Xanadu, Dionysus’ Holy Name (1992)
• Yolanda Grovedrew, Not for Duke War (1997)
• Egzotiq, Vous N’Êtes Que (1984)
• Doctor Yacht, Invoke the Geigar (2009)
• Forschung-239, Jisirlo (1995)
• Gary Jophe, Silver Sands (1992)
• მზის მგელი, მგლისთვალება (2008)
• Helios Epoch, Nahtloser Neuntöter (2009)
• WihlhiW, Gaze Fix (1996)
• Ossafracht, Lokomotiv Zinken (2002)
• Vora xMqa, Future Is An Asylum (2015)
• հաց և գինի, Պետրիկոր (2020)
• Floris Nox, God is Caffeinated (1988)
• Phonophoro L.G., El Coro del Abismo (1988)
• Oscar’s Vital Glove, We Hate Tweeve (2003)
• Ecofoxes, When the Hen (1994)
• ბვემწა, ფვიტი ჰმრე (2017)
• Aoatt Leit, Trey Drake (1993)
• Audiosun, Lucus (Non Lucendo) (1995)
• Hildegard von Bingen, Hortus Deliciarum (2018)
• Ikexon, H.M.T. (2014)


Previously pre-posted

Toxic Turntable #1#2#3#4#5#6#7#8#9#10#11#12#13#14#15#16#17#18#19#20#21

Golden Goat-God’s Gateway


Although this blog stands strongly and sternly against the use of any drugs weaker than water (which is all of ’em), some interesting art has been inspired by those weaker drugs. The front cover of Bongzilla’s Gateway (2002) is a good and skilful example. Please be aware, however, that smoking grass is more likely to induce psychosis than turn you into a golden goat-god. Especially coz artificially strengthened varieties of grass are not what Gaia intended. (dot dot dot)


Post-Performative Post-Scriptum

Yes, the horns on the album-cover are those of a bovid, not a caprid, but I like to think of the image being that of a goat-god rather than a bull-god.

Performativizing Papyrocentricity #67

Papyrocentric Performativity Presents:

Killer Chiller ThrillerNight Without End, Alistair MacLean (1959)

Above and BelowThe Archaeology of Underground Mines and Quarries in England, John Barnatt (Historic England 2019)

Wannabe Wonder-WeaverThe Best of Robert Westall Volume One, Robert Westall (1993)

All Glitter, No GlowA.C. Swinburne: A Poet’s Life, Rikky Rooksby (Scolar Press 1997)

Recycle, RepeatRevival, Stephen King (2014)

Gained in TranslationCuentos de Averoigne: Todos los Cuentos de Averoigne de Clark Ashton Smith, traducción de Enric Navarro (Pickman’s Press 2019)

Sean of the HeadAm I Evil? The Autobiography, Brian Tatler with John Tucker (2009; second edition 2017)

Posted at Overlord of the Über-Feral:

Maximal MozMorrissey in Conversation: The Essential Interviews, ed. Paul A. Woods (Plexus 2016)

Absence and EssenceAbandoned: The Most Beautiful Forgotten Places from Around the World, Mathew Growcoot (Ebury Press 2017)


Or Read a Review at Random: RaRaR

The Psyve Mind Speaks

“H.P. Lovecraft were really underrated in terms of the sixties bands from the West Coast.” — Psychic Hi-Fi: Genesis Breyer P-Orridge’s Favourite Albums, The Quietus, 23i2014.


Previously pre-posted:

He Say, He Sigh, He Sow #23 — an earlier engagement by Genesis P. Orridge in terms of issues around “in terms of” (dot dot dot)
Ex-term-in-ate!

Prose Shows

I don’t know about you, but this is exactly what I like to see in the opening paragraph of an essay engaging issues around William S. Burroughs and the cult of rock’n’roll dot dot dot…

Naked Lunch is inseparable from its author William S. Burroughs, which tends to happen with certain major works. The book may be the only Burroughs title many literature buffs can name. In terms of name recognition, Naked Lunch is a bit like Miles Davis’ Kind of Blue, which also arrived in 1959. Radical for its time, Kind of Blue now sounds quaint, though it is undeniably a masterwork. — William S. Burroughs and the Cult of Rock ’n’ Roll, Casey Rae

Did you spot it? Didja?


Previously pre-posted:

The Hum of Heresy
The Conqueror Term
Bill Self

Hal Bent for Leather

It isn’t the best possible phrase to be governed by “in terms of” in the pages of
The Guardian
, but the combination below may be the archetypal item of Guardianese:

And what about the leather? Was that also a signal? [Rob Halford:] “It wasn’t conscious. But how ironic that I chose that look – Glenn, the biker from the Village People. That wasn’t my attachment, in terms of the gay community, but I understood the power of that look.” — How Judas Priest invented heavy metal, The Guardian, 10×2010.


Elsewhere other-engageable:

All posts interrogating issues around “in terms of”
All posts interrogating issues around the Guardian-reading community and its affiliates


Poovy Postscript

The title of this post was originally “Highway to Hal”, which is feeble. I don’t know why I didn’t think a bit longer and come up with the present title, which has a double entendre (your actual French, ducky).

Performativizing Papyrocentricity #65

Papyrocentric Performativity Presents:

Fratele Gets You NowhereO mie nouă sute optzeci şi patru, George Orwell, translated by Mihnea Gafiţa (Biblioteca Polirom 2002)

Whole Lotta ScottHighway to Hell: The Life and Times of AC/DC Legend Bon Scott, Clinton Walker (Pan Books 1996)

The Bella and the BoltonianA Forger’s Tale: Confessions of the Bolton Forger, Shaun Greenhalgh (Allen & Unwin 2017)

Clubbed to DeafThe Haçienda: How Not to Run a Club, Peter Hook (Simon & Schuster 2009)

Dizh Izh Vizh BizhVilest Visions: The Darkest, Despicablest, Disgustingest Decapitations vs The Nastiest, Noxiousest, Nauseatingest Necrophilia, Dr Samuel P. Salatta and Dr William K. Phipps (Visceral Visions 2018)


Or Read a Review at Random: RaRaR