• Tusmørkejuvel, Twilight Jewel (2018)
• Cybernetic Witch Cult, Morlock Rock (2015)
• Bizarra Locomotiva, Homem Máquina (2002)
• Turtle Skull, Monoliths (2020)
• Spotlights, We Are All Atomic (2020)
• Elevators to the Grateful Sky, Nude (2019)
• Egypt, Endless Flight (2015)
• Red Eye, The Cycle (2022)
• Temple Of The Fuzz Witch, Live and Unreleased (2020)
• Compulsion, The Future Is Medium (1996)
• Ultraphallus, First Demo (2004)
• Dunerider, Ascend to the Void (2021)
• Obiat, Emotionally Driven Disturbulence (2005)
• Fuzzthrone, Temple of the Fuzz (2021)
• Kråkslott, The Witchhammer (2021)
• Sludge Terror, Tenebris EP (2018)
• Pitchshifter, Submit (1992)
• The Autumn Spiders, Woe of the World (1987)
• Faster Pussycat, Best Of (2021)
Tag Archives: rock music
The Eyes Have It
Members of doom-stoner Russian band Fuzzthrone (image from Encyclopedia Metallum)
Elsewhere Other-Engageable…
• Temple of the Fuzz (2021) — Fuzzthrone’s debut album at Youtube
Lord, What Fuels These Portals Be!
Midnight, one more night without sleeping.
Watching ’til that morning comes creeping.
Green Door: what’s that secret you’re keeping?There’s an old piano and they play it hot behind the green door!
Don’t know what they’re doing but they laugh a lot behind the green door.
Wish they’d let me in so I could find out what’s behind the green door.Knocked once, tried to tell ’em I’d been there.
Door slammed — hospitality’s thin there.
Wondering just what’s going on in there.Saw an eyeball peepin’ through a smoky cloud behind the green door.
When I said “Joe sent me” someone laughed out loud behind the green door.
All I want to do is join the happy crowd behind the green door.
Otra noche mas que no duermo.
Otra noche mas que se pierde.
¿Que habrá tras esa puerta verde?
Suena alegremente un piano viejo
tras la puerta verde.Todos ríen y no se que pasa
tras la puerta verde
No descansaré hasta saber que hay
tras la puerta verde.Toqué, y cuando contestaron
dije ¡Ah! que a mí me llamaron.
Risas, y enseguida me echaron.Sólo pude ver que mucha gente allí se divertía,
y entre tanto humo todo allí se confundía.
Yo quisiera estar al otro lado de la puerta verde.Otra noche mas que no duermo.
Otra noche mas que se pierde.
¿Que habrá tras esa puerta verde?
¿Que habrá tras esa puerta verde?
¿Que habrá?
Elsewhere Other-Accessible…
• “The Green Door” (1956), music by Bob “Hutch” Davie and lyrics by Marvin J. Moore
Performativizing Papyrocentricity #74
Papyrocentric Performativity Presents…
• A Big Book about Books – The Penguin Classics Book, Henry Eliot (Penguin 2018)
• Wrecks & Drugs & Rock & Roll – Bodies: Life and Death in Music, Ian Winwood (Faber 2022)
• In the Bland of the Blind – An Unexplained Death: The True Story of a Body at the Belvedere, Mikita Brottman (Canongate 2018)
• Hu Thru Mu – The Musical Human: A History of Life on Earth, Michael Spitzer (Bloomsbury 2021)
• A Bit of EngLit – The Power of Delight: A Lifetime in Literature: Essays 1962-2002, John Bayley (Duckworth 2005)
• Chrome Tome – The Secret Lives of Colour, Kassia St Clair (John Murray 2018)
• Cannonball Corpse – AC/DC: The Story of the Original Monsters of Rock, Jerry Ewing (Carlton Books 2015)
• Chimpathy for the Devil? — Oasis: Supersonic: The Complete, Authorised and Uncut Interviews, curated by Simon Halfon (Nemperor 2021)
• D for Deviant, K for Korpse… — Doktor Deviant’s Diary of Depravity: Kandid Konfessions of a Kompulsive Korpse-Kopulator, ed. Dr David Kerekes and Samuel P. Salatta (Visceral Visions 2022)
Or Read a Review at Random: RaRaR
Bong of Bongs
Dopelord, Polish stoner-doom band (photo by Marcin Pawłowski)
“Navigator” by Dopelord from Children of the Haze (2017)
Leaf burns to ashes — Hail the Holy Smoke!
Deepspace traveller, folding time with bong;
Green smoke inhaler — space defeated bends.
