Poeta Moquitur

Poeta Loquitur

If a person conceives an opinion
     That my verses are stuff that will wash,
Or my Muse has one plume on her pinion,
     That person’s opinion is bosh.
My philosophy, politics, free-thought!
     Are worth not three skips of a flea,
And the emptiest thoughts that can be thought
        Are mine on the sea.

In a maze of monotonous murmur
     Where reason roves ruined by rhyme,
In a voice neither graver nor firmer
     Than the bells on a fool’s cap chime,
A party pretentiously pensive,
     With a Muse that deserves to be skinned,
Makes language and metre offensive
        With rhymes on the wind.

A perennial procession of phrases
     Pranked primly, though pruriently prime,
Precipitates preachings on praises
     In a ruffianly riot of rhyme
Through the pressure of print on my pages:
     But reckless the reader must be
Who imagines me one of the sages
        That steer through Time’s sea.

Mad mixtures of Frenchified offal
     With insults to Christendom’s creed,
Blind blasphemy, schoolboylike scoff, all
     These blazon me blockhead indeed.
I conceive myself obviously some one
     Whose audience will never be thinned,
But the pupil must needs be a rum one
        Whose teacher is wind.

In my poems, with ravishing rapture
     Storm strikes me and strokes me and stings:
But I’m scarcely the bird you might capture
     Out of doors in the thick of such things.
I prefer to be well out of harm’s way
     When tempest makes tremble the tree,
And the wind with omnipotent arm-sway
        Makes soap of the sea.

Hanging hard on the rent rags of others,
     Who before me did better, I try
To believe them my sisters and brothers,
     Though I know what a low lot am I.
The mere sight of a church sets me yelping
     Like a boy that at football is shinned!
But the cause must indeed be past helping
        Whose gospel is wind.

All the pale past’s red record of history
     Is dusty with damnable deeds;
But the future’s mild motherly mystery
     Peers pure of all crowns and all creeds.
Truth dawns on time’s resonant ruin,
     Frank, fulminant, fragrant, and free:
And apparently this is the doing
        Of wind on the sea.

Fame flutters in front of pretension
     Whose flagstaff is flagrantly fine:
And it cannot be needful to mention
     That such beyond question is mine.
Some singers indulging in curses,
     Though sinful, have splendidly sinned:
But my would-be maleficent verses
        Are nothing but wind.

• Algernon Charles Swinburne viâ Pseudopodium


Elsewhere Other-Accessible…

Swinburne on Swinburne — “Poeta Loquitur” at Mind of Winter

Ghost Coast

In a coign of the cliff between lowland and highland,
       At the sea-down’s edge between windward and lee,
Walled round with rocks as an inland island,
       The ghost of a garden fronts the sea.
A girdle of brushwood and thorn encloses
       The steep square slope of the blossomless bed
Where the weeds that grew green from the graves of its roses
               Now lie dead.

• “A Forsaken Garden” (1876), Swinburne

Hymn to Heresy

Hymn to Proserpine

After the Proclamation in Rome
of the Christian Faith

by ALGERNON CHARLES SWINBURNE


Vicisti, Galilæe.

