Performativizing Papyrocentricity #51

Papyrocentric Performativity Presents:

Bits of the Best – The Shorter Strachey, Lytton Strachey, ed. Michael Holroyd and Paul Levy (Oxford University Press 1980)

Shaman On U!Copendium: An Expedition into the Rock’n’Roll Underworld, Julian Cope (Faber and Faber 2012)

Scorpions and Sea-LordsPhilip’s Guide to Seashells, A.P.H. Oliver, illustrated by James Nicholls (various)

Spike-U-LikeThe Cactus Handbook, Erik Haustein, translated by Pamela Marwood (Cathay Books 1988)

GlasguitargangDog Eat Dog: A Story of Survival, Struggle and Triumph by the Man Who Put AC/DC on the World Stage, Michael Browning (Allen & Unwin 2014)


Or Read a Review at Random: RaRaR

Oneiric Ocean

20000-leagues-under-the-sea


I like this illustration of a scene in Jules Vernes’s Twenty Thousand Leagues Under the Sea (1870) even more because it has at least one mistake in it. At least, I think it’s a mistake: the jellyfish on the upper left are two Portuguese men-o’-war (really colonial hydrozoans, not jellyfish). They have gas-filled float-bladders, so in reality you see them only on the surface, not hanging in midwater like that. The mistake makes the scene like a dream. The absence of colour is good too: it fixes the illustration firmly in the past and the colours you imagine are more vivid. The artist is imagining, dreaming, conjuring a vision of an oneiric ocean.

He Say, He Sigh, He Sow #39

— Croyez-vous aux idées dangereuses ?
— Qu’entendez-vous par là ?
— Croyez-vous que certaines idées soient aussi dangereuses pour certains esprits que le poison pour le corps ?
— Mais, oui, peut-être.

  Guy de Maupassant, « Divorce » (1888)


“Do you believe in dangerous ideas?”
“What do you mean by that?”
“Do you believe that certain ideas are as dangerous for some minds as poison is for the body?”
“Well, yes, perhaps.”

De Pluribus Unum

A beautifully subtle puzzle:

Scrambled Box Tops

Imagine you have three boxes, one containing two black marbles, one containing two white marbles, and the third, one black and one white marble. The boxes are labelled according to their contents — BB, WW, and BW — but someone has switched the labels so that every box is now incorrectly labelled. You are allowed to take one marble at a time out of any box, without looking inside, and by this process of sampling you are to determine the contents of all three boxes. What is the smallest number of drawings needed to do this? — Martin Gardner, Mathematical Puzzles and Diversions (1959), chapter 3, “Nine Problems”, #5.

Bald eagle, Haliaeetus leucocephalus (Linnaeus 1776)

Bald eagle, Haliaeetus leucocephalus (Linnaeus 1776)

Answer: You can learn the contents of all three boxes by drawing just one marble. The key to the solution is your knowledge that the labels on all three boxes are incorrect. You must draw a marble from the box labelled “black-white”. Assume that the marble drawn is black. You know then that the other marble in the box must be black also, otherwise the label on the box would be correct. Since you have now identified the box containing two black marbles, you can tell at once the contents of the box labelled “white-white”: you know it cannot contain two white marbles, because its label has to be wrong; it cannot contain two black marbles, because you have identified that box; therefore it must contain one black and one white marble. The third box, of course, must then be the one containing two white marbles. You can solve the puzzle by the same reasoning if the marble you draw from the “black-white” box happens to be white instead of black.

Performativizing Papyrocentricity #50

Papyrocentric Performativity Presents:

Life LocomotesRestless Creatures: The Story of Life in Ten Movements, Matt Wilkinson (Icon 2016)

Heart of the MotherJourney to the Centre of the Earth: A Scientific Exploration into the Heart of Our Planet, David Whitehouse (Weidenfeld & Nicolson 2015)

LepidopterobibliophiliaBritish Butterflies: A History in Books, David Dunbar (The British Library 2012)

Minimal Manual – Georgisch Wörterbuch, Michael Jelden (Buske 2016)


Or Read a Review at Random: RaRaR

Performativizing Papyrocentricity #49

Papyrocentric Performativity Presents:

Clarke’s SparksThe Collected Stories, Arthur C. Clarke (Victor Gollancz 2000)

Deeper and DownBlind Descent: The Quest to Discover the Deepest Place on Earth, James M. Tabor (Random House 2010)

Manchester’s Mozzerabilist MessiahMorrissey: The Pageant of His Bleeding Heart, Gavin Hopps (Continuum Books 2012)


• Or Read a Review at Random: RaRaR

Performativizing Papyrocentricity #48

Papyrocentric Performativity Presents:

Vois la ReinePhilip’s Moon Observer’s Guide, Peter Grego (Philip’s 2015)

Gods of FireVolcano Discoveries: A Photographic Journey around the World, Tom Pfeiffer and Ingrid Smet (New Holland 2015)

Chemical TalesRocks and Minerals, Ronald Louis Bonewitz (Dorling Kindersley 2012)

Knyghtes of the RoyalmeMalory: Works, ed. Eugène Vinaver (Oxford University Press 1977)

Alfredo to ZinedineFootball’s Great Heroes and Entertainers, Jimmy Greaves with Norman Giller (Hodder & Stoughton 2007)


Or Read a Review at Random: RaRaR

He Say, He Sigh, He Sow #37

• Il sole, con tutti quei pianeti che girano intorno ad esso e da esso dipendono, può ancora maturare un grappolo d’uva come se non vi fosse nient’altro da fare in tutto l’universo. — Galileo Galilei, 1564-1642.

   • “The sun, with all those planets turning around it and dependent on it, can still ripen a bunch of grapes as if it had nothing else in the universe to do.”