Skilled time deflector, holding bong in hand
Holding bong in hand…Slowly he’s dying,
Slowly he’s turning,
Into stones and into ashes:
Slowly gets high.Galaxy raider flights the mothership;
Mind decompressor on eternal trip;
Green smoke inhaler — space defeated bends.
Skilled time deflector, holding bong in hand
Holding bong in hand…
Elsewhere Other-Accessible…
• Dopelord at Bandcamp
Post-Performative Post-Scriptum
The title of this incendiary intervention is a paronomasia on Song of Songs, the Biblical book traditionally ascribed to King Solomon and known in Hebrew as שִׁיר הַשִּׁירִים Šīr hašŠīrīm and in Polish as Pieśń nad Pieśniami. Please note that the Overlord of the Über-Feral abhors and abominates the taking of all and any drugs. Except the purest and most potent: water, language, mathematics and music dot dot dot
Modes vs Tossers
“U2 are a band who believe in meetings, so everything has a meeting. With Depeche, it’s an exception to have a meeting at all. When I did visuals for The Joshua Tree 30th anniversary tour, I also filmed the show in Mexico City. After the concert, U2 all came to look at the footage. At midnight! For two hours! I mean, Depeche – you couldn’t get them to watch a minute. It’s an incredible difference in attitude. But that’s also the charm of Depeche. They don’t do many interviews, there’s no big plans, they just make a record and tour.”
• ‘They had soul’: Anton Corbijn on 40 years shooting Depeche Mode, The Intermzinator, 1vi21
Post-Performative Post-Scriptum
The peri-parapractic paronomasia in the title of this post corely references key Kulturkampf “Mods vs Rockers” in terms of 1960s Britain.
Down in the Bassment
Cover of Damned to Earth’s self-titled debut
I like the cover and the music.
Previously Pre-Posted…
• Museek — in which I don’t like the cover but do like the music
• A Little Light Night Music — in which I don’t like the music but do like the cover
Museek
Cover of Albinö Rhino’s Upholder (2016)
I don’t like the music, but I do like the cover.
Cover of Maha Sohona’s Endless Searcher (2021)
I don’t like the cover, but I do like the music.
Previously pre-posted…
Toxic Turntable #24
Currently listening…
• We Worship Silence, Pass the Gates (2011)
• House of Pyromania, Many Seek (Few Find) (1987)
• X-Newly Inc, Oz Wuwu 9 (2003)
• Iujisba, Abominable Abdominal (Killer Bees EP) (1986)
• Danny Yaup, Vision Ov (1969)
• Fizzy Glamsters, Keict (1991)
• Roxane Redmoor, Voxational DJ (2008)
• Kogar Fjö, Capnotic Micrographs (1993)
• Dynamic and the Zone, Cocodrilo Rock (1977)
• იჰვიუხე, პეპლები მთვარის (2002)
• Quickfinger, Ship on a Painted Ocean (1980)
• Earl Vanburgh, Glad (but) Sad (1965)
• Aquilæ ζ, Songs of Seventeen Stars (1979)
• Kozmik Krusaders, Hexen Zoo (1998)
• Quanta Thalassia, This Is Si Siht (2010)
• Thallium Addicts, Thanatographic (1999)
• X Xepj Xo, On an Ebb (2014)
• Orion’s Cradle, Live in Oslo (1987)
• Gazing on Bifrost, By the Swords (1976)
• Ausna, Z.M.E. (1977)
• Obelisk Pact, Long You’ll Slide (2003)
• Um Nuhotóbareac, L’Xac Rey (2011)
Previously pre-posted:
Toxic Turntable #1 • #2 • #3 • #4 • #5 • #6 • #7 • #8 • #9 • #10 • #11 • #12 • #13 • #14 • #15 • #16 • #17 • #18 • #19 • #20 • #21 • #22 • #23 •
Performativizing Papyrocentricity #69
Papyrocentric Performativity Presents:
• Psyches and Psychoses – the work of Guy de Maupassant
• Buzz Off – The Wasp Factory, Iain Banks (1984)
• Drink Ink – The Way to Dusty Death, Alistair MacLean (1973)
• Littlerature – In Miniature: How Small Things Illuminate the World, Simon Garfield (Canongate 2018)
• Le Paon dans les Pyrénées – The Man in the Red Coat, Julian Barnes (Penguin 2019)
• Bon and Off – Two Sides to Every Glory: AC/DC: The Complete Biography, Paul Stenning (Chrome Dreams 2005)
• The Fuel in the Skull – The Jewel in the Skull, Michael Moorcock (1969)
• Suspicious Substance – Substance: Inside New Order, Peter Hook (Simon & Schuster, 2016)
Or Read a Review at Random: RaRaR
Overlord In Terms of Core Issues Around Maximal Engagement with Key Notions of the Über-Feral 