I have lived long enough, having seen one thing, that love hath an end;
Goddess and maiden and queen, be near me now and befriend.
Thou art more than the day or the morrow, the seasons that laugh or that weep;
For these give joy and sorrow; but thou, Proserpina, sleep.
Sweet is the treading of wine, and sweet the feet of the dove;
But a goodlier gift is thine than foam of the grapes or love.
Yea, is not even Apollo, with hair and harpstring of gold,
A bitter God to follow, a beautiful God to behold?
I am sick of singing; the bays burn deep and chafe: I am fain
To rest a little from praise and grievous pleasure and pain.
For the Gods we know not of, who give us our daily breath,
We know they are cruel as love or life, and lovely as death.
O Gods dethroned and deceased, cast forth, wiped out in a day!
From your wrath is the world released, redeemed from your chains, men say.
New Gods are crowned in the city; their flowers have broken your rods;
They are merciful, clothed with pity, the young compassionate Gods.
But for me their new device is barren, the days are bare;
Things long past over suffice, and men forgotten that were.
Time and the Gods are at strife; ye dwell in the midst thereof,
Draining a little life from the barren breasts of love.
I say to you, cease, take rest; yea, I say to you all, be at peace,
Till the bitter milk of her breast and the barren bosom shall cease.
Wilt thou yet take all, Galilean? but these thou shalt not take,
The laurel, the palms and the pæan, the breasts of the nymphs in the brake;
Breasts more soft than a dove’s, that tremble with tenderer breath;
And all the wings of the Loves, and all the joy before death;
All the feet of the hours that sound as a single lyre,
Dropped and deep in the flowers, with strings that flicker like fire.
More than these wilt thou give, things fairer than all these things?
Nay, for a little we live, and life hath mutable wings.
A little while and we die; shall life not thrive as it may?
For no man under the sky lives twice, outliving his day.
And grief is a grievous thing, and a man hath enough of his tears:
Why should he labour, and bring fresh grief to blacken his years?
Thou hast conquered, O pale Galilean; the world has grown grey from thy breath;
We have drunken of things Lethean, and fed on the fullness of death.
Laurel is green for a season, and love is sweet for a day;
But love grows bitter with treason, and laurel outlives not May.
Sleep, shall we sleep after all? for the world is not sweet in the end;
For the old faiths loosen and fall, the new years ruin and rend.
Fate is a sea without shore, and the soul is a rock that abides;
But her ears are vexed with the roar and her face with the foam of the tides.
O lips that the live blood faints in, the leavings of racks and rods!
O ghastly glories of saints, dead limbs of gibbeted Gods!
Though all men abase them before you in spirit, and all knees bend,
I kneel not neither adore you, but standing, look to the end.
All delicate days and pleasant, all spirits and sorrows are cast
Far out with the foam of the present that sweeps to the surf of the past:
Where beyond the extreme sea-wall, and between the remote sea-gates,
Waste water washes, and tall ships founder, and deep death waits:
Where, mighty with deepening sides, clad about with the seas as with wings,
And impelled of invisible tides, and fulfilled of unspeakable things,
White-eyed and poisonous-finned, shark-toothed and serpentine-curled,
Rolls, under the whitening wind of the future, the wave of the world.
The depths stand naked in sunder behind it, the storms flee away;
In the hollow before it the thunder is taken and snared as a prey;
In its sides is the north-wind bound; and its salt is of all men’s tears;
With light of ruin, and sound of changes, and pulse of years:
With travail of day after day, and with trouble of hour upon hour;
And bitter as blood is the spray; and the crests are as fangs that devour:
And its vapour and storm of its steam as the sighing of spirits to be;
And its noise as the noise in a dream; and its depth as the roots of the sea:
And the height of its heads as the height of the utmost stars of the air:
And the ends of the earth at the might thereof tremble, and time is made bare.
Will ye bridle the deep sea with reins, will ye chasten the high sea with rods?
Will ye take her to chain her with chains, who is older than all ye Gods?
All ye as a wind shall go by, as a fire shall ye pass and be past;
Ye are Gods, and behold, ye shall die, and the waves be upon you at last.
In the darkness of time, in the deeps of the years, in the changes of things,
Ye shall sleep as a slain man sleeps, and the world shall forget you for kings.
Though the feet of thine high priests tread where thy lords and our forefathers trod,
Though these that were Gods are dead, and thou being dead art a God,
Though before thee the throned Cytherean be fallen, and hidden her head,
Yet thy kingdom shall pass, Galilean, thy dead shall go down to thee dead.
Of the maiden thy mother men sing as a goddess with grace clad around;
Thou art throned where another was king; where another was queen she is crowned.
Yea, once we had sight of another: but now she is queen, say these.
Not as thine, not as thine was our mother, a blossom of flowering seas,
Clothed round with the world’s desire as with raiment, and fair as the foam,
And fleeter than kindled fire, and a goddess, and mother of Rome.
For thine came pale and a maiden, and sister to sorrow; but ours,
Her deep hair heavily laden with odour and colour of flowers,
White rose of the rose-white water, a silver splendour, a flame,
Bent down unto us that besought her, and earth grew sweet with her name.
For thine came weeping, a slave among slaves, and rejected; but she
Came flushed from the full-flushed wave, and imperial, her foot on the sea.
And the wonderful waters knew her, the winds and the viewless ways,
And the roses grew rosier, and bluer the sea-blue stream of the bays.
Ye are fallen, our lords, by what token? we wise that ye should not fall.
Ye were all so fair that are broken; and one more fair than ye all.
But I turn to her still, having seen she shall surely abide in the end;
Goddess and maiden and queen, be near me now and befriend.
O daughter of earth, of my mother, her crown and blossom of birth,
I am also, I also, thy brother; I go as I came unto earth.
In the night where thine eyes are as moons are in heaven, the night where thou art,
Where the silence is more than all tunes, where sleep overflows from the heart,
Where the poppies are sweet as the rose in our world, and the red rose is white,
And the wind falls faint as it blows with the fume of the flowers of the night,
And the murmur of spirits that sleep in the shadow of Gods from afar
Grows dim in thine ears and deep as the deep dim soul of a star,
In the sweet low light of thy face, under heavens untrod by the sun,
Let my soul with their souls find place, and forget what is done and undone.
Thou art more than the Gods who number the days of our temporal breath;
Let these give labour and slumber; but thou, Proserpina, death.
Therefore now at thy feet I abide for a season in silence. I know
I shall die as my fathers died, and sleep as they sleep; even so.
For the glass of the years is brittle wherein we gaze for a span;
A little soul for a little bears up this corpse which is man.
So long I endure, no longer; and laugh not again, neither weep.
For there is no God found stronger than death; and death is a sleep.
So long I endure, no longer; and laugh not again, neither weep.
For there is no God found stronger than death; and death is a sleep.


