Bestia Bestialissima

Auberon Waugh called himself a “practitioner of the vituperative arts”. Perhaps it was a Catholic thing. And unless you know Latin, you won’t understand. Or you won’t understand as much as you might. I don’t know Latin well, but I can appreciate some of the wonderful vituperation in a book of Latin exorcisms I’ve found scanned at Google Books. The title alone is good: Flagellum Daemonum: Exorcismos Terribiles, Potentissimos et Efficaces, which means (I think) The Flail of Demons: Exorcisms Terrible, Most Potent and Effective. Or is the title Fustis Daemonum: Adiurationes Formidabiles, Potentissimas et Efficaces, meaning The Cudgel of Demons: Adjurations Formidable, Most Potent and Effective?

Vituperation from the Flagellum Daemonum (1644)

Vituperation from the Flagellum Daemonum (1644)


Either way, one of the exorcisms contains a good list of curses directed at the Devil. He’s called Bestia Omnium Bestiarum Bestialissima, meaning “Beast of All Beasts the Most Beastly”. Beside that, there are Dux Hæreticorum and Lupus Rapacissimus, “Duke of Heretics” and “Most Rapacious Wolf”. There’s an odd Sus Macra, Famelica, et Immundissima, which means something like “Scrawny, Famished and Most Filthy Hog”. Lovecraft would have liked Nefandissimus Susurrator, “Most Unspeakable Whisperer”, and Draco Iniquissimus, “Most Iniquitous Dragon”.

Pessimus Dux Tenebrarum is “Most Evil Duke of Darkness” and Janua et Vorago Inferni is “Door and Abyss of Hell”. Seminator Zizaniarum, meaning “Sower of Tares”, refers to Matthew xiii, 25: “But while men slept, his enemy came and sowed tares among the wheat, and went his way.” And those are only a few of the curses poured on the Devil’s head. I’ve turned the full list into plain text. As it says in the book that originally led me to the Flagellum Daemonum, “The following is a specimen of one of these vituperative addresses”:

Audi igitur insensate, false, reprobe, et iniquissime Spiritus. Inimice fidei. Adversarie generis humani. Mortis adductor. Vitæ raptor. Justitiæ declinator. Malorum radix. Fomes vitiorum. Seductor hominum. Proditor gentium. Incitator invidiæ. Origo aravitiæ. Causa discordiæ. Excitator malorum. Dæmonum magister. Miserrima Creature. Tentator Homininum. Deceptor malorum Angelorum. Fallax animarum. Dux Hæreticorum. Pater Mendacii. Fatue Bestialis. Tui creatoris Inimicus. Insipiens ebriose. Inique et iniquorum caput. Prædo infernalis. Serpens iniquissime. Lupe rapacissime. Sus macra, famelica, et immundissima. Bestia eruginosa. Bestia scabiosa. Bestia truculentissima. Bestia crudelis. Bestia cruenta. Bestia omnium Bestiarum Bestialissima. Ejecte de Paradise. De gratiâ Dei. De Cœli fastigio. De loco inerrabili. De Societate et consortia Angelorum. Immundissime Spiritus Initium omnium malorum. Trangressor bonæ vitæ. Veritatis et Justitiæ persecutor. Auctor fornicationum. Seminator zizaniarum. Dissipator pacis. Latro discordiæ. Pessime dux tenebrarum. Mortis inventor. Janua et vorago Inferni. Crudelis devorator animarum omniumque malorum causa. Malignissime Dæmon. Spurcissime Spiritus. Nefandissime susurrator. Nequissima Creatura. Vilissime apostata. Scelestissima latro. Impiissima bestia infernalis. Superbissime et ingratissime Spiritus. Iniquissime refuga. Tyranne, Omni bono vacue. Plene omni dolo et fallaciâ. Hominum exterminator. Derisio totius Angelicæ Naturæ. Maledicte Satana a Deo. Excommunicate a totâ cœlesti curiâ. Blaspheme Dei et omnium Sanctorum. Damnate a Deo atque Damnande. Spiritus Acherontine. Spiritus Tartaree. Fili Perditionis. Fili maledictionis æternæ. Rebellis Dei et totius cœlestis curiæ. Serpens crudelissime. Draco iniquissime. Creatura damnata, reprobata et maledicta a Deo in æternum ob superbiam nequitiam tuam.

The first line, Audi igitur insensate, false, reprobe, et iniquissime Spiritus means something like “Hear, then, Senseless, False, Reprobate and Most Iniquitous Spirit”. Then the Devil is called Inimicus Fidei, “Enemy of the Faith”, Adversarius Generis Humani, “Adversary of the Human Race”, Mortis Adductor, “Dragger to Death”, and Vitæ Raptor, “Snatcher of Life”. Then the vituperation really begins.

Go Fig, Carr

“What they will find is a clear look into the molten core of a certain mind-set, a place where conspiracies are legion, victims are portrayed as perpetrators and so-called news is a fig leaf on a far darker art.” — “Sowing Mayhem, One Click at a Time”, David Carr, The New York Times, 15/xii/2014, viâ Steve Sailer.

Vibe Alibe

“The recent election of Syriza in Greece offers a vibrant glimmer of hope for the future of social and economic democracy in Europe.” — from a letter to The Guardian by Judith Butler, Slavoj Žižek, Jacqueline Rose, et al.

Mix to the Marx

“And in the global climate of the early 90s, it’s perhaps not surprising that the ANC bent to the neoliberal flood tide, putting its Freedom Charter calls for public ownership and redistribution of land on the back burner.” — Mandela has been sanitised by hypocrites and apologists, Seamus Milne, The Guardian, 12/xii/2013.


Previously pre-posted (please peruse):

• Reds under the Thread

Hit and Smith

Front cover of Songs that Saved Your Life by Simon GoddardSongs that Saved Your Life: The Art of The Smiths 1982-87, Simon Goddard (Titan Books 2013)

I enjoyed Simon Goddard’s Mozipedia – The Encyclopedia of Morrissey and The Smiths a lot. And learnt a lot from it too. But I haven’t bothered finishing Simon Goddard’s Songs that Saved Your Life: The Art of The Smiths 1982-87 (an updated edition of The Smiths: Songs That Saved Your Life, 2002). There’s too much rock-writer rhetoric, too many mixed metaphors, too few pictures. None, in fact, apart from the band-photo on the front cover and the tickets on the back. Part of the problem is that The Smiths were only Act One in Mozza’s career. Johnny Marr played guitar well and wrote some beautiful tunes. But Morrissey was the interesting, eclectic and original one in The Smiths: the Mogpie didn’t need Marr a quarter as much as Marr needed the Mogpie. That’s part of why Mozipedia is better. Use this book as a supplement, because it’s got a lot of disc-o-detail and the appendices are good, covering The Smiths on record, in concert and on TV and radio. Goddard doesn’t have room to get rock-o-rhetorical there.