Lūmen Nūmen

’Tis a green scene
With many white mouths:

The trumpet-mouths
Of bindweed

Begoddening
The sun-begoldened air.

And the hoverfly
To the fleabane’s eye

Sweets soft songs
I catch nor match.

Yet fleabane’s eye
To hoverfly:

Παντοπόρνη!

Eye-Dentity Politics…

In terms of core issues around key notions of maximal engagement with Aldapuerta’s The Eyes (1996), a coupla corely key counter-cultural conundrums coalesce compulsively in the crania of all competent committed contemplators of the Counter Culture…

The first (of course) is that of why all Aldapuerta acolytes are so slim, good-looking, intelligent, imaginative, neurosis-free, psychosis-free, rigorously abstemious from drink, drugs and pornography, and inflexibly adherent to William S. Burroughs’ keyly core counter-cultural commandment of “Mind Your Own Business and Leave Other People Alone…”

The second (also of course) is the ultra-esoteric, über-exciting and endlessly enticing enigma of Aldapuerta’s identity

I myself spend six or seven hours every day on a daily basis contemplating this core counter-cultural conundrum… “Who is Jesús Aldapuerta?” I ax myself on repeat.

And I think – I think – I’ve finally cracked it.

The supposed Spanish writer Jesús Aldapuerta is really the undoubted English writer and former politician… Jeffrey Archer.

Here’s the proof…

The initials are identical: J.A.

Jeffrey Archer = J.A.
Jesús Aldapuerta = J.A.

Coincidence? No. This is the literary equivalent of leaving your monogrammed handkerchief at the scene of the crime.

Both spent time in prison

Archer did two years for perjury. Aldapuerta allegedly had several stints in Spanish jails for offences including petty theft and micturating on nuns from a second-floor balcony.

Both love extravagant lies

Archer invented CV details, fake charities, and imaginary meetings with the Queen. Aldapuerta invented an entire biography (born 1953, tortured by Franco’s secret police, ate his own manuscript, etc.). Same inclination to pathological mendacity.

Both vanished at convenient moments

Aldapuerta “died” in 1988 and no identifiable corpse was ever photographed. Archer “retired” from politics in 1987 after a tabloid sex scandal. Translation: he needed a gap year in Madrid to write necrophile sestinas under a new passport.

Shared obsession with eyes

Archer titled one novel A Prisoner of Birth — birth = eyes opening. Aldapuerta’s masterpiece is literally called The Eyes. Both men clearly have an Oedipal eye-fetish that Freud would need a bigger couch for.

Aldapuerta was never seen in the same room as Jeffrey Archer

Classic doppelgänger logic. Whenever Archer is signing books at Harrods, Aldapuerta’s ghost is allegedly pushing daisies in Madrid. Suspiciously convenient.

The ultimate smoking gun: the lost manuscripts

In 1992, Archer claimed he accidentally burned an entire unpublished novel in his garden. In 1988, Aldapuerta supposedly ate his only copy of The Eyes sequel. Only one man could be that clumsy with priceless manuscripts.

And there you have it. Jeffrey Archer is Jesús Aldapuerta, and the transgressive literary world has been punk’d for four decades by a Tory peer with a fondness for disembowelment metaphors.


A fractal based on juggled eyeballs

Limerique Ophtalmodontique

Il était un gendarme à Nanteuil,
Qui n’avait qu’une dent et qu’un oeil;
    Mais cet oeil solitaire
    Était plein de mystère;
Cette dent, d’importance et d’orgueil. — George du Maurier (1834-96)


Elsewhere other-accessible

Vers Nonsensiques — more by du Maurier

Perplexing Purple

We have three sets of cones (or colour sensors) in our retinas, each of which is sensitive to a different part of the colour spectrum; the brain then constructs the rest of the spectrum by extrapolating from the relative strength of these three. In the case of purple, which occurs when the red and blue sensors but not the green ones are triggered, the brain creates a colour to fill the gap. If your brain were more objective, rather than showing you purple, it would display a patch of flickering grey with the words “system error” on it. — Rory Sutherland in Alchemy: The Surprising Power of Ideas That Don’t Make Sense (2019), section 6.2

Blue is the Killer

Eye Bogglers by Gianni A. Sarcone and Marie-Jo WaeberEye Bogglers: A Mesmerizing Mass of Amazing Illusions, Gianni A. Sarcone and Marie-Jo Waeber (Carlton Books 2011; paperback 2013)

A simple book with some complex illusions. It’s aimed at children but scientists have spent decades understanding how certain arrangements of colour and line fool the eye so powerfully. I particularly like the black-and-white tiger set below a patch of blue on page 60. Stare at the blue “for 15 seconds”, then look quickly at a tiny cross set between the tiger’s eyes and the killer turns colour.

So what’s not there appears to be there, just as, elsewhere, what’s there appears not to be. Straight lines seem curved; large figures seem small; the same colour seems light on the right, dark on the left. There are also some impossible figures, as made famous by M.C. Escher and now studied seriously by geometricians, but the only true art here is a “Face of Fruits” by Arcimboldo. The rest is artful, not art, but it’s interesting to think what Escher might have made of some of the ideas here. Mind is mechanism; mechanism can be fooled. Optical illusions are the most compelling examples, because vision is the most powerful of our senses, but the lesson you learn here is applicable everywhere. This book fools you for fun; others try to fool you for profit. Caveat spectator.