Elsewhere Other-Accessible…

• “Hymn to Proserpine” (1866) at Wikipedia

HMortuis

“The Garden of Prosperpine”

By Algernon Charles Swinburne


Here, where the world is quiet;
         Here, where all trouble seems
Dead winds’ and spent waves’ riot
         In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
         A sleepy world of streams.

I am tired of tears and laughter,
         And men that laugh and weep;
Of what may come hereafter
         For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,
Desires and dreams and powers
         And everything but sleep.

Here life has death for neighbour,
         And far from eye or ear
Wan waves and wet winds labour,
         Weak ships and spirits steer;
They drive adrift, and whither
They wot not who make thither;
But no such winds blow hither,
         And no such things grow here.

No growth of moor or coppice,
         No heather-flower or vine,
But bloomless buds of poppies,
         Green grapes of Proserpine,
Pale beds of blowing rushes
Where no leaf blooms or blushes
Save this whereout she crushes
         For dead men deadly wine.

Pale, without name or number,
         In fruitless fields of corn,
They bow themselves and slumber
         All night till light is born;
And like a soul belated,
In hell and heaven unmated,
By cloud and mist abated
         Comes out of darkness morn.

Though one were strong as seven,
         He too with death shall dwell,
Nor wake with wings in heaven,
         Nor weep for pains in hell;
Though one were fair as roses,
His beauty clouds and closes;
And well though love reposes,
         In the end it is not well.

Pale, beyond porch and portal,
         Crowned with calm leaves, she stands
Who gathers all things mortal
         With cold immortal hands;
Her languid lips are sweeter
Than love’s who fears to greet her
To men that mix and meet her
         From many times and lands.

She waits for each and other,
         She waits for all men born;
Forgets the earth her mother,
            The life of fruits and corn;
And spring and seed and swallow
Take wing for her and follow
Where summer song rings hollow
         And flowers are put to scorn.

There go the loves that wither,
         The old loves with wearier wings;
And all dead years draw thither,
         And all disastrous things;
Dead dreams of days forsaken,
Blind buds that snows have shaken,
Wild leaves that winds have taken,
         Red strays of ruined springs.

We are not sure of sorrow,
         And joy was never sure;
To-day will die to-morrow;
         Time stoops to no man’s lure;
And love, grown faint and fretful,
With lips but half regretful
Sighs, and with eyes forgetful
         Weeps that no loves endure.

From too much love of living,
         From hope and fear set free,
We thank with brief thanksgiving
         Whatever gods may be
That no life lives for ever;
That dead men rise up never;
That even the weariest river
         Winds somewhere safe to sea.

Then star nor sun shall waken,
         Nor any change of light:
Nor sound of waters shaken,
         Nor any sound or sight:
Nor wintry leaves nor vernal,
Nor days nor things diurnal;
Only the sleep eternal
         In an eternal night.

Lorn This Way

There was a young man of Cape Horn,
Who wished that he’d never been born;
     And he wouldn’t have been,
     If his father had seen
That the end of the rubber was torn.

(Possibly by Swinburne)

Purple Poesy

DIVERSIONS OF THE RE-ECHO CLUB

It is with pleasure that we announce our ability to offer to the public the papers of the Re-Echo Club. This club, somewhat after the order of the Echo Club, late of Boston, takes pleasure in trying to better what is done. On the occasion of the meeting of which the following gems of poesy are the result, the several members of the club engaged to write up the well-known tradition of the Purple Cow in more elaborate form than the quatrain made famous by Mr. Gelett Burgess:

“I NEVER saw a Purple Cow,
I never hope to see one;
But I can tell you, anyhow,
I’d rather see than be one.”

