Carved Cascade

Woodcut of a waterfall by Reynolds Stone (1909-79)


It’s the wrong kind of waterfall to go with this passage from Nietzsche, but that can’t be helped dot dot dot colon

Am Wasserfall. — Beim Anblick eines Wasserfalles meinen wir in den zahllosen Biegungen, Schlängelungen, Brechungen der Wellen Freiheit des Willens und Belieben zu sehen; aber Alles ist nothwendig, jede Bewegung mathematisch auszurechnen. So ist es auch bei den menschlichen Handlungen; man müsste jede einzelne Handlung vorher ausrechnen können, wenn man allwissend wäre, ebenso jeden Fortschritt der Erkenntniss, jeden Irrthum, jede Bosheit. Der Handelnde selbst steckt freilich in der Illusion der Willkür; wenn in einem Augenblick das Rad der Welt still stände und ein allwissender, rechnender Verstand da wäre, um diese Pausen zu benützen, so könnte er bis in die fernsten Zeiten die Zukunft jedes Wesens weitererzählen und jede Spur bezeichnen, auf der jenes Rad noch rollen wird. Die Täuschung des Handelnden über sich, die Annahme des freien Willens, gehört mit hinein in diesen auszurechnenden Mechanismus. — Friedrich Nietzsche, Menschliches, Allzumenschliches: Ein Buch für freie Geister (1878)


AT THE WATERFALL.—In looking at a waterfall we imagine that there is freedom of will and fancy in the countless turnings, twistings, and breakings of the waves ; but everything is compulsory, every movement can be mathematically calculated. So it is also with human actions ; one would have to be able to calculate every single action beforehand if one were all-knowing ; equally so all progress of knowledge, every error, all malice. The one who acts certainly labours under the illusion of voluntariness ; if the world’s wheel were to stand still for a moment and an all-knowing, calculating reason were there to make use of this pause, it could foretell the future of every creature to the remotest times, and mark out every track upon which that wheel would continue to roll. The delusion of the acting agent about himself, the supposition of a free will, belongs to this mechanism which still remains to be calculated. — Friedrich Nietzsche, Human, All-Too Human: A Book for Free Spirits (1908)

Mulch is Less

An interesting bio-paradox from the world’s premier papyrocentric purveyor of progressive performativity:

Vast stretches of roadside have been transformed. Where there were thick clumps of grass, there are low-growing wildflowers such as black medic, birds-foot trefoil and red clover. The verges are cut two or three times a year, not 12, saving the council tens of thousands of pounds. Butterflies and other invertebrates have returned in their droves. […]

The process is simple: cut infrequently, ideally, just twice a year in spring and then late summer once plants have bloomed and seeded; remove the clippings to gradually reduce the fertility of the soil and prevent a buildup of mulch; repeat, wait, and enjoy the resurgent wildlife and flowers. […]

“As fertility declines in a soil, biodiversity increases. At first that seems a little counterintuitive because you imagine the more you pour into a soil, the more plants that can grow. That’s not how it works in the natural system. In more fertile systems, a few species dominate and they swamp and smother everything else.”

Grass cuttings are almost always left where they fall along the thousands of miles of road verges that are maintained by law in the UK. Over time, the resulting mulch increases the fertility of the soil, meaning the grass grows with increasing vigour and needs to be cut more frequently. The cut and collect method breaks the cycle. — On the verge: a quiet roadside revolution is boosting wildflowers, The Guardian, 14iii2020

Seis Segundos de Salvador

“Será tan breve que ya he terminado,” — Salvador Dalí, Con la frase “Ja soc aquí”, Dalí abrió una surrealista conferencia de Prensa, El País, 25×1980

   Salvador Dalí […] once gave the world’s shortest speech – six seconds in duration. He said, “I will be so brief I have already finished,” and he sat down. — Edward O. Wilson


Previously pre-posted

A Seriously Sizzling Series of Super-Saucy Salvadisms — more good quotes by Salvador Dalí

Hicks Nix on Pix

“Watching television is like taking black spray-paint to your third eye.” — Bill Hicks


Post-Performative Post-Scriptum

The title of this incendiary intervention is a tribute to the famous Variety headline “Sticks Nix Hick Pix”. However, I mean “pixels” by “pix”, not “pictures”.

Sins of the Sesh

THE SESSION OF THE POETS.—August, 1866.

Dî magni, salaputium disertum* — CAT[ullus]. Lib. LIII.

AT the Session of Poets held lately in London,
   The Bard of Freshwater was voted the chair:
With his tresses unbrush’d, and his shirt-collar undone,
   He loll’d at his ease like a good-humour’d Bear;
“Come, boys,” he exclaimed, “we’ll be merry together!”
   And lit up his pipe with a smile on his cheek;
While with eye like a skipper’s cock’d up at the weather,
   Sat the Vice-Chairman Browning, thinking in Greek.

The company gather’d embraced great and small bards,
   Both strong bards and weak bards, funny and grave,
Fat bards and lean bards, little and tall bards,
   Bards who wear whiskers, and others who shave.
Of books, men, and things, was the bards’ conversation
   Some praised Ecce Homo, some deemed it so-so —
And then there was talk of the state of the nation,
   And when the unwash’d would devour Mr. Lowe.

