
Cover of Albinö Rhino’s Upholder (2016)
I don’t like the music, but I do like the cover.

Cover of Albinö Rhino’s Upholder (2016)
I don’t like the music, but I do like the cover.
In terms of core issues around maximal engagement with keyly committed core components of the counter-cultural community, one of the saddest, sorriest and sighfullest sights among them is that of the talented lad from the wrong side of the tracks who betrays his class by turning himself into a Guardian-reader, in terms of core cultural assumptions and behaviour.
Northampton’s Alan Moore has done it.
London’s Stewart Home has done it.
Huddersfield’s John Coulthart has done it.
How do I know?
[Readers’ Advisory: If you are easily disturbed, distressed and/or disgusted, please stop reading NOW.]
I know because
[I mean it. Stop reading or you may well regret it.]
I know because each of these talented lads from the wrong side of the tracks now bears the Mark of the Beast, metaphorically speaking.
[Last chance.]
Each of them has, on multiple occasions and without the minimalest micro-metric of shame or irony, deployed the key Guardianista phrase “in terms of”.
• For proof of Alan Moore’s deplorable delinquency, please see here.
• For proof of Stewart Home’s dep-del, please see here.
• For proof of John Coulthart’s dep-del, please see in the same place as you possibly saw or are-about-to-see Stewart Home’s, i.e. here.
So. After seeing and lamenting those horrific examples of class-betrayal, I thought I was hermeneutically hardened and would never again experience sadness, sorrow or sighfullness at the sight of a talented lad etc.
I was wrong.
As I learned when I read this interview in The Mail on Sunday:
There was a lot of negativity in terms of my mum getting frustrated with us as kids, messing around all the time, smashing things in the house and my nan lived in the same road, a few houses down. […] In terms of therapy, I have spoken to a few different people. I have never done a period of time where I have done two years with someone and it has been ongoing. […] Everything I am asking of those players in terms of hard work, honesty, trust, commitment…if I was just to turn round and say “I have had an offer, I’m off”, I honestly couldn’t do that to the players and the staff. — Wayne Rooney reveals his secret two-day drinking binges etc
Oh, Wayne, Wayne, Wayne. How could you do it? But I think we can easily guess where he was infected: it was during his therapy-sessions.
Elsewhere other-accessible
• Ex-Term-In-Ate! — interrogating issues around why “in terms of” is so teratographically toxic…
• All posts interrogating issues around “in terms of”…
• All posts interrogating issues around the Guardian-reading community and its affiliates…

Copepoda by Ernst Haeckel from Kunstformen der Natur / Artforms of Nature (1904)

Cover of ASG’s Survive Sunrise (2018) by Malleus Rock Art Lab
• Photograph of diatoms collected in Russia and arranged on a microscope slide in 1952 by A.L. Brigger
Slow Exploding Gulls have always been one of my favorite bands and Yr Wylan Ddu (1996) is one of my favorite albums by these Exeter esotericists. The cover is one of their best too:
Yr Wylan Ddu (1996) by Slow Exploding Gulls
Yr Wylan Ddu is Welsh for “The Black Gull”. But it’s become a white gull to celebrate the album’s twenty-fifth anniversary:
Yr Wylan Ddu (2021 re-issue)
Elsewhere other-accessible
• Mental Marine Music — an introduction to Slow Exploding Gulls
• Slow Exploding Gulls at Bandcamp
• Gull-SEG — the oldest and best Slow-Exploding-Gulls fan-site
“Más es menos” is Spanish for “more is less”. And you can certainly see “más es menos” at work in the paintings of that greatest of Spaniards, Salvador Dalí. The more technically skilled and detailed his art became, the less powerful and interesting it was. Compare Sleep, from 1937…
…with Still Life — Fast Moving from 1956:
“If this work is about hell,” he says, “it’s not only about hell in terms of content. It’s also about hell in terms of its hellishness in terms of production.” — maximally maverick artist Jake Chapman describes how he and his brother Dinos made the transgressive sculpture Hell (2000), as quoted in Simon Garfield’s In Miniature: How Small Things Illuminate the World (2018)
Elsewhere Other-Accessible
• Ex-term-in-nate! — incendiarily interrogating issues around “in terms of”…
• All O.o.t.Ü.-F. posts interrogating issues around “in terms of”…
Peri-Performative Post-Scriptum…
Yes, this was an über-ideal quote for posting on the 23rd in terms of the month… But I was so taken with it that I couldn’t delay any longer. And anyway: it is the 23rd of the months in base 11. (I.e., 2111 = 2 * 11 + 1 = 22 + 1 = 23.)

Albert Bierstadt (1830-1902), “Sunrise on the Matterhorn” (>1875)