[…]

MR. A. SWINBURNE:

Oh, Cow of rare rapturous vision,
Oh, purple, impalpable Cow,
Do you browse in a Dream Field Elysian,
Are you purpling pleasantly now?
By the side of wan waves do you languish?
Or in the lithe lush of the grove?
While vainly I search in my anguish,
Bovine of mauve!

Despair in my bosom is sighing,
Hope’s star has sunk sadly to rest;
Though cows of rare sorts I am buying,
Not one breathes a balm to my breast.
Oh, rapturous rose-crowned occasion
When I such a glory might see!
But a cow of a purple persuasion
I never would be.


Elsewhere other-engageable:

The Purple Cow Parodies
Diversions of the Re-Echo Club
Such Nonsense! An Anthology (c. 1918) — with this and other parodies

Sept-Ember

“The Palace of Pan”

by Algernon Charles Swinburne (1837-1909)


September, all glorious with gold, as a king
In the radiance of triumph attired,
Outlightening the summer, outsweetening the spring,
Broods wide on the woodlands with limitless wing,
A presence of all men desired.

Far eastward and westward the sun-coloured lands
Smile warm as the light on them smiles;
And statelier than temples upbuilded with hands,
Tall column by column, the sanctuary stands
Of the pine-forest’s infinite aisles.

Mute worship, too fervent for praise or for prayer,
Possesses the spirit with peace,
Fulfilled with the breath of the luminous air,
The fragrance, the silence, the shadows as fair
As the rays that recede or increase.

Ridged pillars that redden aloft and aloof,
With never a branch for a nest,
Sustain the sublime indivisible roof,
To the storm and the sun in his majesty proof,
And awful as waters at rest.

Man’s hand hath not measured the height of them; thought
May measure not, awe may not know;
In its shadow the woofs of the woodland are wrought;
As a bird is the sun in the toils of them caught,
And the flakes of it scattered as snow.

As the shreds of a plumage of gold on the ground
The sun-flakes by multitudes lie,
Shed loose as the petals of roses discrowned
On the floors of the forest engilt and embrowned
And reddened afar and anigh.

Dim centuries with darkling inscrutable hands
Have reared and secluded the shrine
For gods that we know not, and kindled as brands
On the altar the years that are dust, and their sands
Time’s glass has forgotten for sign.

A temple whose transepts are measured by miles,
Whose chancel has morning for priest,
Whose floor-work the foot of no spoiler defiles,
Whose musical silence no music beguiles,
No festivals limit its feast.

The noon’s ministration, the night’s and the dawn’s,
Conceals not, reveals not for man,
On the slopes of the herbless and blossomless lawns,
Some track of a nymph’s or some trail of a faun’s
To the place of the slumber of Pan.

Thought, kindled and quickened by worship and wonder
To rapture too sacred for fear
On the ways that unite or divide them in sunder,
Alone may discern if about them or under
Be token or trace of him here.

With passionate awe that is deeper than panic
The spirit subdued and unshaken
Takes heed of the godhead terrene and Titanic
Whose footfall is felt on the breach of volcanic
Sharp steeps that their fire has forsaken.

By a spell more serene than the dim necromantic
Dead charms of the past and the night,
Or the terror that lurked in the noon to make frantic
Where Etna takes shape from the limbs of gigantic
Dead gods disanointed of might,

The spirit made one with the spirit whose breath
Makes noon in the woodland sublime
Abides as entranced in a presence that saith
Things loftier than life and serener than death,
Triumphant and silent as time.

(Inscribed to my Mother) Pine Ridge: September 1893

Feel the ’Burne

The Poets at Tea […]

3.—(Swinburne, who let it get cold)

As the sin that was sweet in the sinning
Is foul in the ending thereof,
As the heat of the summer’s beginning
Is past in the winter of love:
O purity, painful and pleading!
O coldness, ineffably gray!
Oh, hear us, our handmaid unheeding,
And take it away!

Barry Pain (1864-1928)


A Melton-Mowbray Pork Pie

Strange pie that is almost a passion,
     O passion immoral for pie!
Unknown are the ways that they fashion,
     Unknown and unseen of the eye.

The pie that is marbled and mottled,
     The pie that digests with a sigh:
For all is not Bass that is bottled,
     And all is not pork that is pie.

