Currently Glistening…

• Tusmørkejuvel, Twilight Jewel (2018)
• Cybernetic Witch Cult, Morlock Rock (2015)
• Bizarra Locomotiva, Homem Máquina (2002)
• Turtle Skull, Monoliths (2020)
• Spotlights, We Are All Atomic (2020)
• Elevators to the Grateful Sky, Nude (2019)
• Egypt, Endless Flight (2015)
• Red Eye, The Cycle (2022)
• Temple Of The Fuzz Witch, Live and Unreleased (2020)
• Compulsion, The Future Is Medium (1996)
• Ultraphallus, First Demo (2004)
• Dunerider, Ascend to the Void (2021)
• Obiat, Emotionally Driven Disturbulence (2005)
• Fuzzthrone, Temple of the Fuzz (2021)
• Kråkslott, The Witchhammer (2021)
• Sludge Terror, Tenebris EP (2018)
• Pitchshifter, Submit (1992)
• The Autumn Spiders, Woe of the World (1987)
• Faster Pussycat, Best Of (2021)

Bong of Bongs

Dopelord, Polish stoner-doom band (photo by Marcin Pawłowski)



“Navigator” by Dopelord from Children of the Haze (2017)

Leaf burns to ashes — Hail the Holy Smoke!
Deepspace traveller, folding time with bong;
Green smoke inhaler — space defeated bends.
Skilled time deflector, holding bong in hand
Holding bong in hand…

Slowly he’s dying,
Slowly he’s turning,
Into stones and into ashes:
Slowly gets high.

Galaxy raider flights the mothership;
Mind decompressor on eternal trip;
Green smoke inhaler — space defeated bends.
Skilled time deflector, holding bong in hand
Holding bong in hand…


Elsewhere Other-Accessible…

Dopelord at Bandcamp

Post-Performative Post-Scriptum

The title of this incendiary intervention is a paronomasia on Song of Songs, the Biblical book traditionally ascribed to King Solomon and known in Hebrew as שִׁיר הַשִּׁירִים Šīr hašŠīrīm and in Polish as Pieśń nad Pieśniami. Please note that the Overlord of the Über-Feral abhors and abominates the taking of all and any drugs. Except the purest and most potent: water, language, mathematics and music dot dot dot

Down in the Bassment

Cover of Damned to Earth’s self-titled debut


I like the cover and the music.


Previously Pre-Posted…

Museek — in which I don’t like the cover but do like the music
A Little Light Night Music — in which I don’t like the music but do like the cover

Golden Goat-God’s Gateway


Although this blog stands strongly and sternly against the use of any drugs weaker than water (which is all of ’em), some interesting art has been inspired by those weaker drugs. The front cover of Bongzilla’s Gateway (2002) by Malleus Rock Art Lab is a good and skilful example. Please be aware, however, that smoking grass is more likely to induce psychosis than turn you into a golden goat-god. Especially coz artificially strengthened varieties of grass are not what Gaia intended. (dot dot dot)


Post-Performative Post-Scriptum

Yes, the horns on the album-cover are those of a bovid, not a caprid, but I like to think of the image being that of a goat-god rather than a bull-god.

Capnic Caravan

Sleep, Dopesmoker (2012 reissue)


I’ve never been able to get into the band Sleep and, not being a keyly committed core component of the hive-mind, I’m not a fan of dopesmoking either. But this is a good cover by the artist Arik Roper, with a nice Dune-y vibe.


To engage issues around the title of this incendiary intervention, see here:

capno-, capn-, capnod- (Greek: smoke; vapor; sooty) — Wordquests