Right stately sat Arnold — his black gown adjusted
   Genteelly, his Rhine wine deliciously iced, —
With puddingish England serenely disgusted,
   And looking in vain (in the mirror) for “Geist.”
He heark’d to the Chairman, with “Surely!” and “Really?”
   Aghast at both collar and cutty of clay, —
Then felt in his pocket, and breath’d again freely,
   On touching the leaves of his own classic play.

Close at hand lingered Lytton, whose Icarus-winglets
   Had often betrayed him in regions of rhyme —
How glitter’d the eye underneath his grey ringlets,
   A hunger within it unlessened by time!
Remoter sat Bailey — satirical, surly —
   Who studied the language of Goethe too soon,
Who sang himself hoarse to the stars very early,
   And crack’d a weak voice with too lofty a tune.

How name all that wonderful company over —
   Prim Patmore, mild Alford — and Kingsley also?
Among the small sparks who was realler than Lover?
   Among misses, who sweeter than Miss Ingelow?
There sat, looking moony, conceited, and narrow,
   Buchanan, — who, finding when foolish and young,
Apollo asleep on a coster-girl’s barrow,
   Straight dragged him away to see somebody hung.

What was said? what was done? was there prosing or rhyming?
   Was nothing noteworthy in deed or in word?
Why, just as the hour for the supper was chiming,
   The only event of the evening occurred.
Up jumped, with his neck stretching out like a gander,
   Master Swinburne, and squeal’d, glaring out through his hair,
“All Virtue is bosh! Hallelujah for Landor!
   I disbelieve wholly in everything! — there!”

With language so awful he dared then to treat ’em, —
   Miss Ingelow fainted in Tennyson’s arms,
Poor Arnold rush’d out, crying “Sæcl’ inficetum!”
   And great bards and small bards were full of alarms;
Till Tennyson, flaming and red as a gipsy,
   Struck his fist on the table and uttered a shout:
“To the door with the boy! Call a cab! He is tipsy!”
   And they carried the naughty young gentleman out.

After that, all the pleasanter talking was done there
   Whoever had known such an insult before?
The Chairman tried hard to re-kindle the fun there,
   But the Muses were shocked, and the pleasure was o’er.
Then “Ah!” cried the Chairman, “this teaches me knowledge,
   The future shall find me more wise, by the powers!
This comes of assigning to younkers from college
   Too early a place in such meetings as ours!”

CALIBAN, The Spectator, September 15, 1866


*Dî magni, salaputium disertum = “Great gods, an eloquent mannikin!”
†”The Bard of Freshwater” is Tennyson, who lived at Freshwater on the Isle of Wight
‡”Sæcl’ inficetum!” = “Uncouth age!”

Caliban was Robert Buchanan (1841-1901), later the author of “The Fleshly School of Poetry”, an attack on immorality and sensuality in the poetry of Swinburne and Rossetti.

Leech Unleashed

The Great Beast writes:

I witnessed a remarkable sight on the road to Chabanjong, which was here a paka rasta (that is, a road made by engineers as opposed to kacha rasta, a track made by habit or at most by very primitive methods) wide enough for carts to pass. I had squatted near the middle of the road as being the least damp and leech-infested spot available and got a pipe going by keeping the bowl under my waterproof. I lazily watched a leech wriggling up a blade of tall grass about fifteen inches high and smiled superiorily at its fatuity — though when I come to think of it, my own expedition was morally parallel; but the leech was not such a fool as I thought. Arrived at the top, it began to set the stalk swinging to and fro; after a few seconds it suddenly let go and flew clean across the road. The intelligence of and ingenuity of the creature struck me as astonishing. — The Confessions of Aleister Crowley: An Autohagiography (1929), ch. 52

Math Matters

“Physics is mathematical not because we know so much about the physical world, but because we know so little; it is only its mathematical properties that we can discover.” — Bertrand Russell, An Outline of Philosophy (1927), ch. 15, “The Nature of our Knowledge of Physics”

Toxic Textuality for Tenebrose Times…

If you thought the keyly committed core componency of Covid-19 was bad, please park your peepers on the Satan Bug dot dot dot:

In its final form, the Satan Bug is an extremely refined powder. I take a salt-spoon of this powder, go outside in the grounds of Mordon and turn the salt-spoon upside down. What happens? Every person in Mordon would be dead within an hour, the whole of Wiltshire would be an open tomb by dawn. In a week, ten days, all life would have ceased to exist in Britain. I mean all life. The Plague, the Black Death – was nothing compared with this. Long before the last man died in agony ships or planes or birds or just the waters of the North Sea would have carried the Satan Bug to Europe. We can conceive of no obstacle that can stop its eventual world-wide spread… The Lapp trapping in the far north of Sweden. The Chinese peasant tilling his rice-fields in the Yangtse valley. The cattle rancher on his station in the Australian outback, the shopper in Fifth Avenue, the primitive in Tierra del Fuego. Dead. All dead. Because I turned a salt-spoon upside down. Nothing, nothing, nothing can stop the Satan Bug.


Previously pre-posted (on Papyrocentric Performativity):

God-Finger — a radical review of Alistair MacLean’s The Satan Bug (1962)…