Glittering skeins of piping birds
Fleet through the web of all our words.
*“Flying words”.
Category Archives: Literature
He Say, He Sigh, He Sow #22 & #23
“After a million years or so, those screens are about to be removed, and once they have gone, then, for the first time, men will really know what it is to be alive.” — Extreme Metaphors: Collected Interviews with J.G. Ballard, 1967-2008, ed. Simon Sellars and Dan O’Hara (2012).
“A fertile imagination is better than any drug.” — Ibid.
Elsewhere other-posted:
• Vermilion Glands — review of The Inner Man: The Life of J.G. Ballard (W&N 2011)
He Say, He Sigh, He Sow #21
“Two margarines on the go — it’s a nightmare scenario…” — John Shuttleworth.
Performativizing Papyrocentricity #25
Papyrocentric Performativity Presents:
• Colouring the Chameleon – Olivier, Philip Ziegler (MacLehose Press 2013)
• Paper-Deep – Treasure Island (1883) and Dr. Jekyll and Mr. Hyde (1885), Robert Louis Stevenson
• Fins and Fangs – The Fresh and Salt Water Fishes of the World, Edward C. Migdalski and George S. Fichter, illustrated by Norman Weaver (1977) (posted @ Overlord of the Über-Feral)
Or Read a Review at Random: RaRaR
He Say, He Sigh, He Sow #20
“In 1997, Fabrice Bellard announced that the trillionth digit of π, in binary notation, is 1.” — Ian Stewart, The Great Mathematical Problems (2013).
They Saw, They Sigh, They Sow #4
“There is no theory yet that explains olfactory perception completely.” — Wikipedia entry for Olfaction, 6/vi/2014.
The Whale’s Way
“Sea Fever” (1902)
I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel’s kick and the wind’s song and the white sail’s shaking,
And a grey mist on the sea’s face, and a grey dawn breaking.
I must go down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.
I must go down to the seas again, to the vagrant gypsy life,
To the gull’s way and the whale’s way, where the wind’s like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick’s over.
• John Masefield (1878–1967)
Performativizing Papyrocentricity #22
Papyrocentric Performativity Presents:
• Plates from the Great – Shots from the Front: The British Soldier 1914-18, Richard Holmes (HarperPress 2008; paperback 2010)
• Math for the Mistress – A Mathematician’s Apology, G.H. Hardy (1940)
• Sinister Sinema – Scalarama: A Celebration of Subterranean Cinema at Its Sleazy, Slimy and Sinister Best, ed. Norman Foreman, B.A. (TransVisceral Books 2015)
• Rick Pickings – Lost, Stolen or Shredded: Stories of Missing Works of Art and Literature, Rick Gekoski (Profile Books 2013/2014)
• Slug is a Drug – Collins Complete Guide to British Coastal Wildlife, Paul Sterry and Andrew Cleave (HarperCollins 2012) (posted @ Overlord of the Über-Feral)
Or Read a Review at Random: RaRaR
The Power of Babel
“…par la suggestive lecture d’un ouvrage racontant de lointains voyages…” – J.K. Huysmans, À Rebours (1884).
The language you know best is also the language you know least: your mother tongue, the language you acquired by instinct and speak by intuition. Asking a native speaker to describe English, French or Quechua is rather like asking a fish to describe water. The native speaker, like the fish, knows the answer very intimately, yet in some ways doesn’t know as well as a non-native speaker. In other words, standing outside can help you better understand standing inside: there is good in the gap. What is it like to experience gravity? Like most humans, I’ve known all my life, but I’d know better if I were in orbit or en route to the moon, experiencing the absence of gravity.
And what is it like to be human? We all know and we’ve all read countless stories about other human beings. But in some ways they don’t answer that question as effectively as stories that push humanity to the margins, like Richard Adams’ Watership Down (1972), which is about rabbits, or Isaac Asimov’s The Gods Themselves (also 1972), which is about trisexual aliens in a parallel dimension. There is good in the gap, in stepping outside the familiar and looking back to see the familiar anew.
Continuing reading The Power of Babel…
The Verm Terms
“Our relationship with Saudi Arabia is vitally important for our country in terms of counter-terrorism, in terms of the broader Middle East, in terms of helping in respect of Israel and Palestine.” — Tony Blair hits back at criticism…, BBC News, 15/xii/2006.
Elsewhere other-posted:
