
William Sharp, “Victoria Regia or the Great Water Lily of America (Underside of a Leaf)” (1854), viâ Jeff Thompson

William Sharp, “Victoria Regia or the Great Water Lily of America (Underside of a Leaf)” (1854), viâ Jeff Thompson
OCTOPUS
By Algernon Charles Sin-burn
STRANGE beauty, eight-limbed and eight-handed,
Whence camest to dazzle our eyes?
With thy bosom bespangled and banded
With the hues of the seas and the skies;
Is thy home European or Asian,
O mystical monster marine?
Part molluscous and partly crustacean,
Betwixt and between.
Wast thou born to the sound of sea trumpets,
Hast thou eaten and drunk to excess
Of the sponges — thy muffins and crumpets;
Of the seaweed — thy mustard and cress?
Wast thou nurtured in caverns of coral,
Remote from reproof or restraint?
Art thou innocent, art thou immoral,
Sinburnian or Saint?
Lithe limbs, curling free, as a creeper
That creeps in a desolate place,
To enroll and envelop the sleeper
In a silent and stealthy embrace,
Cruel beak craning forward to bite us,
Our juices to drain and to drink,
Or to whelm us in waves of Cocytus,
Indelible ink!
O breast, that ’twere rapture to writhe on!
O arms, ’twere delicious to feel
Clinging close with the crush of the Python,
When she maketh her murderous meal!
In thy eightfold embraces enfolden,
Let our empty existence escape;
Give us death that is glorious and golden,
Crushed all out of shape!
Ah! thy red lips, lascivious and luscious,
With death in their amorous kiss,
Cling round us, and clasp us, and crush us,
With bitings of agonized bliss;
We are sick with the poison of pleasure,
Dispense us the potion of pain;
Ope thy mouth to its uttermost measure
And bite us again!
Arthur Clement Hilton (1851–77), written at the Crystal Palace Aquarium.
Papyrocentric Performativity Presents:
• Roy des Fleurs – Scented Flora of the World: An Encyclopedia, Roy Genders (Robert Hale 1977)
• Art to Hart – Lives in Writing, David Lodge (Vintage Books 2015)
• Could Yew Kudzu? – Wicked Plants: The A-Z of Plants that Kill, Maim, Intoxicate and Otherwise Offend, Amy Stewart (Timber Press 2010)
Or Read a Review at Random: RaRaR
When the biologist E.O. Wilson was asked by a friend what to do about the ants that had invaded his kitchen, Wilson said: “Watch where you step.” — Christopher Potter, How to Make a Human Being: A Body of Evidence (2014), pg. 214

Wolfgang Tillmans, Toucan (2010)
Papyrocentric Performativity Presents:
• At the Margins of Mapness – Mapping the World: The Story of Cartography, Beau Riffenburgh (Carlton Books 2011, 2014)
• Vivid Viral – Flora: An Artistic Voyage through the World of Plants, Sandra Knapp (Natural History Museum 2014)
• Auto Motive – Dream Cars: The Hot 100, Sam Philip (BBC Books 2014)
Or Read a Review at Random: RaRaR
Papyrocentric Performativity Presents:
• Nor Severn Shore – The Poems of A.E. Housman, edited by Archie Burnett (Clarendon Press 1997) (posted @ Overlord of the Über-Feral)
• Knight and Clay – The Riddle of the Labyrinth: The Quest to Crack an Ancient Code and the Uncovering of a Lost Civilisation, Margalit Fox (Profile Books 2013)
• Goal God Guide – The Secret Footballer’s Guide to the Modern Game: Tips and Tactics from the Ultimate Insider, The Secret Footballer (Guardian Books 2014)
Or Read a Review at Random: RaRaR
Reading about Searle’s Chinese Room Argument at the Stanford Encyclopedia of Philosophy, I came across “Leibniz’s Mill” for the first time. At least, I think it was the first time:
It must be confessed, however, that perception, and that which depends upon it, are inexplicable by mechanical causes, that is to say, by figures and motions. Supposing that there were a machine whose structure produced thought, sensation, and perception, we could conceive of it as increased in size with the same proportions until one was able to enter into its interior, as he would into a mill. Now, on going into it he would find only pieces working upon one another, but never would he find anything to explain perception. It is accordingly in the simple substance, and not in the compound nor in a machine that the perception is to be sought. Furthermore, there is nothing besides perceptions and their changes to be found in the simple substance. And it is in these alone that all the internal activities of the simple substance can consist. (Monadology, 1714, section #17)
Andererseits muß man gestehen, daß die Vorstellungen, und Alles, was von ihnen abhängt, aus mechanischen Gründen, dergleichen körperliche Gestalten und Bewegungen sind, unmöglich erklärt werden können. Man stelle sich eine Maschine vor, deren Structur so eingerichtet sei, daß sie zu denken, zu fühlen und überhaupt vorzustellen vermöge und lasse sie unter Beibehaltung derselben Verhältnisse so anwachsen, daß man hinein, wie in das Gebäude einer Mühle eintreten kann. Dies vorausgesetzt, wird man bei Besichtigung des Innern nichts Anderes finden, als etliche Triebwerke, deren eins das andere bewegt, aber gar nichts, was hinreichen würde, den Grund irgend einer Vorstellung abzugeben. Die letztere gehört ausschließlich der einfachen Substanz an, nicht der zusammengesetzten, und dort, nicht hier, muß man sie suchen. Auch sind Vorstellungen und ihre Veränderungen zugleich das Einzige, was man in der einfachen Substanz antrifft. (Monadologie, 1714)
We can see that Leibniz’s argument applies to mechanism in general, not simply to the machines he could conceive in his own day. He’s claiming that consciousness isn’t corporeal. It can’t generated by interacting parts or particles. And intuitively, he seems to be right. How could a machine or mechanism, however complicated, be conscious? Intuition would say that it couldn’t. But is intuition correct? If we examine the brain, we see that consciousness begins with mechanism. Vision and the other senses are certainly electro-chemical processes in the beginning. Perhaps in the end too.
