Performativizing Papyrocentricity #67

Papyrocentric Performativity Presents:

Killer Chiller ThrillerNight Without End, Alistair MacLean (1959)

Above and BelowThe Archaeology of Underground Mines and Quarries in England, John Barnatt (Historic England 2019)

Wannabe Wonder-WeaverThe Best of Robert Westall Volume One, Robert Westall (1993)

All Glitter, No GlowA.C. Swinburne: A Poet’s Life, Rikky Rooksby (Scolar Press 1997)

Recycle, RepeatRevival, Stephen King (2014)

Gained in TranslationCuentos de Averoigne: Todos los Cuentos de Averoigne de Clark Ashton Smith, traducción de Enric Navarro (Pickman’s Press 2019)

Sean of the HeadAm I Evil? The Autobiography, Brian Tatler with John Tucker (2009; second edition 2017)

Posted at Overlord of the Über-Feral:

Maximal MozMorrissey in Conversation: The Essential Interviews, ed. Paul A. Woods (Plexus 2016)

Absence and EssenceAbandoned: The Most Beautiful Forgotten Places from Around the World, Mathew Growcoot (Ebury Press 2017)


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Performativizing Papyrocentricity #59

Papyrocentric Performativity Presents:

Mobile MetalBattleground: The Greatest Tank Duels in History, ed. Steven J. Zaloga (Osprey Publishing 2011)

Allum’s Album – The Collector’s Cabinet: Tales, Facts and Fictions from the World of Antiques, Marc Allum (Icon Books 2013)

Aschen PassionDeath in Venice and Other Stories, Thomas Mann, translated by David Luke (1988)


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Tott ist Rot

• Lautlos und fein rann der rostrot gefärbte Sand durch die gläserne Enge, und da er in der oberen Höhlung zur Neige ging, hatte sich dort ein kleiner, reißender Strudel gebildet. — Thomas Mann, Der Tod in Venedig (1912)

• Silently, subtly, the rust-red sand trickled through the narrow glass aperture, dwindling away out of the upper vessel, in which a little whirling vortex had formed. — “Death in Venice” (translated by David Luke)

Noise from Nowhere

• Es war, als ob er irgendwohin horchte, auf irgend ein unheimliches Geräusch. — Thomas Mann, Der kleine Herr Friedemann (1897)

• He seemed somehow to be listening, listening to some uncanny noise from nowhere. — “Little Herr Friedemann” (translated by David Luke)

Performativizing Papyrocentricity #53

Papyrocentric Performativity Presents:

Pocket to LaroussiaLarousse de Poche (Librarie Larousse 1954)

Translated to HeavenLes Hommes Volants, Valerie Moolman, trans. Madeleine Astorkia (Time-Life Books 1981)

The Eyes of the Infinite MindFicciones, Jorge Luis Borges

Caught by the FurzeFrancis Walker’s Aphids, John P. Doncaster (British Museum 1961)

Commit to CrunchMaverick Munch: Selecting a Sinisterly Savory Snack to Reinforce Your Rhizomatically Radical Reading, Will Self (TransVisceral Books 2016)


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He Say, He Sigh, He Sow #43

Me dijo que su libro se llamaba el Libro de Arena, porque ni el libro ni la arena tienen ni principio ni fin. — Jorge Luis Borges, “El Libro de Arena” (1975)

   He told me that his book was called the Book of Sand, because neither book nor sand has beginning or end. — Borges, “The Book of Sand

He Say, He Sigh, He Sow #40

Muerto, no faltarán manos piadosas que me tiren por la baranda; mi sepultura será el aire insondable; mi cuerpo se hundirá largamente y se corromperá y disolverá en el viento engendrado por la caída, que es infinita. — «La biblioteca de Babel» (1941), Jorge Luis Borges (1899–1986).

When I die, there shall be no lack of pious hands to cast me over the railing; my grave shall be the fathomless air; my body shall fall for ever and rot and dissolve in the wind generated by the fall, which is everlasting. — “The Library of Babel”, Jorge Luis Borges.

He Say, He Sigh, He Sow #39

— Croyez-vous aux idées dangereuses ?
— Qu’entendez-vous par là ?
— Croyez-vous que certaines idées soient aussi dangereuses pour certains esprits que le poison pour le corps ?
— Mais, oui, peut-être.

  Guy de Maupassant, « Divorce » (1888)


“Do you believe in dangerous ideas?”
“What do you mean by that?”
“Do you believe that certain ideas are as dangerous for some minds as poison is for the body?”
“Well, yes, perhaps.”

Performativizing Papyrocentricity #49

Papyrocentric Performativity Presents:

Clarke’s SparksThe Collected Stories, Arthur C. Clarke (Victor Gollancz 2000)

Deeper and DownBlind Descent: The Quest to Discover the Deepest Place on Earth, James M. Tabor (Random House 2010)

Manchester’s Mozzerabilist MessiahMorrissey: The Pageant of His Bleeding Heart, Gavin Hopps (Continuum Books 2012)


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Performativizing Papyrocentricity #33

Papyrocentric Performativity Presents:

Wattir an WirdsThe Strange Adventures of Mr Andrew Hawthorn & Other Stories, John Buchan (Penguin Books 2009)

Caveat LectorWill This Do? The First Fifty Years of Auberon Waugh, Auberon Waugh (Century 1991)


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