Papyrocentric Performativity Presents:
• Mobile Metal – Battleground: The Greatest Tank Duels in History, ed. Steven J. Zaloga (Osprey Publishing 2011)
• Allum’s Album – The Collector’s Cabinet: Tales, Facts and Fictions from the World of Antiques, Marc Allum (Icon Books 2013)
• Aschen Passion – Death in Venice and Other Stories, Thomas Mann, translated by David Luke (1988)
Or Read a Review at Random: RaRaR
• Lautlos und fein rann der rostrot gefärbte Sand durch die gläserne Enge, und da er in der oberen Höhlung zur Neige ging, hatte sich dort ein kleiner, reißender Strudel gebildet. — Thomas Mann, Der Tod in Venedig (1912)
• Silently, subtly, the rust-red sand trickled through the narrow glass aperture, dwindling away out of the upper vessel, in which a little whirling vortex had formed. — “Death in Venice” (translated by David Luke)
• Es war, als ob er irgendwohin horchte, auf irgend ein unheimliches Geräusch. — Thomas Mann, Der kleine Herr Friedemann (1897)
• He seemed somehow to be listening, listening to some uncanny noise from nowhere. — “Little Herr Friedemann” (translated by David Luke)
Overlord In Terms of Core Issues Around Maximal Engagement with Key Notions of the Über-Feral 