Some puzzles arise if we assume otherwise. If consciousness isn’t mechanistic, how does it interact with mechanism? If it’s immaterial, how does it interact with matter? But those questions go back much further, to Greek atomists like Democritus (c. 460-370 BC):
Δοκεῖ δὲ αὐτῶι τάδε· ἀρχὰς εἶναι τῶν ὅλων ἀτόμους καὶ κενόν, τὰ δ’ἀλλα πάντα νενομίσθαι.
He taught that the first principles of the universe are atoms and void; everything else is merely thought to exist.
Νόμωι (γάρ φησι) γλυκὺ καὶ νόμωι πικρόν, νόμωι θερμόν, νόμωι ψυχρόν, νόμωι χροιή, ἐτεῆι δὲ ἄτομα καὶ κενόν.
By convention sweet is sweet, bitter is bitter, hot is hot, cold is cold, color is color; but in truth there are only atoms and the void. (Democritus at Wikiquote)
Patterns of unconscious matter and energy influence consciousness and are perhaps entirely responsible for it. The patterns are tasteless, soundless, colourless, scentless, neither hot nor cold – in effect, units of information pouring through the circuits of reality. But are qualia computational? I think they are. I don’t think it’s possible to escape matter or mechanism and I certainly don’t think it’s possible to escape mathematics. But someone who thinks it’s possible to escape at least the first two is the Catholic philosopher Edward Feser. I wish I had come across his work a long time ago, because he raises some very interesting questions in a lucid way and confirms the doubts I’ve had for a long time about Richard Dawkins and other new atheists. His essay “Schrödinger, Democritus, and the paradox of materialism” (2009) is a good place to start.
Elsewhere other-posted:
• Double Bubble
• This Mortal Doyle
• The Brain in Pain
• The Brain in Train
Papyrocentric Performativity Presents:
• Ai Luv Yew – The Bonsai Bible: The Definitive Guide to Choosing and Growing Bonsai, Peter Chan (Hamlyn 2014)
• Starway to Heaven – Guide to the Pyramids of Egypt, Alberto Siliotti, preface by Zahi Hawass (White Star Publishers 2000)
• Escape and Essence – The Wooden Horse, Eric Williams (Pen & Sword 2013)
• Aspects of the Annihilator – Sub-Machine Gun: The development of sub-machine guns and their ammunition from World War I to the present day, Maxim Popenker and Anthony G. Williams (Crowood Press 2011)
• Northanger Abyss – Jane in Blood: Castration, Clitoridolatry and Communal Cannibalism in the Novels of Jane Austen, Dr Miriam B. Stimbers (University of Nebraska Press 2014)
Or Read a Review at Random: RaRaR
Papyrocentric Performativity Presents:
• Sky Story – The Cloud Book: How to Understand the Skies, Richard Hamblyn (David & Charles 2008)
• Wine Words – The Oxford Companion to Wine, ed. Janice Robinson (Oxford University Press 2006)
• Nu Worlds – Numericon, Marianne Freiberger and Rachel Thomas (Quercus Editions 2014)
• Thalassobiblion – Ocean: The Definitive Visual Guide, introduction by Fabien Cousteau (Dorling Kindersley 2014) (posted @ Overlord of the Über-Feral)
Or Read a Review at Random: RaRaR