Richard Le Gallienne (1866-1947)

Eight Speech

OCTOPUS

By Algernon Charles Sin-burn

STRANGE beauty, eight-limbed and eight-handed,
    Whence camest to dazzle our eyes?
With thy bosom bespangled and banded
    With the hues of the seas and the skies;
Is thy home European or Asian,
    O mystical monster marine?
Part molluscous and partly crustacean,
    Betwixt and between.

Wast thou born to the sound of sea trumpets,
    Hast thou eaten and drunk to excess
Of the sponges — thy muffins and crumpets;
    Of the seaweed — thy mustard and cress?
Wast thou nurtured in caverns of coral,
    Remote from reproof or restraint?
Art thou innocent, art thou immoral,
    Sinburnian or Saint?

Lithe limbs, curling free, as a creeper
    That creeps in a desolate place,
To enroll and envelop the sleeper
    In a silent and stealthy embrace,
Cruel beak craning forward to bite us,
    Our juices to drain and to drink,
Or to whelm us in waves of Cocytus,
    Indelible ink!

O breast, that ’twere rapture to writhe on!
    O arms, ’twere delicious to feel
Clinging close with the crush of the Python,
    When she maketh her murderous meal!
In thy eightfold embraces enfolden,
    Let our empty existence escape;
Give us death that is glorious and golden,
    Crushed all out of shape!

Ah! thy red lips, lascivious and luscious,
    With death in their amorous kiss,
Cling round us, and clasp us, and crush us,
    With bitings of agonized bliss;
We are sick with the poison of pleasure,
    Dispense us the potion of pain;
Ope thy mouth to its uttermost measure
    And bite us again!

Arthur Clement Hilton (1851–77), written at the Crystal Palace Aquarium.

O Apollo

One of Swinburne’s most powerful, but least-known, poems is “The Last Oracle”, from Poems and Ballads, Second Series (1878). A song in honour of the god Apollo, it begins in lamentation:

Years have risen and fallen in darkness or in twilight,
   Ages waxed and waned that knew not thee nor thine,
While the world sought light by night and sought not thy light,
   Since the sad last pilgrim left thy dark mid shrine.
Dark the shrine and dumb the fount of song thence welling,
   Save for words more sad than tears of blood, that said:
Tell the king, on earth has fallen the glorious dwelling,
   And the watersprings that spake are quenched and dead.
Not a cell is left the God, no roof, no cover
   In his hand the prophet laurel flowers no more.

And ends in exultation:

         For thy kingdom is past not away,
            Nor thy power from the place thereof hurled;
         Out of heaven they shall cast not the day,
            They shall cast not out song from the world.
         By the song and the light they give
         We know thy works that they live;
         With the gift thou hast given us of speech
         We praise, we adore, we beseech,
         We arise at thy bidding and follow,
            We cry to thee, answer, appear,
   O father of all of us, Paian, Apollo,
            Destroyer and healer, hear! (“The Last Oracle”)

The power, grandeur and beauty of this poem remind me of the music of Beethoven. Swinburne is also, on a smaller scale and in a different medium, one of the geniuses of European art. He and Beethoven were both touched by Apollo, but Apollo was more than the god of music and poetry: he also presided mathematics. But then mathematics is much more visible, or audible, in music and poetry than it is in other arts. Rhythm, harmony, scansion, melody and rhyme are mathematical concepts. Music is built of notes, poetry of stresses and rhymes, and the rules governing them are easier to formalize than those governing, say, sculpture or prose.  Nor do poetry and music have to make sense or convey explicit meaning like other arts. That’s why I think a shape like this is closer to poetry or music than it is to painting:

Apollonian gasket (Wikipedia)

(Image from Wikipedia.)

This shape has formal structure and beauty, but it has no explicit meaning. Its name has a divine echo: the Apollonian gasket or net, named after the Greek mathematician Apollonius of Perga (c.262 BC–c.190 BC), who was named after Apollo, god of music, poetry and mathematics. The Apollonian gasket is a fractal, but the version above is not as fractal as it could be. I wondered what it would look like if, like fleas preying on fleas, circles appeared inside circles, gaskets within gaskets. I haven’t managed to program the shape properly yet, but here is my first effort at an Intra-Apollonian gasket:

Apollonian gasket

(If the image does not animate or looks distorted, please try opening it in a new window)

When the circles are solid, they remind me of ice-floes inside ice-floes:

Apollonian gasket (solid)

Simpler gaskets can be interesting too:

five-circle gasket


five+four-circle gasket


nine-circle gasket