Simple but complex: The café wall illusion

Simple but complex: The café wall illusion

Electrify Your Eyes

Front cover of The Spark of Life by Frances AshcroftThe Spark of Life: Electricity in the Human Body, Frances Ashcroft (Penguin 2013)

“Electricity in the Human Body” is the subtitle of this book. Make that the goat, frog, eel, shark, torpedo-ray, snake, platypus, spiny anteater, sooty shearwater and fruit-fly body too. And if Venus flytraps, maize and algae have bodies, throw them in next. Frances Ashcroft gives you a bargeload of buzz for your buck, a shedload of shock for your shekel: The Spark of Life describes the use of electricity by many different forms of life. But it discusses death a lot too, from lightning-strikes and electric chairs to heart-attacks and toxicology. Poisons can be a cheap and highly effective way of interfering with the electro-chemistry of the body:

The importance of sodium and potassium channels in generating the nerve impulse is demonstrated by the fact that a vast array of poisons from spiders, shellfish, sea anemones, frogs, snakes, scorpions and many other exotic creatures interact with these channels and thereby modify the function of nerve and muscle. … The tetrodotoxin contained in the liver and other tissues of this fish [the fugu or puffer-fish, Takifugu spp., Lagocephalus spp., etc] is a potent blocker of the sodium channels found in your nerves and skeletal muscles. It causes numbness and tingling of the lips and mouth within as little as thirty minutes … This sensation of “pins and needles” spreads rapidly to the face and neck, moves onto the fingers and toes, and is then followed by gradual paralysis of the skeletal muscles … Ultimately the respiratory muscles are paralysed, which can be fatal. The heart is not affected, as it has a different kind of sodium channel that is far less sensitive to tetrodotoxin. The toxin is also unable to cross the blood-brain barrier so that, rather horrifyingly, although unable to move and near death, the patient remains conscious. (ch. 3, “Acting on Impulse”, pp. 69-70)

In short, fugu-poisoning is the opposite of electrocution: it’s the absence rather than the excess of electricity that kills its victims. Those “channels” are a reminder that electro-chemistry could also be called electro-mechanics: unlike an electricity-filled computer, an electricity-filled body has moving parts – and in more ways than one. Our muscles move because ions move in and out of our cells. This means that a body has to be wet inside, not dry like a computer, but it’s easy to imagine a human brain controlling a robotic body. But would a brain still be conscious if it became metal-and-plastic too? Perhaps a brain has to be both soggy and sparky to be conscious.

The electrical nature of the brain certainly seems important, though that may be a superstitious conclusion. Electricity is a mysterious phenomenon and so is consciousness, so they seem to go together well. Ashcroft writes a lot about the sense-organs and the data they supply to the brain, but like all scientists she cannot explain how those data are turned into conscious experience as the maths-engine of the brain applies its neuro-functions and neuro-algorithms. However, she does suggest ways in which our consciousness might be expanded in future. Humans have colour vision, based on the three types of cone-cells in our eyes:

Most mammals, such as cats and dogs, have only two types of cone photopigment and so see only a limited range of colour … Other animals live in a world entirely without colour. But humans should not be too complacent, for we are far from having the best colour vision in the animal world and lag far behind the mantis shrimp, which enjoys ten or more different visual pigments. Even tropical fish possess four or five types of cones. (ch. 9, “The Doors of Perception”, pg. 199)

Bio-engineering may one day sharpen and extend all our senses, from sight and hearing to touch, taste and smell. It may also give us new senses, like the ability to form sound-pictures like bats and detect infra-red like pit-vipers. And why not X-rays and radio-waves too? It’s an exciting prospect, but in a sense it won’t be anything new: our new senses, like our old ones, will depend on nerve-impulses and the way they’re mashed and mathed in that handful of “electrified clay” known as the brain.

“Electrified clay” is Shelley’s phrase: like his wife Mary, he was fascinated by the early electric experiments of the Italian scientists Luigi Galvani and Alessandro Volta. Mary turned her fascination into a book called Frankenstein (1818) and her invention is part of the scientific history in this book. The story of bio-electricity is still going strong: there are electric mysteries in all kinds of bodies waiting to be solved. Maybe consciousness is one of them. And if science proves unable to crack consciousness, it’s certainly able to expand it. Reading this book is one way to experience the mind-expanding powers of science, but seeing like a mantis shrimp would be good too.

Jug is the Drug

In “The Gems of Rebbuqqa”, I interrogated notions around the concept of priestesses who permanently juggle three giant eye-like gems, a ruby, a sapphire, and an emerald, atop a sandstone altar. In “The Schismatarch” (forthcoming), I will interrogate notions around the concept of a Himalayan sect that believes this universe is one of three juggled by a god called Nganāma. Each of these universes contains a smaller Nganāma who juggles three dwarf universes; et sic ad infinitum. Moreover, the Nganāma juggling our universe sits in a larger universe, one of three juggled by a giant Nganāma in a larger universe still, which is one of three on a higher plane; et sic ad infinitum. The cosmology of the Nganāma-sect is fractal: ut supra, sic infra: as above, so below. Here are some animated gifs inspired by these two stories and based on juggled eye-gem fractals.

A fractal of three juggled blue eyes

 A fractal comprising three juggled eyes

A fractal of three sets of three juggled eyes

A fractal comprising three sets of three sets (sic) of three juggled eyes

A fractal based on juggled eyeballs

A fractal of three juggled eyes, in front of each of which three more eyes are juggled

A fractal of 27 juggled eyes